Thứ Tư, 31 tháng 5, 2017

Waching daily Jun 1 2017

Hello everyone and welcome to English supplement. My name is Johnny and today

we're going to talk about see look and watch

see look and watch Each mean a slightly different thing and knowing the difference can help you

in conversation and in your writing. So let's talk about see. Now when we talk

about to see that means something that is naturally coming into your field of

vision, something you don't have to make much of an effort to see. For example, I

can see the road sign. I can see my friend

waving to me. This doesn't require any hard attention or any focus to be given

to see something. It's whatever is naturally in your field of vision. To look,

this is different in the sense that it requires a little bit of focus. So when

you look at a painting you're not just seeing it as if it's just naturally

randomly coming into your field of vision but you are giving it attention

you are looking at the painting. So when someone says look at this painting it's

beautiful. You look and you focus on it and that's when we use look or another

example would be I've lost my house keys please help me look for them so when you

are looking for your house keys or your car keys you are actively focusing

actively looking for them. To watch is slightly different in that

if you are watching something whatever it is that you are watching must be in

motion and that's the key word here is in motion. So for example I'm watching

the football game. Its motion that you are watching or another example, the

police were watching the suspect all day. They were following the suspects

movements all day but they use watch or watching because it is motion is in

motion. So to quickly recap to see something seeing just comes naturally

whatever is in your field of vision. To look is a little different that you need

to focus on what you're looking at so right now I am looking at the camera I

am focusing on it, and then to watch watch something requires motion so you

are watching me on the screen. That is the difference between to see to look

and to watch and thank you very much everybody

if you enjoyed this video please remember to like and subscribe I make

these videos for you guys if you have any suggestions please leave them in the

comments I always take suggestions and thank you very much I hope you're having

a wonderful day

me

For more infomation >> English Lesson - How to use See, Look and Watch 👍 - Duration: 4:05.

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BRAZILIAN WONDER DRONE WOMAN // Zmaro asked how was created DRONE WOMAN - Duration: 3:55.

Guys I was taking a look

In the audiences of my channel and 95% is MALE

And 5% is here

Are you THE DRONE WOMAN?

Wow 5% only! We have to invite more women

Women have to at least say that are here

Exactly, but now I am sure they're starting to come

The photographers will be here, filmmakers

The girls of GEO REFERENCING

WOMEN WILL INVAD THE DRONES

They have to invade and show their face and say I'm here!

Or maybe they're using her husband's computer.

And ends up accessing because in the audience only shows who is logged in

What's your name ? HELENA

HELENA Why do they call you the DRONE WOMAN?

I came to learn from the same instructor you've learned: ÉLIO MARTIN

And what happened there in the stadium I was robbed

I left the hood open. Some people came and I was robbed.

And I called the police.

She opened the hood and went flying away

They steal the Lens 50 mm, battery

Anyway, this is what happened ...

I called the police and the woman who sells drinks asked me:

"Hey Hey Hey Drone Woman? What happened?

The cops are not letting you fly?

No. I was robbed! They helped me! Then the people in the stadium shop asked me

Hey Drone Woman what happened?

Then... DRONE WOMAN was created as my nickname there

But it looks like you've turned advertisement girl into a brand of a manufacture, right?

What does DRONE WOMAN have to do with it? No, I'm not yet.

I'm not yet a advertisement girl, BUT if someone wants to sponsor me?

MI Hao Ma I'm here for the Chinese to see me!

She already represents 5%

And of what this is manifesting

So this is a suggestion for her to be or not to be an advertisement girl

Suddenly you are watching the video now and she has already become the Wonder Drone Woman

DRONE WOMAN if any brand of a company or something else is looking for something she is here

But why do you think the male audience

Manifest themselves more? Because women when they appear in the tracks

The wives who come here are just enjoying

The other side of the track

But piloting radio control it is only you. Why is that?

Why would that be? Actually, I think it's more a matter of taste

Men like collecting, modeling

Men like engines. They like things like a NERD

And since I'm NERD too, I like this world.

But for example if I were to film a man

Any interview that I do normally

I turn on the camcorder and start recording

But women need to make-up and hairstyle

Yes, we have to! I know why women don´t pilot a drone

But look how beauty ? Do you really think we should not make up?

Look at my theory because women does not fly drone

Because women when catch the Drone

They will want to make up and get everything right ... it's already dark and the battery is over

People her contacts for you to call the DRONE WOMAN to represent your store is all here

Enter this link here and you talk to her:: helena@aMulherDoDrone.com.br

And you'll see what she's doing on the YOUTUBE channel "Drone's Woman" - "a Mulher do Drone"

She is posting and you will find everything else

About her and the next interviews I will do with her you can check here

That's it ... So you call the DRONE WOMAN that I'm going to come with

Lots of videos, lot of short film and movies

awesomes of places that you´ve never been before

OK? KISSES and Sign up for her channel in the description below.

Youtube.com/aMulherdoDrone.com.br

For more infomation >> BRAZILIAN WONDER DRONE WOMAN // Zmaro asked how was created DRONE WOMAN - Duration: 3:55.

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15 Weird Animals You Won't Believe Exist - Duration: 7:33.

• With an estimated 9 million species on the planet there's plenty of variety to

choose from.

But which ones really stand out?

Would you believe these were real if you saw them?

Here's the top 15 weird animals you won't believe exist.

15 – Ocean Sunfish • These are the largest bony fish that exist

and they can weigh almost a tonne.

They look like floating ironing boards and are so big that they can't really control

their motion.

So, they are just pushed by the current, grazing on whatever jellyfish and small creatures

are propelled carried along with them.

• They are seen as an easy target for sharks and the big aquatic mammals like sealions

and killer whales.

• Without any real defences, they have evolved a very simple trick to survive; they just

lay an astonishing number of eggs, 3 million at a time, the highest volume of any vertebrate.

14 - Velella velella • This is a kind of cnidarian, which includes

corals and jellyfish.

They have a soft blue base and they float on the sea surface.

Like the sunfish, they don't have much control over their motion but these guys have a small

triangular sail to catch the wind.

• This can result in them being blown ashore though, and places like California have seen

kilometres of beach covered in stranded velella velella, like an alien massacre.

• To make them that extra bit weirder, if you pick one up, you're actually holding

a mini colony that's working together like one complete organism.

13 – Glowing Cats • Dr Eric Poeschla led a research project

into protecting cats from the feline form of AIDS.

They took a gene from the rhesus macaque, known to produce a protein that resists many

animal Aids viruses, and transferred it to the cats' eggs.

• But, to make it easier to mark the cells and find them under a microscope, they also

used a fluorescent protein from jellyfish, leading to glow in the dark cats.

12 – Issus Leaf hopper • This tiny bug has an incredibly powerful

jump and it can accelerate with a force of over 400g.

To give you some perspective, a human body can only take about 20g

• In order to control this massive force, they've had to evolve one of the most astonishing

things to occur in nature; organic cogs.

Their legs join together like cogwheels so that each jump is exactly synchronised.

Without this, any tiny delay between each leg would have them bouncing around like a

kitten in a Ferrari; all that power with no control.

11 – Axolotl • Almost all animals change to become adults;

caterpillars become butterflies, tadpoles become frogs and humans get the spotty, moody

joy of puberty.

But the axolotl is one of the very few creature without this metamorphosis.

This permeant youth is called neotony.

• Neotony helps with their almost supernatural ability to regenerate.

They can grow back legs, parts of their brain, even their spine.

10 - Cantor's giant softshell turtle • If you came across one of these guys by

the side of the road, you'd assume he'd had a meeting with a truck tire.

But they don't need the heavy protection of their brother turtles as they spend almost

all their time, buried and motionless in the sand.

• They ambush passing crustaceans and fish by shooting out their head as fast as a cobra,

with a bite that can crush bone.

9 - Giraffe weevil • It's pretty obvious where these guys

get their name from, especially the males, who have a neck double or triple that of the

female.

• Unlike a giraffe's neck, which helps them feed from the softer leaves at the top

of the tree, the weevils only use theirs for nest building and a good, old fashioned fight.

8 – Oilbird • These South American birds live in cave

and are nocturnal.

They are one of the few birds to echolocate, just like how bats do.

But rather than hunting insects, they diet on fruit.

• They get their name because people used to catch their fat chicks and boil them for

oil.

• Oilbirds are also one of the most evolutionary established birds since it's been distinct

for 80 million years.

7 - - Golden Tortoise Beetle • These insects' shells contain nano-grooves,

that are typically filled with a light red liquid that gives them their gold shine.

When this liquid is drained, the lower, darker red layers become visible so, when you watch

them, they turn from gold to red.

This kind of colour changing is very rare, especially among insects.

The gold shine makes them hard to spot and the red probably mimics ladybugs, that birds

don't eat.

• They turn red when they are stressed and during sexual arousal, so, pretty much just

like the rest of us really.

6 – Jaglions • This large cat is a hybrid animal, where

two different species mate and create a cross breed.

Cats are probably the most common group where this occurs since there are many different

mixes like Ligers, Tigons, and Savannahs, which are a mix of house cat and African Serval.

• The Jaglion can end up with jaguar's spots or even a mix of spots and the black

panther colouring • These mixes are not just from zoos, they

used to occur in nature too, when populations were higher.

5 – Grolar Bear • Another strange cross breed is the Grizzly

and Polar bear mix.

They normally have a cream head and back, and darken towards the legs, like they've

just got dirty while jogging.

• In Canada and Alaska, their territories can overlap and so these bear liaisons occur

from time to time.

• Polar bears are being forced south by the melting icecaps so this kind of cross

breeding may become fairly normal.

4 – Scarlet Jellyfish • These jellyfish may have unlocked the

secret to immortality.

As we saw with the axolotl, the secret to regeneration is the childhood stage.

• So, if a scarlet jellyfish gets injured or just overdoes it at the weekend, they can

revert to a childlike state, called a polyp, and just grow everything back.

• Within 2 months they are back to being a full jelly adult again.

3 – Cape Rain Frog • These fat little frogs are native to South

Africa.

And if you think they look a bit chubby to swim around, you're right, they actually

drown in water.

They prefer to live burrowed in the ground and they come out just before the rain begins.

• They puff up when under threat and even let out a pig-like squeal.

2 – Hooded Seal • At first glance, these seals look like

pretty unremarkable seals; fat and furry, just like you'd expect.

• But when it comes to mating season, they have evolved one of the strangest lures in

the mammal kingdom.

The males puff out huge skin sacks on their heads, creating a pink balloon.

This is used to threaten off smaller males and entice the ladies.

• So, fellas, you know what your new Tinder profile needs to be.

1 - Babirusa • Also known as the deer-pig, babirusas

have to take their dental care very seriously.

If you don't brush your teeth, you'll get cavities.

But if a babirusa doesn't grind down its canines they can eventually curve round and

pierce its own skull.

• Both the upper and lower jaw grow these bent tusks, with the top ones used as protection

and the bottom as a way to attack.

For more infomation >> 15 Weird Animals You Won't Believe Exist - Duration: 7:33.

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GoBearTV Ep 3 | Travel Insurance 101 - Duration: 2:40.

Hi folks!

Welcome back to GoBearTV.

This week, we're gonna dive right into travel insurance.

So, are you ready?

Ready!

If something "suay" (unfortunate) happens to you overseas,

having travel insurance helps ease your mind.

Why?

Because it covers medical expenses and evacuation,

lost and damaged belongings,

and even cancelled trips.

Let's look at them in more detail now.

Have you ever had street food

and "kena" (got) food poisoning?

Forgot your charcoal pills?

Or you actually need to see a doctor

immediately while you're overseas?

Well, travel insurance covers

your medical expenses while you're there

and actually, back in Singapore too,

from clinics, all the way to hospitals.

Imagine you went rock climbing

and then, "Ahhhhhh!", you fell!

How like that?

In situations like these, travel insurance pays

to have you airlifted to a local hospital

with the right medical facilities.

How much do you think that will cost you?

Hundreds and thousands of dollars!

Oh my gosh!

Money got stolen? You're covered!

Lost or damaged baggage? You're covered too!

Just make sure you file a report immediately.

Let's say you have to cancel your trip

under these circumstances…

You can actually be reimbursed for

your flight and accommodation expenses.

Oh!

And I'm sure most of you have seen

news about the closure of tour agencies,

resulting in holiday makers having

difficulty in seeking compensation?

Well, you are covered too if you have travel insurance.

Lastly, a few things to note.

Make sure that you are covered for

all the countries that you are visiting,

especially the high-risk countries.

Get a plan with higher payout for all your stuff.

Make sure the plan actually has

sufficient medical coverage

for any illnesses or accidents.

And are you an extreme sports seeker?

Not all plans cover it so make sure you get the right one!

When it comes to choosing a plan,

don't toss a coin and pick blindly.

Visit gobear.com and compare the different plans.

We handle the nitty gritty, you compare easy.

For more information, click on the link to GoBear's blog.

And if you enjoy this video, like it and share it so that

we know that we're hitting the right spot.

And in the next video, we'll be unleashing a few tricks

on how you can get freebies

with your credit cards when you travel!

So, see you then!

For more infomation >> GoBearTV Ep 3 | Travel Insurance 101 - Duration: 2:40.

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How Do You Pronounce Bolognese? Andy Knows | Season 1 Ep. 2 | LOVE CONNECTION - Duration: 2:09.

Where'd you go on the date?

We went to a Moroccan restaurant, a very

romantic Moroccan restaurant.

OK.

All right.

Do you like Moroccan food?

I've never had it before.

The ambience and decor was great,

but when it comes to my food, I don't play with it too much.

So--

Oh, come on.

Broaden your horizons a little more.

I was open.

You wanted to order spaghetti Bolognese,

and you didn't even know how to pronounce Bolognese.

Oh, come on.

By the way, Anne, I don't think you're pronouncing it

correctly either.

Thank you.

Thank you, Andy.

What did you just say?

Spaghetti "bowl-ga-nays."

Is it--

"Bowl-ga-nays."

"Borg-a-nays?"

"Bowl-ga-nays."

It's "bowl-en-yays."

"Bowl-en-yays."

"Bowl-en-yays."

That's what I said.

All right, we're saying two different things.

You wanted to order spaghetti.

No.

This is what I wanted.

I said, "I've had that before," and then the one thing I did

want, she was like, "No, no.

We'll try this." She's a little bossy.

You're a little bossy.

I'm a little bossy.

I'll admit, I'm a little bossy.

I was like, let's get a lamb sausage,

just in case everything was bad.

It wasn't lamb sausage.

It was lamb meatballs.

Sorry, lamb meatballs.

I apologize.

Damn.

Anyway, she ended up eating my food.

She didn't even eat her-- she ate all my food.

Sharing is caring, Boo, and we shared all of our food,

and just because you didn't like the food that I ordered

doesn't mean that I ate all your food.

We shared.

I even gave you the last meatball.

I gave you the last meatball.

Don't lie up on there.

Do not be lying up on there.

Yes, you did.

Yes, you did give me the last meatball,

but there was five meatballs, and I had one.

For more infomation >> How Do You Pronounce Bolognese? Andy Knows | Season 1 Ep. 2 | LOVE CONNECTION - Duration: 2:09.

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CosmoEnergy Healing Session: Protection From The Enemy ( Igor Andreev's school of Cosmo Mage) - Duration: 4:55.

Hello, dear friends!

Today we are working with protection

from the inner and outside enemies.

Inner enemies are the thoughts,

and any negative desires.

While listening to this session,

you can close your eyes and receive a healing.

If you liked this session,

you can contact me via Skype or call me.

All info you can find on www.andreevmag.com.

We are starting....

For more infomation >> CosmoEnergy Healing Session: Protection From The Enemy ( Igor Andreev's school of Cosmo Mage) - Duration: 4:55.

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Chicken - Duration: 0:39.

(casual music)

(distant chicken noise)

[Jane] Here, chckie, chickie, chickie

- What's Jane doing?

I told her because of the Roseland annexation,

she had to give rid of her animals.

- That's not true.

[Jane] Here, chckie, chickie, chickie

- You sure?

- Yeah.

- Hmm.

- So, you gonna tell her?

- Nope.

- [Kim] Here, chickie, chickie, chickie, chickie.

- Good call.

(chicken balking)

Waching daily Jun 1 2017

Waching daily May 31 2017

Hi, this is Dr. Hourglass, and welcome to another video in our channel Star Bodies.

Today we are going to discuss "Fat transfer to achieve the hourglass figure".

In this channel we discuss everything you need to know to get that star body that you want.

Welcome back!

I have developed to help women my very own signature procedure called the hourglass hip procedure.

As you may have noticed, the hourglass has been the most coveted body in the world today.

Celebrities have started the trend of "the curvier the better," which is why more women are opting

for surgery to get the hourglass body.

Nevertheless, while the hourglass fat transfer procedure may deliver you the curvy and voluptuous body

that you want, it is still dependent on the aesthetic condition of your body.

In this video, I will show you what the hourglass hip procedure entails and how it can help

give you the body of your dreams.

First of all, an hourglass body means you will have a smaller waist, wider hips and bigger buttocks.

The overall silhouette will be curvy in all the right places.

For most patients, only fat transfer is needed to achieve most of the hourglass body features.

These are the major steps involved in the hourglass hip procedure:

1. Fat extraction from the abdomen, sides, flanks, and upper back.

2. Purification of the fat.

3. Fat grafting in the buttocks and hips.

Liposuction is done in order to extract the fat from target areas, which is usually in the abdominal area, back,

sides, flanks and thighs.

The goal is not only to remove fat, but also shape it.

By doing so, you will have a smaller, voluptuous and youthful waist.

While this procedure seems easy, it actually requires the use of specialized techniques and approaches.

Afterwards, the fat retrieved is processed and purified to separate the healthiest fat cells from the rest.

The surgeon will separate the healthy fat cells from the impurities, fluids, damaged fat cells, and blood.

This process ensures that only the best fat cells will be transferred to your hips.

Once all this is done, the extracted fat cells are then injected into the hips using special needles.

You will be relying heavily on the aesthetic sense of the surgeon during this step as they graft

the fat into the buttocks and hips.

This is important because the amount of fat inserted into your body greatly affects the final results.

What is important is that, at the end of the procedure, all the typical features

of the hourglass body figure are achieved.

This means the hips are made wider, while the waist is smaller.

Because of this, I ensure that there is always balance and proportion with each injection

of the extracted fat into the buttocks and hips.

In this video, we discuss Fat Transfer to Achieve the Hourglass Figure.

In the next video, we will discuss: 4 Criteria a choose in between the tummy tuck and liposuction.

Remember to comment below, share this video, like this video, and subscribe to our channel

for more information, here at the Star Bodies channel, only on YouTube.

Also, you can log in to our website,

for more information about your procedure and to see amazing surgical results.

If you have a question please post it below and we will be happy to answer it.

Maybe we will make a video about it.

Remember to log on to our Hourglass TV for more information about your surgical procedures.

On Monday we have Bootyman for everything related to buttock enhancement procedures.

Tuesdays: Wonder Breasts where we discuss topics related to cosmetic breast surgery.

Wednesdays we have Star Bodies. If you want to have a star body log on to our Hourglass TV.

Thursdays: Hourglass OR you're going to see me doing live surgeries with before and after pictures.

Also Shoddy where we discuss cases that require cosmetic surgical revision.

And Friday SuperHourGlass for topics related to have that Hourglass figure that you want.

And finally live broadcast surgeries every day of the week on Facebook live, Periscope and SnapChat.

All these and more in the Hourglass TV!

For more infomation >> Fat Transfer to Achieve the Hourglass Shape-Dr.Hourglass-YouTube - Duration: 6:51.

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How to Create a Real Estate Open House Green Screen Video - Duration: 19:18.

In this tutorial, I'm going to show you how to create a simple green screen video such

as the one that's playing right now.

We created this for Paul and posted it on his Facebook page and it did quite well and

you can see that he is just talking (I have the sound turned down for that), but he is

just talking about the images that are coming up behind him.

And we filmed him talking and then we went and got the images from the MLS and inserted

those behind him when we were editing the video.

So I'm also going to show you, briefly, our video set up and talk about the equipment

that we use to shoot the video.

And then I'm going to show you how to actually edit the video in Adobe Premiere Pro CC and

insert the images and put it all together.

So here you can see our video set up where we record and shoot all the videos.

You can see Paul talking to the camera and you can see the green screen cloth behind

him.

There's 2 box lights that we use to light the scene.

We also have a tripod with a camera and a teleprompt system and we also use a microphone

with a boom pole.

The reason we do that is because the sound you get directly from the camera is not always

great quality.

So we have a separate sound system - because that's one of the most important features

in video.

I've put links to all the equipment that we use in the box below.

So, I'd thought it would be useful to see this which is what Paul sees when he's filming.

This is the teleprompter showing Paul his script for the video.

Okay, so let's get down to talking about how we actually go about editing a green screen

video.

So at this point, we're going to assume that you have all the images gathered together

and that you have the video file.

So, you've filmed your green screen footage against your green screen and you've imported

that video file from your camera onto your computer.

And so you should have something like this.

You can see I've got a video file and I've got an audio file and then I've got my folder

which has all my images that I'm going to put behind Paul once I've actually removed

the green screen.

So, just to recap - we've got a video file and if you've taken this directly from a camera,

it's usually an MTS file, but it could be something like an MP4 file or something like

that.

But again, it's just directly from your camera and you may have had to take your SD card

from the camera and put it into your computer to get hold of that.

And the audio file - we have separate audio files as I mentioned before.

We record directly into our computer and we don't use the audio that comes from the camera.

So we just have one extra step to go through.

You can use the video file that is directly from you camera that will also have audio

on it, but we just decided that we wanted something that was a little bit better quality.

So, let me go and show you how I pull all that into Adobe Premiere Pro CC.Okay, so here

I am in Adobe Premiere Pro, I've just opened up the software and this is the welcome screen.

I'm going to go ahead and click on 'New Project'.

I'm going to call the file something that makes sense and I'm saving it in my GreenScreen

Tutorial folder.

That's the correct folder - I'm going to select that.

And the rest of these settings are default, so I'm going to go ahead and click ok.

And, the next thing I'm going to do is look at this Project window over here and I'm going

to import my audio and video files.

You may just have a video file, but we record our audio separately, so we have 2 files.

If you do decide to record audio separately, I'm going to show you what we do, but you

would skip this step.

Well, you wouldn't skip this step, you would import some files - so I'm right clicking

and clicking import.

Or you can also go to File, Import.

I'm going to import my video and audio files.

Now you can see they're here.

This is the step that you would skip if you only have a video file.

This video file has a video and audio - you can see those little icons.

There's video icon and an audio icon.

Whereas this only has an audio icon.

So I'm going to just go ahead and merge these clips.

And it's very simple in Adobe Premiere Pro CC - you just select both the files, click

merge clips.

Call it something intuitive and then click ok.

And you'll see it processes quite quickly.

Well, it's taking a little bit of time today - it's usually quicker than this.

There it goes.

So now you'll see I have 3 files - I have the audio and the video that I imported and

now I have the audio/video merged.

And this is the file I need to edit because it's got the better sound on it.

So, I'm going to double click on that and it opens up here in the Editing window.

And then I'm going to scrub through it and find out where the beginning of the clip is

that I actually need.

Paul's dancing there.

So, you find the beginning of the clip and then you're going to use these 2 little buttons

here to mark, you're going to use this one to mark the beginning of the clip that you

want.

So if you're playing it, the minute he says hi, I'm Paul Brelin, I'm just going to click

the Mark In and then I'm going to scroll through to the end.

Right there.

So, this is the clip that I want - this is him talking about the open house.

And you can literally drag that onto your timeline.

So this is the timeline over here and you'll see it's just the clip and I'm going to move

it all the way to the beginning.

So now if I start playing it.

So this is the video file with basically the beginning and ending clipped out where we

were just getting set up and closing down.

You've got video and audio tracks here and it says V1 and A1 and because we need to put

images behind Paul, I'm just going to move up the video part of the folder onto this

layer up so that I can put images in here.

And then what I'm going to do next is, I'm going to import the images.

So I'm going to create a new bucket or bin and I'm going to call that images.

And then I'm going to right click on that, click import and go to the folder where I

keep all my images for the open house video.

You can click control a or if you're on a Mac, I think it's command a and hit open.

And now it's importing all those images into that image folder.

I've labelled these images so that I can see what they are.

So I'm going to look for the front and then I've pulled an image over and you can see

it's this thin pink slice.

You can just pull this bar a little bit at the bottom and to the right and it makes these

chunks a little bit bigger and easier to work with.

So now I'm going to pull over another chunk and you can use this little red toggle that

appears and pull these blocks larger.

I'm just going to continue to pull some of these images and I'm not going to do this

in such detail as I usually do, I'm just going to pull a few images in.

But you'll probably want to pull in a whole load more images - I'm just doing this for

brevity's sake.

So now if I just click on this toggle, the eye icon, it basically just gets rid of Paul

for the moment.

And now we can see if we scrub through, all the different images are there.

They're just selected on the video.

So those are a little bit small.

And you can see all this area of black around the outside.

Now, these images are not quite high resolution, but they will be fine for the video, but the

video images you import may be too big and they may cover this screen or they may be

smaller.

So you don't want any images smaller than this.

So, what I'm going to do with this one is I'm going to select the image.

And you can see if turns a paler color.

And I'm going to come up here to click on Effect Controls and you can see there's a

Scale option here, and you can just drag over to the right and it will enlarge the image.

And really what you want is no black within this viewer window here and then come back

to the timeline and move the scrub head over to the next image and you can see the image

is small again.

I'm just going to click on the image until it becomes this pale color and now that image

is selected, come up to the Effect Controls, to the Scale and just pull the scale up to

about 189%, which is this figure here.

And again, move the scrub head over to next image, click on the image and do the same

thing.

So I'll just show you that with the last 2 - and again, you'd have more images than this

in an actual video.

Then again, move the scrub head to the next one, click on the image that you want to manipulate

and enlarge it.

Okay, so now if I play the video through, you can hear Paul talking, you can see the

images changing as the scrub head's moving along.

But now what I want to do is put Paul back and remove that green screen so that we can

see the images behind him.

So what I'm going to do for that is come over here to Effects and I;m going to type into

the little search box there Ultra, because what I'm looking for is a function called

Ultra Key.

And you literally click on that and drag it and drop it onto the video that you want to

manipulate.

So now this has the Ultra Key and you'll see this appeared in the Effects window.

So it's over here.

So, I'll just undo that and show you again.

If you look over here, I;m pulling the Ultra Key onto my video file and Ultra Key functions

appear over here.

So what I'm going to do is, I'm going to click on the eye dropper that's on the key color.

So basically the key color is the color that you want to remove.

And just as an aside, in making these videos, you should make sure that you're not wearing

any green or whatever the color of your background screen is.

Some people use blue screens, but in this one, it's green.

So if Paul was wearing a green shirt or a shirt with green in it, that would be bad.

So, I'm going to click on the little icon.

And what I do is to try to get the best results, I click on the darkest place of green because

we don't have the most optimal lighting we get shadows on the green screen.

So you click always on the darkest.

And now you can see that the green has disappeared, it's as easy as that, but there's still a

grey areas.

So you can clean that up a little bit more.

You come back over to your Effect Controls and you enlarge the Matt Generation menu and

you can see there's all these different options.

So the 2 that I use are the Highlight and the Pedestal.

So with the Highlight, again it's like the Scale on the image size, you just bring it

down all the way to 0.

And on the Pedestal, you can take it all the way up until that cloudiness disappears.

And if I go back and forth, you can see it come and go.

So I take it up until its gone away.

So the next thing I'm going to do is to move back up to the scale over here and I'm going

to take Paul down in scale until I think he's about the right size.

And then move him in Position to the right hand side of the screen and then down so he

doesn't look like he's floating.

And that's it.

So let's just go ahead and look at the beginning of the video and play it.

So the video's a bit jerky when you view it in Premiere or it can be jerky depending on

the processing power of your computer.

Our computer isn't t great, so it looks a bit jerky, but once you export it, it will

be fine.

So I'm just going to play with the positioning a little bit, just move him.

And check that out.

Maybe just make him a little bit bigger.

Just by using the Position and the Scale in the Video Effects.

And that's essentially it.

That is my open house video.

So once you get all these images in the position you want and you're happy with what it looks

like and there's no shadows left from the green screen, you can go ahead and export

your video file because you're going to want to upload this to YouTube or Facebook.

So to do that, you go up here to file, export, and click on media..

And here we have and export settings dialog box.

So you want to make sure that your format is on H.264 and you want the output name to

be something that makes sense, so I'm just going to call this OpenHouseDemoFacebook.mp4

and it's going to make an mp4 file which is a very usual video file.

And then you click save.

So, there's all kinds of settings here and I just use all the defaults settings and then

I click on export.

And I'm not going to wait because it takes quite a while to export, sometimes for us

longer videos can take 20 or 30 minutes.

But it's rendering the files and it'll tell you approximately how long you have to wait.

This is going to take about 22 minutes.

So once that has done, I'll come back and show you the finished file.

Okay, so Premiere has finished exporting the video and here is the mp4 file that is created.

So if you click on that, you can play it within file explorer and you can see the video is

not jerky at all.

It looks pretty good.

So this is the video file you are going to upload to Facebook or to YouTube or to wherever

it is that you share your videos.

So hope this has been helpful and if you need any help, I'm going to put my email address

in the comment section below.

As well with links to the equipment we use and the software that we use.

So, good luck!

For more infomation >> How to Create a Real Estate Open House Green Screen Video - Duration: 19:18.

-------------------------------------------

Did She Keep You On Track? - Duration: 1:56.

She gave me this spreadsheet of each of the schools I was looking at, when their deadlines

were, what past prompts they've given, because then I could also start to think about okay,

this is what a college prompt looks like, these are potential things I could bring up.

She was extremely diligent about saying "I will get this back to you by this time and

date" and she was never late.

I always knew when to expect comments back from her, then I could kind of mentally prepare

myself, okay once I get this, the comments will be fresh in my mind and I'll work on

it for a couple of hours and I'll send it back and then she'll tell me when to basically

mentally prepare for that again.

Splitting drafts, like this week I'll do this draft, this week I'll do this draft,

Lesley helped me do that.

She gave me a very incremental schedule and I think that was incredibly useful, she set

a very reasonable pace.

I was very busy and having her to help me with the process, sort of allotting times,

you know we'll meet here, we'll meet here, being very on top of things and very proactive,

really helped me out.

I had all my assignments and everything at the time, I was a senior in high school so

obviously really stressful, and I was applying to internships and everything but I could

just know that this window will be allocated for taking Lesley's comments into consideration

and editing down my essay.

It just prepared me to make time for it.

We also did this in the beginning too, before each individual school's deadline came out

She had past things to go off of whereas I didn't.

It was almost like I was talking to someone who's done the college process numerous times

and I was this person who was going through it once and hopefully only once

For more infomation >> Did She Keep You On Track? - Duration: 1:56.

-------------------------------------------

Did She Write It For You? - Duration: 1:57.

I know for instance sometimes I'll show my Mom

or my Dad something I wrote and asked

for just an opinion on it and they'll

try to take something out and like rewrite

a sentence I don't find that beneficial

for me because then they're not my

words anymore you know? She wasn't afraid

to tell me that this whole essay's not working

you're gonna have to start over

because you just need to take

a different direction, try something

else. That was really nice to have. I expected, so

another expectation was that

the essay process with someone like

Lesley would be like a hundred percent

guidance but it was actually very

collaborative. I tend to be one of those

people who want my feedbacks and my

edits pretty straightforward. If it's not

working I'd like to know and sometimes

I don't even need a reason

if it's not working I need to fix it

regardless of whether someone

reading it knows why and I think Lesley

quickly found that out so it was very

much lots of back and forth. You know I

think that was a good balance between

collaboration and guidance

Collaboration in the sense that she was talking

with me and sort of you know

finding interesting stories

that would stick and then sort of

developing those ideas and then guidance

in the sense that once I had

those ideas and I put it on paper she

would sort of refine it. With Lesley

she asked me guiding questions that just

helped me really analyze what I wanted

to say and go into more depth about it

and she would highlight certain

sentences and she would say very

honestly sometimes, this

doesn't work you don't need it. But

she never tried to rewrite something, you

know? She never tried to write something

and pretend they were my words. She

respected very much that my ideas

were my ideas and what I was writing was

what I wanted to say and when

it wasn't effective enough she would

highlight it and ask me a question to

help me make it better myself

For more infomation >> Did She Write It For You? - Duration: 1:57.

-------------------------------------------

www.YouTube.com ~ 5 Fast Facts!!! (turn on subtitles) - Duration: 0:51.

Get this: The women who rented out her Garage to the founders of Google would go on to become the CEO of YouTube!!!

Is that not the most insane thing you've ever heard or what?!

Every minute: Over 100 hours of video are uploaded to YouTube!

Considering the fact that it takes a normal person over 2 weeks to work 100 hours, I'd say that's a lot of video!!!

This has to be the most insane return on investment ever!

Google actually bought YouTube for $1.65 billion in stocks 18 months after its creation!!

That's fast!

YouTube is the second largest search engine on the web after Google!

Yup, that's right! It's bigger than Bing, Yahoo!, and Ask combined!

Great news!!

If you currently reside in Los Angeles, California and have over 10,000 subscribers, YouTube has a production space available there for you.

Best of all, you can use it for free!

For more infomation >> www.YouTube.com ~ 5 Fast Facts!!! (turn on subtitles) - Duration: 0:51.

-------------------------------------------

Victim to pastor who assaulted her: 'I pray for you' - Duration: 1:47.

STEVEN

JESMER TOOK ADVANTAGE FOR HIS

OWN SELFISH NEEDS.

>> I TRUSTED YOU AND LOOKED UP

TO YOU AS A FATHER FIGURE AND

THAT MADE IT EASIER FOR YOU TO

TAKE ADVANTAGE OF ME.

>> SHE'S ONLY A TEENAGER, BUT

DESCRIBES HERSELF AS A BROKEN

PERSON.

THIS YOUNG WOMAN WAS SEXUALLY

ASSAULTED LAST YEAR BY STEVEN

JESMER WHILE HE WAS SERVING AS A

PASTOR AT THE DIALOG CHURCH IN

MANCHESTER.

>> I'M TERRIBLY SORRY.

I CERTAINLY DIDN'T SET OUT TO

HURT ANYONE, BUT I KNOW I'VE

DESTROYED PEOPLE'S LIVES.

>> JESMER PLEADED GUILTY TO

SEVEN CHARGES TODAY.

PROSECUTORS SAY HE SEXUALLY

ASSAULTED THE VICTIM IN THE

CHURCH OFFICE TAKING ADVANTAGE

OF HIS POSITION AND POWER.

>> AND I'M BEYOND SORRY AND I

WOULD DO ANYTHING TO TAKE THAT

DAY BACK.

YOU DESERVE BETTER.

YO FAMILY DESERVES BETTER.

I SHOULD HAVE KNOWN BETTER.

>> FOR A FEW MONTHS I WOULD TAKE

HALF AN HOUR LONG SHOWERS,

GRABBING MYSELF UNTIL BLED, SO

I COULD WASH AWAY THE PAIN AND

COULDN'T GO A DAY WITHOUT

THINKING OF IT.

>> JESMER WAS SENTENCE TODAY A

MINIMUM OF FIVE YEARS IN PRISON

AND THE JUDGE WAS HESITANT TO

ACCEPT THE PLEA DEAL, BUT DID SO

PREVENT FURTHER PAIN.

>> AND FOR YOUR FAMILY AND THOSE

AROUND US WHO CARE.

>> AND THE JUDGE SAID THOSE WHO

PREY ON CHILDREN NEED TO BE

ISOLATED FROM SOCIETY AND HE

For more infomation >> Victim to pastor who assaulted her: 'I pray for you' - Duration: 1:47.

-------------------------------------------

Dear Heartbreaker Part 1 | Spoken Word Poetry | By: Poetic Daisy - Duration: 1:52.

Dear Heartbreaker Part 1

Dear Heartbreaker,

I've decided to write this poem for all the world to see

The effect you've had on me, I guess call it therapy,

Chicken soup for the soul So I don't grow old

And bitter, only time will tell.

I wish you well But there's some things I must get off my

chest In order to lay to rest

What we had.

I get sad Every time I think of you

Because over the years you've put me through Hell

-Well, Heaven and hell combined.

Because you were fine In the beginning, I truly thought I was in

love, Placed you above

The rest.

But the test Of time showed you were no better

And couldn't weather Any storms.

And you would reincarnate with infinite forms Of flattery.

You had me Wrapped up in your spell

Because you would always return to tell Me how you thought I was the one,

How you were having fun But wanted me in the end

Then disappear for me to fend Off these thoughts.

I always thought I'd lost- you And didn't want to exhaust you

With questions.

You taught me many lessons Not the least of which was to love myself,

Take care of my mental health And realize when it's too good to be true.

I've always had a soft spot for you But I moved on despite the hole

Found someone to console Me, who doesn't take me for granted.

Who planted Positive seeds in my life,

I will soon be his wife.

Funny that I remember when I thought that would be you.

Who knew Things would go this way?

But I've decided to write you letters so you can finally hear what I have to say.

The End.

For more infomation >> Dear Heartbreaker Part 1 | Spoken Word Poetry | By: Poetic Daisy - Duration: 1:52.

-------------------------------------------

Chicken - Duration: 0:39.

(casual music)

(distant chicken noise)

[Jane] Here, chckie, chickie, chickie

- What's Jane doing?

I told her because of the Roseland annexation,

she had to give rid of her animals.

- That's not true.

[Jane] Here, chckie, chickie, chickie

- You sure?

- Yeah.

- Hmm.

- So, you gonna tell her?

- Nope.

- [Kim] Here, chickie, chickie, chickie, chickie.

- Good call.

(chicken balking)

Waching daily May 31 2017

Waching daily May 31 2017

I have a big announcement.

You probably already know because of the title,

but I'm going to Vidcon!

I'll be there June 22nd to the 24th.

Although I'm leaving a bit early on the 24th

to come back to LA.

I've never been before, I don't really know

what to expect.

I'm excited to see all of my

lovely internet friends.

And meet a lot of them for the first time.

I'm going to be going with my friends Abby, Elijah and Katie.

I'm very excited to see them again.

Although I haven't met Katie, and I'm very excited to meet Katie.

But I'm going to Vidcon.

If you're going, definitely stop and say hi to me.

Let's take a photo, I wanna meet all of you.

I'm probably going to vlog while I'm there.

But I just wanted to say I'm going there.

That week leading up to Vidcon,

I will try to have pre-prepared videos ready to go out.

But if I don't, it's because I'm at Vidcon.

But I'm very excited and I hope you are.

I hope to see all of you and hopefully next time

I go to Vidcon and I have a panel.

That would be really cool.

Alright that's it, I'm going to Vidcon.

I'll see you there, I'm very excited.

I'm excited to see my friends, I'm excited to eat food,

I'm excited to meet people.

(inhales)

It's going to be fun!

Okay goodbye!

(laughs)

For more infomation >> Vidcon, Here I Come! - Duration: 1:08.

-------------------------------------------

Do You Prefer Dark Skin or Light Skin Women? Part 2 - #AskJohnnySwirl 4 - Duration: 8:20.

- All right, welcome to #Ask Johnny Swirl.

Today is part two to another question I answered,

so, got Ivy again, we're in the same clothes

as our other video 'cause we're shooting this

on the same day, so don't think we're dirty,

I don't want anybody thinking that.

So all right, let's get into the show.

(both laugh)

(energetic instrumental music)

- All right, welcome back to the show here with Ivy.

And we're gonna do part two here

to the question about,

do I prefer dark skin, brown skin or light skin women?

Wanted Ivy here for this one too, being,

you know I don't see color,

are you light skin, dark skin, I don't know?

(laughs)

- Well my daycare kids today told me I was white.

- Oh did they really?

- We had a conversation about that.

Okay, so I brought my favorite white girl here.

But what I wanna talk about in part two here,

'cause I went over what I like and all that stuff,

but what challenges have you faced, you know,

cause you're a very social person, correct?

You're very, you know, a social butterfly.

Always been that way right?

From school and everything? - Yeah, since I was little.

- Do you, what have you dealt with

as a light skinned woman within black communities,

you know with dark skin versus light skin?

- It's funny because I have zero light skinned friends.

I probably have like one or two, but we don't hang out.

But all my friends are dark skinned,

and they always tell me, "You act like a dark skin girl."

Or, "You dark skinned at heart,"

"you don't act like light skin girls."

So I'm like, "What do light skin girls act like?"

And a lot of people portray us

as being stuck-up or sadity.

And if I'm not smilin' people will think that I'm like that,

and it's really 'cause of my eyebrows, see look.

(chuckles)

- Not smiling and I look mean.

- Uh huh.

- But I totally don't have attitude,

but if I'm smiling everybody's like,

"Oh, she's so friendly,"

or, "She's so sweet."

So it's like I deal with that kinda stuff,

I deal with, I have to constantly smile in order

to be accepted, even if I don't feel a smile

I have to smile because they'll assume

that I'm the typical, quote-unquote,

"Light skin girl with a stuck-up attitude."

And guys'll tell me like,

every guy I've ever dated will say to me,

"You're nothing like I thought,"

"I thought you was gonna be like"

"a sadity light skin girl."

I'm like, where are you gettin' this from?

What light skin girls are you dating?

So it's like they already have in their head

that this is how light skin girls are,

and they assume that's how I am when they meet me.

- You know what's interesting about that is like,

you know our Swirl Network's

about interracial relationships mainly,

but isn't it funny that this kind of relates

because it's all about somebody sees somebody

and they automatically think they're this way, right?

You know so, you're a black woman

who sees a white guy, "He's gonna be this way."

It's the same thing as light skin versus dark skin

where people are gonna think you're this way,

or you know what I mean,

and so it really relates at the end of the day.

How is as far as dating goes, you know?

With black men.

- As far as dating, I've had guys tell me

that they weren't like, it was so funny 'cause

it'd be guys I'd be attracted to they like,

"I don't like light skin girls."

I'm like, what, what do you mean?

"I don't how y'all got attitudes."

But then they'll get to, they'll put me

in the friend zone and then wanna pull me out

once they've got to know me and I'm like,

No homeboy, You put me in the friend zone,

this is where I'm gonna stay at.

I think I've only dated probably

a couple light skin guys, I've always dated darker guys.

Like all the guys I've ever dated are darker,

like probably maybe Shawn's complexion or darker.

- Oh wow, okay, okay, yeah. - Yeah, I've never, yeah.

- Right, right, even though Shawn's behind the camera

but we get the point yeah I see what you're saying.

- I means it's been times that I can walk

in a room full of dark skinned women

and they will automatically have,

like this look where they will look me up and down,

and they wouldn't wanna talk to me,

they wouldn't wanna come around me.

And then the men would kinda like draw to me,

and I honestly don't believe they draw

to me 'cause I'm light skin, I believe they draw to me

because I seem approachable, I'm smiling.

It's not like, "Oh she's light skin so she's better."

Like I was telling you earlier it goes back to kinda

like that slave mentality where I'm considered

the in-house slave, I was the massa's, you know.

That was that one.

And the other ones was the field ones.

So I feel like it's a slave mentality to be divided,

So instead of us realizing that black comes

in all different shades and it's beautiful no matter what,

they still have that slave mentality,

and they're taking on and we're just dealing with it.

And I think that's what I deal with,

I don't feel like these women actually hate me.

I feel like it's just a slave mentality.

I don't feel like, oh they look at me

and they're jealous of me.

I feel like it's just a slave mentality.

And sometimes I have the energy

to go ahead and break that barrier

and I'll come over and I'll make sure they understand

that I'm not like you think

or whatever's in your head for you to look

at me the way you're lookin' at me

'cause I'm reading body language.

I'm not like that, so I'll kind of like

be friendly and I'll pull them outta that zone.

And then later they're, "Oh I love Ivy, she's so cool."

- So they're receptive to it then, okay.

- Yeah, some of them, not all of them.

Some of them still kinda look at me like,

"You in my space, back up."

You know, or they have some type

of feeling against me like my best friend,

she is dark skin and we met in high school,

and she had an attitude lookin' at me,

I'm not gonna say it was 'cause I was light skin,

it could have been, I don't know.

But I spoke to her, she was like,

and I spoke to this girl every single day until

now we're so close we have matching best friend tattoos.

I made this girl,

"No you're gonna talk to me 'cause I'm not what you assume,"

"or whatever you're looking at me is I'm not that person."

So it's like, that when I have the energy for it.

Sometimes I'm outta energy,

"Ah, think what you wanna think."

I don't have time for it, I don't care.

- Right, right. - But 95% of the time I care,

so I kind of want to, you know be that person

'cause you know the saying is

"Be the change you want to see in the world."

So I try to be that person. - The old Buddha, yeah.

- Like I try to be that person.

- Or Gandhi, that's it.

- Gandhi.

- Let me, quick question, this is Swirl Network.

Do you, have you noticed by any chance,

do you think the majority of white guys

when they're attracted to black women

tend to be light skin or dark skin women?

'Cause it's kind of a debate, you know,

in the Swirl community. - I see the white guys when

they attracted to a black woman she is Mother African.

She not me. - I mean it's true.

- They not looking my way,

they not thinking about me, I become they homegirl,

they don't even ask to date me or none of that.

Like it'll be like, "Oh that's my homegirl."

But they looking at Mother Africa,

they want the one up off the elephant,

"Let me get her," like that's the one they want,

they want the dark skin woman, so.

- So you've noticed that?

- Yeah, and I see them together and they like,

my sister she just started dating a white guy

now I have biracial nephew,

so he was just born May third.

- Okay, okay, okay, and she's dark skin?

- I'm sorry, May second, no, she's light skin.

- Oh okay, okay. - They was like a, yeah.

- Right, but I was just curious

what you saw in your lifetime.

- Yeah I always see the dark skin,

it'd be the darkest of the dark,

like it's night and day together.

- Yeah, yeah, that's interesting.

- So that's what I see,

I never see too many light skin women.

And then I'll always see a black,

dark skin woman with a white guy.

So it's always been like that it's never been,

I never see the light skin.

- Especially in Cleveland here, here in Cleveland.

- Now I don't know how it is elsewhere.

Here in Cleveland either she's dark as night

and he's white as day or he's white as day

and she's, you know?

- You know what's interesting,

in my years of dating, you know,

black women and stuff like that,

and I've been out with all shades,

I noticed that when I'm with black,

dark skinned women I'll get more looks

from the public than when I'm with a light,

like when I'm with a light skin people don't

even pay attention. - They do not pay attention.

You're out with me when

we have breakfast they don't pay us no attention.

- Right 'cause me and her we'll go out

when we're writing and stuff we'll go

to like Applebee's or certain places

and people don't even pay, no.

- They don't even look our way.

- No, they don't even look our way,

so that is an interesting,

I mean Cleveland's already not that racist,

you know we don't have to deal with down-south types.

But people don't pay attention, I don't know, it's weird.

But you know, it's one of those things

and I've noticed that through the years.

So it's interesting.

Alright well, that was a good episode

and make sure you like,

or dislike, comment, share, subscribe.

Anything else Shawn I can't think of, is that all the stuff?

And I'll see you next #Ask Johnny Swirl, thanks.

(funky music)

For more infomation >> Do You Prefer Dark Skin or Light Skin Women? Part 2 - #AskJohnnySwirl 4 - Duration: 8:20.

-------------------------------------------

What do you see in the darkness - Duration: 0:34.

ȇ̵̪͇̩̯̮̲͎̤̌̐̌̇͒̄̄̊̏̃̊̈́͜k̶͙̖̪̯̮̽̔̓͆̓̕͘ ̷̢͔̭̹͙̹̬̭̠͉̻̦̫̝̊͆̐̌̊͌͋͜ṽ̴̞̌̀̋i̷̳̺̝͉̪̍͐̈́͝l̵̢̈́̑͂̂̔͘͝į̷̬̘͎̭͎̗̮͗͗̇͊̅ ̴̧̥̭̰̱͕̭̩̰͍̟͙͈̮̽̈́̍͑͛͋͐̈́̄͐̽͒́v̵̢̞̦̹̲̂̉̊̿̆ǐ̴̡̨̛̠͍͓̱̄̊͋̍̾̓͋͐̈́͘͜͝͝ļ̷̨̛̜͉̬̼̭́̓͌̈͒̌͆́̿̈̊j̶̡̹͉͙̯̩͔̙͙̦̜̣͙́̌͌̄̓̏͆̚̚ͅa̴̧̪͈̭̞̥̫͕̅͊̊̒ ̷̧̩̩̹̩̮̭͙͚͉̭̠͚͇̀̈́̈̄͗͂͆̎̈́͋ͅḧ̶̫͓̫̘́̾̂͗̚͝͝͝ȑ̸̡̛̠̦͙͖̳͙̥͍̻̞͑̃̂̀̾͆́͘̕͝y̷̗̞̲̞͚͒̑̊́ͅģ̸̢͍̗͉̺͙̱̝͐̚͠ͅģ̴͓̞̞͚͙̻̺̫̹̦͔̿̃̂ͅr̷̥͎̻̮̀̈́̊̐̇̀ͅ

For more infomation >> What do you see in the darkness - Duration: 0:34.

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Studio C Reacts: Bop It - Duration: 3:37.

♪♪

>>Hey, guys.

And welcome to Studio C Reacts.

>>Whitney and I are going to be reacting

to the Bop-It sketch.

Please enjoy.

Or leave now.

Stay.

And there it is. A lovely living room.

I, um...

I should give the background of the origins of this sketch.

So I was- this was originally-

the concept was written by a student of mine.

>>Oh, okay.

>>In the sketch-writing class that I was teaching.

>>Johnny.

>>Johnny.

>>He writes for our show.

>>He does now, yes.

He was a great student, and so we're like,

"Let's pay you to do things."

[laughs]

So he pitched this in the class, and um...

in the original version,

it was like the world championships of Bop-It.

>>Okay.

>>And um,

the team had to do all kinds of crazy things,

including "lick it",

but it also had things like, "Rafiki it",

where you'd shake the Bop-It above your head

like Rafiki would.

>>That's fun.

>>Yeah.

And it just- a bunch of things.

>>Uh-huh.

>>And it was really fun.

And I said, "Johnny, um...

I think "lick it" is the best part of this whole thing."

Like, everything else is fun, but the "lick it" is like-

nothing beats "lick it".

>>Uh-huh.

>>So what if we just zone in on that?

>>And like, do it over, and over, and over.

It worked super well.

>>Some things, yeah,

get funnier just the more you keep doing-

>>It's the dip, right, where it's funny,

and then it's like, "uh..."

and then it's like, way funnier.

>>Right.

So yeah,

so when we bought it for Studio C,

we changed it to just licking, and I really am licking it.

>>You're actually licking it.

>>That is full contact.

>>Um, and everyone else is actually hitting it.

>>Yeah, I know.

>>And not washing their hands.

>>That's the thing,

I don't think people are realizing like,

yeah, it's bad for me,

but it's also-

Natalie is touching where my tongue was,

and so is Stacey.

And it's super gross.

I also was wondering, I was like,

Uh, when we release this,

there are going to be parents across the country

who are like, "Thanks so much."

>>"For teaching my child."

And Mal's putting it in her pits.

>>Yeah, and on her foot.

>>And she's actually kind of spitting on it a little bit.

>>There was definitely, like...

>>Mal doesn't go halfway

when it comes to gross things in sketches.

>>She doesn't.

>>That's her motto.

>>She goes halfway with everything else,

but gross?

She is fully committed.

>>Fully committed to...

>>And so...

[uncomfortable sound]

>>Taste a little salty, maybe?

Little grit?

>>Little bit of something. Something.

>>That's the Mal special.

>>A little seasoning.

[laughing]

>>I love Stacey's look for this, by the way.

Every time they make him a teenager or a little kid-

>>Yes.

>>And give him long hair,

I think it's super fun.

>>Oh, and this- this ending here was not-

>>We came up with this, like, the day of, right?

>>Yeah.

And you can see the Twister mat is like,

a little dirty because of something else we were doing-

>>Another joke.

>>Yeah. It was a different ending.

>>And, uh...

>>This one worked great.

>>Yeah, I really like how we ended it.

So...

>>Hey, good job, Matt.

>>Good job, Whit.

>>And Johnny.

>>And Johnny.

>>Thank you.

Hey guys!

Thanks for watching that!

Hope you liked it.

>>Please like us on Facebook.

>>And subscribe to our YouTube channel below.

And check out any of our other react videos,

'cause they're fun, too.

Bye.

>>See ya.

For more infomation >> Studio C Reacts: Bop It - Duration: 3:37.

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Eaten by a sexy woman POV - Duration: 1:19.

*Woman sniffing*

*Licks mouth*

*eating sounds* (Also there coughing in the background so ignore it)

*Belches*

*prey inside gut*

*Gut bubbles and gurgles*

Woman: *belch*

For more infomation >> Eaten by a sexy woman POV - Duration: 1:19.

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The Anywhere Workout - Duration: 1:08:53.

RAMON SODANO: Hello, everyone.

And welcome to Global Connection and Wellbeing

Online's final webinar of the 2016, 2017 school year, Fitness

Anywhere.

I'd like to, first off, welcome anyone back

who came and watched our previous webinars.

We've had Trained Smart, 7 Principles of Movement,

Shop for Real Food, and just this semester, we

had kettlebells 101.

If you were able to join us for those, thank you.

And thank you for coming to this one.

So, first off, we kind of want to go over

the itinerary of what we're going to be doing today.

We'll have some brief introductions.

We're going to talk about what Fitness Anywhere is, the why,

and the methodology behind it.

We'll talk about the workout formats,

and we'll get more into that here

in a little bit what those are.

We'll have a review at the end of all the workout formats.

We'll have conclusions at the end, a just kind of review

of everything all together and then questions at the end.

With that said, when we're going through this

since we will have three different methodologies

that we're talking about, and you may have questions

for each one, instead of asking questions right after we talk

about a certain exercise format type,

just write your questions down, and we'll

answer those at the end.

And that way we can flow through this really easily.

We kind of have a delay for when questions come in,

so that will just make everything a little bit more copacetic.

So, first off, if you haven't been to one of our webinars

before, my name is Ramon Sodano.

I'm the coordinator for Fitness Services and Education

here at University Recreation.

That's here at our Pullman campus.

My background is I have my bachelor's in kinesiology,

master's in sport management.

I have been a strength conditioning coach, speed

coach, personal trainer since 2006.

And, yeah.

I mean, I just love this field.

I've been in it for a long time.

And I'm finally happy I get to kind of give these.

I'd like to introduce Natalie.

NATALIE: Hi, I'm Natalie.

I'm the fitness intern here at the rec center.

I have been personal training, CrossFit coaching, strength

and conditioning coaching for the last two, three years now.

I'm almost done with my degree.

I'm done at the end of May, so I'm almost out of here.

This is my last seminar with you guys.

RAMON SODANO: See, that's actually kind of sad now.

She's done a really, really good job for us.

She actually started as a weight room--

you started as a weight room tenant, right?

NATALIE: Mm-hm.

RAMON SODANO: So she started at our lowest position

and worked her way up all the way to being an intern with us.

OK.

So, to shift gears into what we're talking about today,

I'm going to try to make this not super long.

I want you guys to be able to get

as much understanding of what we're

talking about as in as small amount of time as possible.

But I tend to drag on here and there.

So, first, why are we talking about Fitness Anywhere,

the why?

Well, first off, you all asked for it.

We took surveys.

They want to know about what they

could do if they had limited time

to be able to create a workout, or how they could deal,

or produce a workout to have some sort of benefits

in a small time, if they didn't have a gym membership, if they

were traveling, if they're in the office

and just want to get something done.

That's kind of why we're doing this.

We put together three styles of workouts

to be able to help benefit you all with those circumstances.

So the methodology that we're going to be doing

is we're going to show you all three different styles

of workouts that can be done in a small amount of time--

not workouts but workout formats, or methodologies.

And, again, we'll kind of touch on each one of these

as we go along.

But the real important thing to take away from today

is not necessarily each exercise that we gave you

in one of the methodologies.

It's more how the methodology works

or how that format of exercise works

because you can implement, and change, and prod, and just

put-- it's very modifiable with what we're doing.

So if we're doing Tabata squats, you

can do Tabatas with any exercise in the world.

And, again, we'll talk about that more when we're there.

But just know the most important takeaway from today

is understanding how to put together these methodologies

because then really the sky's the limit for you

all because you can do whatever you

want with them in the amount of time that you have.

And if you know exercises, and you look up exercises,

you can implement those in any of these methodologies.

That's another one of the whys of why we

chose to do it in this format.

I know we have a little gym kind of format set up in here,

but we are literally showing--

every exercise that we're doing today,

you do not need any equipment.

So it literally can be done anywhere in the hotel room,

in the office, when you're at the in-laws,

or anything like that.

It can be done absolutely anywhere.

The only thing that you might need,

or that you're definitely going to need with our workouts

is a towel.

And that's not for sweat.

It's actually for use.

So the methodologies we're going to use--

and maybe you have heard about them before--

they're really all kind of based on

this high-intensity interval training

or this metabolic conditioning.

So we're really trying to work you at your anaerobic threshold

where you're working very, very hard,

getting to that really high heart rate

for a small amount of time.

And then you have a period of rest.

And then you get that heart rate up real high again,

and then you have a period of rest.

So each one of the methodologies we'll talk about today kind of

takes into consideration this interval style of training

and, or circuit training.

So we're really trying to have you

work at this anaerobic threshold without tipping over

into an aerobic kind of conditioning.

The reason for that is it's been shown that

by doing this anaerobic threshold

or this metabolic conditioning training

that you get the most bang for your buck.

So if I train this way, it directly

correlates to my aerobic fitness.

However, if I was training in an aerobic conditioning format,

that's not going to really transition

to my anaerobic fitness.

So we're kind of killing two birds with one stone

here in a very small amount of time.

I don't want to get too sciencey on everyone right now,

but there is this thing that we always talk

about that's called VO2 max.

VO2 max is the ability that a human being

is able to obtain and utilize oxygen at a cellular level.

This style of training will help increase

how well you are to utilize oxygen at that level.

So that's why this anaerobic training, which

doesn't call on certain energy systems,

will also increase your aerobic capacity at the same time.

It also has an extreme caloric output.

So a simple way to think about it is you

could do four to five minutes of what

we're going to talk about today, and push really

hard through it, and get the same benefit as you

would on a Stairmaster moderately for 30, 45 minutes.

So you're really banging out a lot of work

in a small amount of time and still getting

the same kind of expenditure.

Is there anything that you want to add

with kind of our methodology and what

we're doing, besides what they are,

kind of what it falls in with interval training?

NATALIE: Not really.

RAMON SODANO: OK.

Again, if there's questions with that, write those down.

And we'll talk about that at the end.

So the three methodologies that we're going to use today,

one is called an EMOM.

So that's going to be every minute on the minute.

Another is called Tabata.

That's a certain type of interval training.

And in the very end, we're just going

to go into a basic circuit training,

the metabolic circuit.

And, with that, we'll put it this way, too--

so with our EMOM trainings, we'll have two separate EMOMs

for you to do.

With our Tabatas, we'll have three separate Tabatas for you

to do.

And we'll have one metabolic circuit.

And, again, these are all extremely modifiable,

so you can literally put in a different exercise

in your Tabata or a different exercise

in your metabolic circuit, and it will still work for you.

With all that, I'm going to turn it over to Natalie.

She is a pro at these EMOM trainings.

She's much better at them than I am.

They're pretty difficult. She's going

to explain kind of the philosophy behind them

and how they work.

NATALIE: All right.

So EMOM-- so it's just an acronym

for every minute on the minute.

So what you're doing is you're doing the sets of work

for each movement within the minute.

So here we have four-- let's just take example EMOM one.

You're doing all these reps within the minute,

and then you get whatever time you

have left within that minute to rest

before the next top of the minute.

And then you're going again, and then you're

resting until the next.

These are a set.

We made these to be about 10 minutes long.

If you want to make them shorter to start out,

a little bit easier, and then progressively

make them longer, by all means do so.

Tailor it to where it'll be challenging for you,

but also you're completing it successfully.

And then Tabatas--

RAMON SODANO: We'll stick here and then talk through each one

when we get to them.

NATALIE: OK, cool.

So EMOM number one is we're doing eight

each leg of towel mountain climbers.

Then you're going to do eight push-ups, eight body

saws with a towel, and then five pike push-ups.

You're doing all of this within the first minute.

And, if you do that within maybe 30 seconds,

then you get that 30 seconds rest.

So it just depends on how fast you

go through these movements depends on how much rest

you get at the end.

And then, once you rest for the entire minute,

then you start at the top of the next minute

and then go through it again.

EMOM two is the same concept as EMOM one

but just different movements.

You're doing four each leg of reverse towel lunges, four

each leg of lateral towel lunges,

for each leg of plank wipers with a towel,

and then four posterior planks to L-sits.

And, again, you're just doing all of these movements.

And then whatever time you have left within that minute,

you're resting until the top of the next minute.

RAMON SODANO: OK.

So I'm going to go over EMOM number one.

So we're on carpet, so towels don't really

work too well on carpet.

We have a little mechanism called Valslides

that we'll use.

These are about $20 or $30.

Again, they're called Valslides.

If you ever want to get a pair of them,

they're really nice because you can do all these exercises

on carpet.

Usually, you would use a towel like this.

You could do it on a linoleum floor, your kitchen floor,

or anything like that.

So to kind of emphasize, again, what

Natalie was saying with regard to the EMOM

is we have a 10-minute running clock.

So if we have a 10-minute EMOM, that

means I'm going to complete the four exercises in my EMOM set.

And if I get all those down within 40 seconds,

then I have 20 seconds of rest until the next minute starts.

When the next minute starts, I'll do them all over again,

and I'll keep doing that for a 10-minute time period.

What will happen is you're going to start

getting more and more tired.

And it's going to get a lot harder.

So you may get 30 seconds of rest at the very beginning.

But when you're on the sixth minute,

you're only getting like 10 seconds of rest,

and you've got to go again.

So it really starts building that heart rate up

and getting pretty hard.

So what we will do first--

and we sent out the sheet, correct?

So we created a sheet for you guys

to show a brief explanation of the movements

and then give you links to what each one of the exercises is.

So if you want to follow along with that,

we put them together for you.

And we are going to really break each exercise down and just

talk about the form and kind of some common faults with it.

Then we will go through and EMOM set or two,

so you get a feel of how it's supposed to look,

and what it's supposed to be like.

So the first exercise we got, I believe,

is towel mountain climbers.

So, again, if you are doing this at home,

and you don't have the Valslides,

you're putting your feet on towels when we do this.

When we're doing this, we're trying

to be as consistent as possible with minimal amount of rest

in between each exercise.

So I'm going to try to go from towel mountain climbers,

to eight push-ups, to eight body saws, to five pike push-ups

one right after another.

So one at a time right now, we will talk about towel mountain

climbers.

And I'll actually turn to the side

so you all can see this a little bit better.

So when I'm doing my towel mountain climbers,

again, my feet would be on towels

or some sort of Valslide.

And I'm going to get into a push-up position.

I know we all know what mountain climbers are,

but there are some common faults that have happened.

So I come to my push-up position.

My back is nice and flat.

We don't want to see this hanging down.

And we don't want to see the butt all high up in the air.

I'm really nice and bridged, and my abs

are nice and tight, really supporting that lumbar spine.

We're simply just going to bring one knee up and bring

the other back as we go back and forth.

This is our mountain climber.

We want to make sure, as we do this,

that the integrity of the spine, everything stays nice and flat,

and that we're not kind of all over the place.

We're sturdy, and it's here.

I believe we have eight on each side when we do that.

So, if I was doing eight mountain climbers on each side,

it's one, two, three--

well, each one counts, so it's 16 if I was counting like that.

So it would be one, two, three, four for 16 total

or eight on each side.

After finishing those eight, I'm going to go into push-ups,

and it's just simple push-ups.

There is nothing happening with the Valslides or the towels.

It's just much more simple to keep your feet on them.

So I'd be here in my mountain climbers.

And, all of a sudden, I'm going to stop,

and I go to my push-ups.

With our push-up form, a lot of people

have this tendency to put their hands out real wide.

We don't want to do that.

It's going to put a lot of stress

on our shoulder and our pec.

So we're going to keep our hands just

right outside our shoulders-- if not, underneath our shoulders.

But, just for now, right outside.

Again, nice straight back.

I am bridged.

I am tight in the abs.

I'm going to push-up to where my nose or chest touches

the ground, push myself back up.

If you want to do want to do a very, very good push-up,

you want to think--

now, when you're pushing yourself up off the ground,

you're turning your hands like you're opening a door.

So that's going to have your scapular naturally

glide in it's pattern.

So, as I push-up, I'm literally thinking

about turning my hands to the outside,

like this, like I'm turning them into the ground.

That's why they made those push-up handles.

They call it the perfect push-up.

Common faults with our push-ups is,

you know, the butt real high in the air doing

push-up or arching at the back, coming here,

or we're seeing kind of this.

We want to be one unit rising.

It's like there's a pole from the top of the body

all the way to the bottom where it's just

up and down, nice and sturdy.

If it is too difficult for you to do the basic push-up,

go to your knees.

Usually, I would not tell you to drop to your knees

because that disengages the core.

I'd have you elevate.

But, for the sake of a circuit, and keeping it flowing,

and we're going to be on the Valslides, anyway,

just drop to your knees at that standpoint.

Is there anything I'm missing with the push-up?

NATALIE: If you don't want to just do it from your knees,

a good progression from that would

be to come down in a full push-up

and then push up off your knee.

Bring up your knees, come down, put your knees down, and then

press up.

RAMON SODANO: That's actually a really good point.

So what's happening right there is

she's building the eccentric strength on the way down.

And that's going to help her be able to learn

to develop that concentric push to be

able to do that correctly.

So that's actually a great-- yeah, that's awesome.

Thank you.

NATALIE: M-hm.

RAMON SODANO: OK.

So we have the mountain climbers, eight on each side.

Then we have eight push-ups.

After the eight push-ups, you have

one of my favorite exercises.

And they're called body saws.

And now we'll be utilizing the towels and, or Valslides again.

I'm not a Valslide rep or anything like that,

but I really like them.

So I just suggest to buy them.

So let's say I get seven, eight, I'm

going to go down into a plank.

And these are called body saws.

And they're very difficult. In my plank position,

I'm going to push myself back, keeping

the integrity of my spine, pull myself forward.

If this is the only motion you can do right now,

that's fine because we don't want you going back and then

having this arch at the back happen.

You will only go back as far as you

can while keeping the integrity of the spine

and making sure it's nice and tight.

So the better you get, the farther you can go back.

So the main regression with those

is just go less of a distance.

So we've got--

I don't know if I can really explain body saws more

than that.

Essentially, you're just in a plank position,

and pushing yourself backwards, and then pulling yourself

forward.

It is an awesome exercise.

It really, really gets the core.

After the body saws, what we'll do

is we'll go back up into a push-up position.

I'm going to step off, and I'm going to go up

into this pike position.

And, also, what I'm going to do at this point

is do pike push-ups.

If you want to make it harder, you

can put the feet together because then you

have less base of support.

So this is more for our shoulders.

So we're coming down at an angle and trying

to tap our forehead to the ground.

I actually don't-- do you have anything else with a pike

push-up?

I don't do pike push-ups that often.

NATALIE: You can walk your hands a little bit closer

to your feet to make them a little bit harder.

RAMON SODANO: Yeah.

So if you want to come all the way up here, it's much harder.

NATALIE: You're targeting more of your shoulders

at that point.

RAMON SODANO: And, yeah.

They can be pretty hard.

And that's why we have five of those because they're actually

pretty difficult. It's calling on a much smaller muscle

and less muscles to do that movement.

So what we're going to do--

and if you want to grab some towels and join along--

we're going to go through an EMOM set and a half.

And I'm going to have Natalie time me.

And I'm going do all the exercises.

So how I'm going to do this is she's going to give me a three,

two, one, go.

And imagine I have a 10-minute running clock.

I'm going to do my eight mountain climbers

on each side, eight push-ups, eight body saws, and five

pike push-ups.

And then, when I'm done, she's going

to tell me how much time I have left to rest.

I just worked out, so awesome, guys.

Thanks for this.

[CHUCKLING]

NATALIE: Whose fault is that?

RAMON SODANO: OK.

Natalie, want to give me a-- hold on.

NATALIE: In three, two, one, go.

Nice.

And you have 20 seconds rest.

RAMON SODANO: So I'll wait for 20 seconds.

And she's going to give me a three, two, one when

it starts again.

NATALIE: All right.

So ready?

Two, one, go.

RAMON SODANO: And then so on and so forth for 10 minutes.

Like Natalie said, if 10 minutes is too long,

and you're dying at first because I

know it looks kind of easy.

But, trust me, it's going to get very hard.

If 10 minutes is too long, do five minutes for a week.

The next week, go up to six minutes.

And then next week, go up to seven minutes

and so on and so forth.

When ten minutes gets too easy, start

implementing other exercises that are harder.

That's the way to progress it.

Whew.

I'm tired, honestly, with one set.

NATALIE: Or even cut the reps, as well.

Instead of eight, maybe have like six

and then slowly build up to eight

that way you can kind of progress a little bit that way

if you've already got the movements down,

but you don't want to do as many reps.

RAMON SODANO: That's a good point, too.

It's like she's an intern.

OK.

So if you have questions with EMOM set number one,

write them down now, and, again, we'll get to them at the end.

Natalie is going to show you all EMOM set two.

NATALIE: Okie dokie.

So EMOM number two.

We're using the towel--

or Valslides for me, towel for you--

a lot with this one.

So I'll just go over really quickly what

the movements are, and then we'll go into the movement.

So EMOM number 2, again, is four per leg reverse lunges,

four per leg lateral towel lunges,

four per leg plank wipers with a towel,

and then four posterior plank to L-sit.

So, first movement, reverse towel lunges.

So you're just going to use one towel for one foot at a time.

So it's just like a regular lunge but, instead of stepping,

you're just sliding your foot along the floor.

So start out with both feet next to each other, normal stance.

What you're going to do is you're going to slide,

let's say, the left foot, whatever foot is on the towel.

Oh, this is my right.

Sorry.

You're going to slide it backwards,

keeping that knee directly above that ankle

and keeping the back knee directly below the hips.

You're going to come down, bringing that knee

close to the ground but don't bounce off the ground.

And you're just going to drag the forward foot to the ground,

sliding it back up.

I'll show you the side view, so you can kind of watch.

So, again-- yep.

So, again, sliding that foot back, keeping those knees

in line and then sliding it back up,

keeping that chest nice and high.

So back, up--

RAMON SODANO: It's really important-- she

has this knee behind this toe.

All the weight of her body is in the heel of this front foot.

She could wiggle her toes if she wanted to.

So you need to have the weight driving down through that heel,

or you're going to cause some patellar tendon issues.

NATALIE: Yeah.

So a lot of people tend to kind of go a lot forward,

and that back heel comes up.

So, yeah, making sure that foot is planted on the ground

and driving through it.

Another huge common fault is people's knees kind

of go in and out all over the place.

So they're kind of stepping all over the place.

Making sure everything's staying aligned.

So see how my knee is, again, staying in a line.

It's not going in.

It's not going out.

It's staying perfectly aligned.

OK.

Reverse towel lunges.

Now, lateral towel lunges-- again, one foot's on the towel.

And you're just sliding outward instead of backward.

So keeping this leg extended, sliding it out,

and then bending the foot planted on the ground.

Again, keeping that chest nice and high

and trying to keep that knee above that ankle.

Drive that foot through the floor, stand up.

And then, again, coming back down, just sliding in and out.

This is going to work a lot of your inner thighs,

so it's going to start burning.

Making sure that you're really driving

through that foot on the ground and not kind of wobbling

all over the place.

I can't breathe.

[CHUCKLING]

RAMON SODANO: So when she's doing this--

hop back on there--

when she goes out to the side, she

is keeping her torso on the inside

of this leg that's bending.

Don't let it fall over this way or over this way.

NATALIE: Straight down.

RAMON SODANO: Good.

NATALIE: Now plank wipers with the towel.

So this one, you're going to use two towels instead of just one.

So both feet are going to be on towels.

You're going to have to move a lot quicker,

so keeping these towels nice and close will help you a lot.

So you can either be in a high plank or a low one.

The low one's going to be a little bit easier.

But, from here, you're just going

to bring your leg out to about 90 degrees to your body.

And then you're going to slide it back in.

And then alternate legs and then back in.

This is a good core workout, keeping those hips flat,

keeping that body flat from head to heels.

We want to make sure that our body is not coming up here

and then we're kind of doing steps.

We're keeping that-- so you can see this way--

we're keeping that flat body and then

sliding and coming in and out.

Anything on this?

RAMON SODANO: Uh, no.

Very important to keep the integrity of that spine.

Drill that in your head.

That spine stays straight the whole time.

It's going to get some good glute work there, too.

Yeah.

NATALIE: And a good thing to think

about when you're doing any type of planks,

I like to tell people to think about when they're putting

really tight jeans on, how they kind of

have to tuck in that belly button

to really kind of button them in.

That's a good way to kind of keep--

when people say keep your core tight

and all that stuff, people are like, what does that mean?

So thinking about when you put on those tight jeans,

that's a good way to think about what keeping things tight means.

Now, posterior plank into an L-sit.

So, again, you can either use two towels or one.

It doesn't really matter.

But both feet are going to be on it.

So you're starting legs extended, heels on the towel.

And your hands are going to be right next to your hips.

I'll do it kind of at an angle.

So, from here, you're just going to lift your hips

off the ground about an inch.

You're going to slide your feet forward where your hips come up

and your body is flat.

And then you're going to come back

to that starting position in an L kind of form.

So this is the L-sit, and this is the posterior plank,

holding each for about maybe a second, if not less.

It's just coming out and then in.

This is really going to work that core and posterior chain--

your butt, and your legs, and stuff.

RAMON SODANO: Another great thing about it is--

go to your extended position--

is you're working that shoulder mobility here, too.

So, again, we threw-- you're good-- we threw exercises

in here to try to give you the most bang for your buck.

So you're getting all this core activation, posterior

activation, and you're also getting mobility work

in the shoulders.

So I think when you look at the picture of me doing it

on your sheet, I'm not even reaching the same extension

that she is because I have really poor shoulder mobility.

So this will help free that up, as well.

NATALIE: Anything else on that?

RAMON SODANO: No ma'am.

NATALIE: I'm going to do one run-through.

RAMON SODANO: So notice when she's going to do this,

she's going to keep everything really close to her

because, again, you're every minute on the minute,

so you want all the stuff nearby.

So we'll go through one full circuit and then find her rest

and then start again.

You ready, Sister?

NATALIE: I am.

RAMON SODANO: Starting in three, two, one, go.

Eight on each side or four on each side.

Good.

Switch.

Nice transition, beautiful.

Good.

Go to your lateral, out to side.

Good.

You're at 30 seconds.

NATALIE: Jeez.

[CHUCKLING]

RAMON SODANO: Yep.

I would just turn over just like that, do your four.

And you have seven seconds of rest.

So she's going to hop back up, and she's

going to start again in three, two, one, go.

And then she's right back at it.

So good.

We can notice how these will be very exhausting.

This would be a great one to start at five minutes

and then build up.

That one was definitely meant to be the harder of the two.

With regard to the EMOM sets and with all these things--

so we're going to teach you EMOMs.

We're going to teach you some Tabatas.

And we're going to teach you the circuit.

Only on one day would you do both EMOM sets.

You wouldn't mix the EMOMs with the Tabatas on one day.

You would do EMOM one, EMOM two, and there you go.

You're good.

If you have minimal time, just do one EMOM.

That's fine.

But don't start mixing these up together

until you start getting in better and better shape.

So EMOM, every minute on the minute,

you do the amount of reps for each exercise that

was correlated to that given exercise, transition from one

to the other with minimal time, wait for the running clock

to end on that minute, and then start over.

So that is every minute-- and, again, you

can do this with your own stuff, with any other exercise.

You could do squat jumps, to push-ups,

to V-ups, to whatever you want.

Really, the sky's the limit.

And, again, we really want you to understand the formats.

All right.

If you have questions with EMOM number two,

make sure to write those down right now.

And we will get to those in a little bit.

So we're going to put our Valslides away,

and we will talk next about Tabatas.

One thing that we did miss, though,

that I want to talk about is, before you do this stuff,

you probably should do some sort of warm-up.

Whatever it is, two to three minutes of something.

My warm-ups are like 30 minutes, but we're

talking about Fitness Anywhere for a small amount of time.

So just make sure to get the heart rate up and warm

the body up somehow.

We didn't want to go over a warm-up

today because, obviously, this is taking a little bit of time

to talk about each one of these things.

But if you go on our Wellbeing Online page,

we have Workouts of the Week that

has a warm-up every single day that

doesn't require any equipment.

Well, it requires a foam roller, but you won't need

to do the foam-rolling section.

There's a section for our squat triangles

and I think some lunge matrices and stuff.

But, if you can get one of these and get in your office,

honestly, it's great to have this stuff in your office.

Just like every hour, hop down and do some mobility stuff.

Do some soft tissue work.

It's really good to start breaking that stuff

and opening yourself up.

Completely off topic-- but if you

want to check out a good website to figure out

some mobility stuff, go to mobilitywod.com,

and they'll have stuff that you can just

do every hour on the hour that will really

help you develop some mobility and all

that kind of good stuff.

All right.

Now back on track, we are going to talk about Tabatas.

So Tabatas are a type of interval set

that was created by a guy named Dr. Tabata.

And what it is there's these things called--

I don't even want to get into work to rest ratio, never mind.

A Tabata set is going to be something

that's going to be four minutes of interval training.

So whatever exercise it is, if it's a squat,

if it's a push-up, if it's high-knees in place,

if it's a plank, if it's lunges, you

have four minutes of this exercise

where you do 20 seconds of work with 10 seconds of rest.

So I would do 20 seconds of squats, followed

by 10 seconds of rest, followed by 20 seconds of squats,

followed by 10 seconds of rest, followed

by 20 seconds of squats, but on, and on,

and on for four minutes.

So what ends up happening is you have eight sessions of work.

So you'll do whatever exercise that was

eight times for 20 seconds.

When you are doing these Tabatas,

it's not about doing the squats nice and slow.

When you're in a Tabata, you're really

trying to rip through them because you're

trying to do it at 100% capacity,

granted you're not going to be able to last at 100% capacity

the whole time.

You'll start learning how to pace yourself,

but you want to be right where you're at your breaking point

each time.

You want it to be hard.

So if you're doing sprints, if you're on a VersaClimber,

if you're on a bike, you're going as fast as you possibly

can to maintain the highest output you

can for that 20 seconds and then rest for 10 seconds.

And, again, that's four minutes.

So I wrote three Tabatas for you guys.

We have squats, planks, and high-knees.

So we're just going to go over--

again, you would do the squats for four minutes,

then you would do the plank for four minutes,

and then you do the high-knees for four minutes.

They're not one right after another.

It's squat for the full four minutes and so on.

We'll talk about just some basic stuff with our squat form.

Can I actually use you?

If you want to face this way.

When we start in our squat position,

we're going to start with our feet about hip-width apart.

And we're not going to cover all the smaller nuances of a squat.

But, basically, I'm going to have Natalie squat

down to where her femur is.

Get parallel to the ground.

Come on down.

So we see her femurs are nice and parallel,

and she stands back up.

Squat down.

Weight's in the heels of her feet.

She's got a nice straight back.

She's looking forward.

Femurs parallel to the ground.

That's a good squat.

So, usually, we'd always go up to full extension.

In a Tabata squat, you're going to be

doing them pretty fast to where I'm not caring

too much about full extension.

So she's just going to go-- uh, you're

not going to do it-- but you would go very fast.

That's all I really want to hammer away.

There's a lot of stuff that goes in a squat,

but we want to make sure that we push that butt back, come down.

And we're really thinking about driving our knees out

on the way down and out on the way up.

We don't want our knees--

show them the world's worst squat.

You're super good at showing the world's worst squat.

You did this in our Train Smart video, right?

We don't want our knees diving in.

We want to make sure that they stay over

our toes, if not driving out.

So that chest is up, and I'm driving my knees

out the whole time.

Essentially, everyone knows what high-knees are,

but when you're doing high knees for Tabatas,

you're just doing them in place.

You want proper arm swing, so right arm, left leg,

and you want those knees to come up high.

So each one of those, you would have your squats,

20 seconds on, 10 seconds off for four minutes.

So what we'll do is we will show just two rounds of a Tabata

squat so you all can see what it kind of looks like

and just kind of get a feel of what it is.

So I'll-- I just did Tabatas.

Honestly, this stuff is great.

I end with Tabatas every single day in my lifts.

These things are great finishers if you

like to workout all the time.

All these things that you can do are great finishes

at the end of workouts.

So we'll do two Tabata sets.

She's going to give me a three, two, one countdown.

And I'll just kind of show you the sequence of time.

NATALIE: Three, two, one, go.

Halfway.

It's great.

And off.

RAMON SODANO: So notice I'm not coming to full extension

because this--

I'm in that interval, so I'm trying to go fast.

NATALIE: Two, one, go.

Good pace.

And rest.

RAMON SODANO: OK.

So we c-- we would continue that for four minutes,

and it really starts to get tiring.

Final thing with your Tabatas, there's

a thing we got called your Tabata score.

Your Tabata score is the least amount

of reps you got in one of those 20-second sequences.

So if I was like on minute six, I got 17,

and every other time I got 20--

minutes six.

It's only four minutes.

Minute three, I got 17, and every other time, I got 20,

my Tabata score is 17.

And you try to increase that every single time

that you do it.

So the same thing would go with planks.

You hold the plank for 20 seconds, drop to your knees

after 10.

And after that, rest for ten seconds, up and down.

There's apps out there that are like Tabata music,

Tabata stopwatches.

There's Tabata music, right?

NATALIE: I think so.

RAMON SODANO: Yeah, it gives you countdowns and everything.

So they're all out there.

Again, like with the EMOMs, if it's really, really

hard to do four minutes, start at two minutes and build it up.

Most of my clients, if you have a VersaClimber at your gym,

I highly suggest to try doing Tabatas on a VersaClimber.

It's one of the best workouts in the world.

But all my clients, I start them at two minutes.

And then, each week, add on the next 20 seconds

until I get to four minutes.

If you want to get crazy, you can build up to six minutes.

But four minutes is definitely the prime spot

because that's when you can still

keep that capacity real high.

If you have questions with Tabatas, write them down,

and we'll touch on them again at the end.

Is there anything I'm missing with Tabatas?

NATALIE: Nope.

RAMON SODANO: It's fun to say.

NATALIE: How much rest should they have between movements?

RAMON SODANO: Oh, OK.

So, I would say, if you finish one Tabata set--

like, you get to four minutes--

rest two to three minutes before going to the next one.

Same thing with the EMOMs.

Rest two to three minutes from going from EMOM one

to EMOM two.

So you want to recover pretty well.

And so we are on the metabolic circuit.

It's on you, Sister.

NATALIE: Finishing it out.

So the last workout of the day is

our little metabolic circuit.

So what you're doing is you're doing all of these movements,

and then you're getting to rest 30 to 90 seconds.

And then you're going to do them all again.

We're doing it how many times through?

RAMON SODANO: Let's start them at three.

And then you'd probably work up to five rounds total.

NATALIE: Yeah.

Since there's so many movements, you only

want to do a few rounds, since you're getting a lot of work

in within a certain amount of time.

So we're you just going to go onto the movements right now.

So, first, is inchworms.

You're going to do about 8 to 12 of these,

depending on how well you are at these.

So what you're going to do is you're going

to stand starting upright.

Reach down, get your hands to the ground,

walk your hands out to about a high plank.

If you want, you can add in a push-up.

If you don't want to, you can just stay in this high plank.

And then you're going to walk your hands up, stand up

all the way, and then come back down.

So you're doing that 8 to 12 times.

Once you've done that--

anything else for that?

RAMON SODANO: Just so when she touches her toes--

go touch your toes--

she's going to walk out to a push-up position.

And we're going make sure to what?

Keep integrity of the spine.

NATALIE: Engage your core.

RAMON SODANO: So, again, she's got that nice straight back.

And she's maintaining all that good position, right?

Hands are under her shoulders.

She's nice, and braced, and all that good stuff.

When she walks back up, doesn't cause extreme rounding

at the spine or anything like that.

She keeps the spine straight as best she can in the toe touch.

A lot of people are going to argue

that a big, rounded back in the toe touch is really bad.

It has it's downfalls.

But in an unloaded position, you're

not going to cause the same amount of damage

as if you were holding a bar and being over that way.

But, still, it's important to try

to learn how to keep that back nice and straight as we go down

to that toe touch.

Sorry.

NATALIE: You're good.

All right.

The next movement is bear crawl.

So he's pretty pro at these, so I don't

know why I'm describing them.

But I will.

So you're going to start out on all fours, toes

on the ground, knees on the ground,

then hands directly below your shoulders.

And you're going to start out in a bit of a staggered position.

So you're going to do alternating limbs.

So you're going to start out with left forward and right

knee forward.

And then, from here, you're going

to lift your knees about an inch off the ground, an inch or two

off the ground.

And we're just going to crawl forward.

So keeping your back nice and flat

and taking kind of baby steps, you're

going to alternate limbs.

And then just taking steps forward.

And then, once you've done four forward,

you can do four backwards.

Again, alternating limbs, keeping

that back nice and flat, and that tummy nice and tight,

30 to 60 seconds.

Anything else on that one?

RAMON SODANO: So, yeah, definitely a lot

with bear crawls.

You actually just did a really good job.

What everyone is probably like that's not the bear

crawls I did when I was in high school.

The butt's not super high.

We are doing this for a core workout.

And it's a rotary stability and anti-extension workout.

So when she's in her bear crawl position,

when she's going forward, we're trying to minimize--

go forward--

rotation at the hips.

We want those hips to stay as square as possible.

If I really wanted to get after it,

I could put one of these cones on Natalie's back

and have her go.

And I'm really trying to make sure that that cone doesn't

fall off.

That's a great way to teach her not to have a bunch of rotation

at the hips.

We want to keep the integrity of the spine,

so it's a dynamic motion that really helps us train our core.

So main concerns with that is to keep your knees an inch

from the ground at all times, essentially, have

your hands under your shoulders, and your knees under your hips

with a little bit of deviation with that staggered position,

and really minimize that rotation at the hips.

Going forward four and backward four for 30 seconds,

I promise you, is pretty difficult.

And then, when you get to that 60-second mark,

it's definitely very, very hard.

You'll start feeling it burning in your quads, too.

And I think that's about it with bear crawls.

If you want to watch--

I know I always throw these guys out there and stuff,

but Mike Boyle's got some great videos on bear

crawls on YouTube and stuff.

NATALIE: Cool.

Bear crawls.

Next is the Superman.

So you're going to 8 to 12 these.

I'm sure a lot of you have done these before.

Starting laying on your tummy, arms fully extended, legs fully

extended.

And what you're going to do is you're

going to bring your upper body, chest,

and arms at the same time off the ground as your legs.

So you're coming up, squeezing your lower

back and your glutes.

Hold it for a second.

Then come back down, simultaneously.

So come up and then back down.

You're going to feel it really tight in your lower back

and in your butt.

So that's correct.

You shouldn't go too far to where you're

really hyper-extending, just enough

to where you're feeling it getting tight

in your lower back and butt.

And 8 to 12 of those.

Anything else on those?

Cool.

Supermans-- now we're going onto the knee-high raises.

So, for this one, you're going to need

a chair or a stable surface to step up on.

We've got a little handy chair to do it on today.

So what you're going to do is basically just

like box step-ups, but you're going

to do a knee drive at the same time.

So you're going to, again, starting with the knee

directly over that angle, driving the foot

through the chair box, and then driving the knee up, and then

back down.

And you're going to get the alternating arm

swing like when you're running or doing high-knees, as well.

So when you come up, alternate arm, and then back down,

up, and back down.

We're doing these about 8 to 12 each leg.

And then we're going to switch sides or switch legs.

And then do the same thing all the down, again,

driving that foot through the box,

keeping that knee directly above the ankle,

keeping it from going in and out and then way too far forward.

RAMON SODANO: So, yeah.

That's a big one that you'll see is

she'll get a little bit of a wobble left

and right if the box is too high.

So if you see that little wobble happening in your knee,

just drop the box, or the step, or chair,

or whatever it is just down a little bit lower

because we want to minimize that from happening.

NATALIE: And a good rule of thumb is to do like a 90/90.

So just kind of see how I have a 90 in my knee

and then a 90 in my hip?

That's about a good height for a box or chair.

RAMON SODANO: No need to go higher.

NATALIE: Yeah.

You don't need to go here because that's too high.

Yeah.

So knee-high raises.

Good?

RAMON SODANO: Good.

You might want to keep that out because you're

going to do the full circuit.

NATALIE: Yeah.

OK.

Now hollow holds.

Starting laying on your back, these ones are a core exercise.

So you're going to start laying on your back with your hands

above your head, biceps by your ears, feet together.

And they're kind of like the Supermans,

but you're doing it on your back.

So you're going to kind of raise into like a little bit

of a moon shape, like a hollow shape.

So you're here.

And you're just going to come up,

keeping that tummy nice and tight, holding this position,

keeping those toes pointed towards the sky,

and then come back down.

You're holding that position for 30 to 60 seconds.

And then you're just coming back down

and then moving on to the next position.

This, you really want to make sure

that you're contracting your abs during this.

I don't want you to just bring your upper body

like this and then your legs up like that.

That's not how it is.

You keep your shoulders off the ground and your legs

off the ground.

So the weight should be about your lower back,

If not on your butt.

Anything else for those?

Cool.

Those are brutal, so be prepared for those.

And then glute bridges.

So these, you're staying laying on your back.

You're just going to bring your feet in a little bit.

And then your hands are just going to go by your sides.

They're not really going to do anything.

Your feet are going to come close into your bum,

not too far tight and not too out,

just about like a little bit of a 90 degree angle.

And then, from here, you're just going

to raise your hips to the sky to where

you have a flat body, squeezing your butt nice and tight,

and then come back down, making sure

those hips come in all the way up to the ceiling

before you come back down.

And then you're doing about 10 to 15 of those, depending.

RAMON SODANO: So she's really driving from her heel

on those glute bridges.

NATALIE: Yes.

And the weight is on your shoulders,

as well, not on your neck or anything.

RAMON SODANO: So she keeps talking about 8 to 12 reps,

30 to 60 seconds.

This all just depends on where your current fitness

level is at.

I always tell myself, even though I've

been training, doing x, y, and z for 10 years,

I respect the workout because you never

know how hard something is really going to be.

There are certain things that may look easy to you.

And the first time you go through them,

even if you're someone like Natalie or I,

they're pretty brutal.

So definitely respect the workout first.

Get a feel for it.

So I would always suggest to start at the lower-end

and then build yourself up.

Another important kind of concern

with regard to the metabolic circuits

is you really want to minimize time from transitioning

from one exercise to the next.

You want to go inchworms, bear crawls, Superman,

knee-high raises, hollow holds, glute bridge

as fast as you possibly can and then

rest that 30 to 90 seconds.

And, again, that 30 to 90 seconds

depends on your current fitness level.

The better shape you are, the further you'll

narrow that rest time down.

So anything with that?

NATALIE: I know this doesn't really need to be said,

but make sure you go over each of the movements

before you actually do the circuit.

Don't just be like, oh.

I'm just going to do this circuit

and then just go through all the movements.

Make sure you're actually going through each movement

one at a time first before you actually

start going hard at it.

RAMON SODANO: Always respect the exercises.

Do good form.

Doing a bunch of reps on a subpar level

is not nearly as beneficial as doing less reps perfectly.

Everything should look absolutely beautiful.

There's no reason to sacrifice form.

In the weight room, we say don't lift your ego.

It's not the weight you lift.

It's how you lift it.

So everything needs to be done spot-on.

And if, for some reason, you just cannot do it anymore with

proper form, that's what we call technical failure.

And it's cool.

You're done at that point.

There's no reason to put your body in a subjective position

that's going to hurt yourself just because you

want to work through and keep blasting through.

I respect that mentality, but it's going to be a one forward,

two steps back kind of thing.

So, with all that, I'm going to have

Natalie go through the metabolic circuit like 1 and 1/4 times.

And I'll even time how fast it takes

her to get all the-- because I know

it seems like a lot of exercises,

but you can bang that out pretty fast, honestly.

And just do the lower-end rep range.

And I'll give you the times when it gets to 30 seconds and all

that good stuff.

So if you were doing this by yourself,

you'd probably have a stopwatch by you or your iPhone on you

with a clock on it.

So you ready to go?

NATALIE: I'm ready.

RAMON SODANO: Let's do work.

So a metabolic meltdown.

Ready?

NATALIE: Yes.

RAMON SODANO: Three, two, one, go.

So she's going to do those eight inchworms,

reaching down touching the toes, keeping

a straight a back as possible.

Nice push-up to where she keeps the back nice and straight

and pushes herself up.

That's one unit.

These actually look beautiful, Natalie.

NATALIE: But I lost count.

RAMON SODANO: Let's just call that six.

We'll call it six.

Good.

So there's her eighth one.

I'd say get right into that bear crawl position.

Pop down, and she's forward four, backward

four for 30 seconds.

Think about it.

This is like patting your head and rubbing your belly

at the same time.

I think that makes push-- and don't do these really,

really fast.

Do them nice and slow so you get a feel for them.

Going backwards may feel a little weird, at first.

Keep going.

I'll tell you when.

I'm just explaining things.

You want to think about driving through your hands

as you're pushing backwards.

That makes it a little bit easier.

You've got 10 seconds left.

See, these things are meant to smoke you.

They may not have any weight involved, but it's pretty hard.

All right.

On your stomach.

You've got Supermans for eight.

And, again, she's not overextending.

This is one of the few ones that we're

going to let that back go into extension,

but she's squeezing her glutes and having

the erectors kind of come into play to stabilize that back.

Hop up.

You've got the knee-high raises.

One foot up, and she's going to do eight on each side.

So we talk about this, most bang for our buck.

With this, we could just do knee-high raises with our hands

at our side.

But proper arm swing is a good thing to train.

A lot of us lose it over time.

A lot of us lose our skipping ability.

And it's these basic motor patterns

that we've had as children.

And so it's good.

If you have the opportunity to do something that's

asymmetrical in the body with the arms and the legs,

train the arm swing at the same time

because it's going to help come back

in when you're doing your running gait and all

that kind of stuff.

Excellent.

Good job.

Then she's going to go to 30 seconds of hollow holds.

This is going to be rough.

This will even be hard for Natalie.

We're going to make her do it, too.

She's got to do it.

You'll see her cheeks will start to shake.

If you ever are getting interested in gymnastics

or CrossFit, this is definitely something

you have to learn how to do because it's going to help you

with your muscle-ups to be able to get in the proper position.

You have 15 seconds, Natalie.

How you feel?

Good?

Yeah?

NATALIE: Great.

RAMON SODANO: Glad I ate all your trail mix.

You've got no post-exercise.

Almost there.

Three, two, one.

Good.

She's going to drop her legs and go into her 10 glute bridges.

Again, she's squeezing that butt at the top.

She's driving through the heels, and she's

making a nice, straight line with her body.

We love straight lines.

A way you can make this a little bit harder

is then put the arms across the chest.

And if you even wanted to get real weird with it,

you could start bridging from one leg.

You don't have to show that.

NATALIE: And 10.

RAMON SODANO: Good.

And then she would rest at this point.

And that's one round.

So she'd rest that 30 to 90 seconds.

Let's say it's her first time ever doing it.

She's going to rest that 90 seconds.

And then she'd repeat three to five times.

So I would suggest the first doing it to repeat three times.

If you are still so smoked after that 90 seconds of rest

where you feel like you can't do it,

just rest a little bit longer.

It's fine.

And then slowly build that down.

So that is our metabolic circuit.

And, again, you could literally replace all those exercises--

that was one, two, three, four, five,

six-- with six other exercises.

There are certain ways that we structure our exercises.

And we kind of talked about that in the Train Smart webinar.

I'm not going to go over that now.

But just make sure, as simply, just

get as much upper and lower body as possible,

and as much pushing as pulling, and all that good stuff.

If you have questions with regard

to the metabolic circuit, write those down now.

And we'll get to those here really shortly.

So those are our three exercise modalities

that we've provided you all with for your Fitness Anywhere

kind of stuff.

What I want to do now is just a brief review.

So we had the EMOMs.

That's every minute on the minute.

In this EMOM set, you have four exercises

with their given amount of reps for each exercise.

You saw in the second one that it took a little bit longer,

so you had less of a break.

So it's completing all the reps within that minute.

If the minute falls over, by the way, you just keep going.

You just keep going, and there is no rest at that point.

You just keep going and try to catch up.

As we saw, she had seven seconds of rest in that second EMOM.

Maybe cut the reps in half.

Go two on each leg for a while until you can

start getting it done faster.

The Tabatas, again, four-minute intervals

set of 20 seconds of work followed by 10 seconds of rest

for four minutes.

So that means eight sessions of work

with whatever exercise it is.

Again, you have the squats, the planks, and the high knees.

You can do it with push-ups.

You can do it with squat jumps.

You can do it with lunge jump changes.

You can do it with literally whatever you want.

Again, if you have a VersaClimber at your gym,

utilize that thing.

It's awesome.

Or an assault bike.

Assault bikes are great for this kind of stuff.

Finally, we had the metabolic circuit, which is just

a typical circuit training.

We're just doing a lot of exercise in a row

to be able to really raise that heart

rate with a small amount of rest and repeating again

for a certain number of rounds.

So that kind of concludes our review right there.

With all that, this is, again, our last webinar

of the 2016, 2017 school year.

We are not doing any in the summer.

But we will be back next fall.

We have no idea what ones we're doing.

I'm sure we will look for all your guys' feedback

of what you would like to see.

Any ideas are definitely warranted.

I'm thinking about maybe doing something on basics of warm-ups

because that's a really important thing,

technique for--

anything that you guys are interested in,

maybe family workouts, whatever it is.

If you are all interested in learning about something that

could help increase your wellbeing

through physical activity, nutrition, any of that stuff.

Just let us know, and we'll try to put together

something for you all.

We have graduation.

All you seniors that are graduating here in May,

let's go.

I'm proud of you all.

I don't know if you're coming to Pullman to do your graduation.

But if you are, Wellbeing will be there.

We'll have a table.

We'll be doing some activities.

Come talk with us.

Talk to us about what you, what you think we could do better.

For those of you all returning next year,

I will be at Rendezoo, which is in August.

The beginning of August is Rendezoo at the Woodland Park

Zoo.

And we'll have a table there with giveaways.

Last year, I gave away a bunch of foam rollers,

and bands, and all kinds of good stuff.

So if you are a Global Campus student,

please come to Rendezoo.

It's actually a lot-- we got to play with an armadillo

and stuff last time.

You get animal encounters.

You get free food.

It's a good time.

And, yeah.

This has been a pretty fun year.

This is my first year taking over the Wellbeing Online

department.

And it's been a lot of fun.

And I like interacting with everybody through the Cyber

Coug Fitness Club program.

If you don't know what that is, we

have a gym membership reimbursement program

if you're a Global Campus student where you can get up

to $100 refunded on your gym membership if you submit a form

and go through certain obligations

that you have to do.

That is due on May 1, so if you are interested,

there's definitely information on Wellbeing Online.

And, with that, I'm on for questions.

SPEAKER: All right.

Our first question is a clarification.

So is there a minimum amount of time or combination

that we should do daily to still tone our muscles?

And, also, how often would you need to do this per week?

RAMON SODANO: OK.

So the question is, is there a minimum amount of time

that someone needs to do these exercises to tone

their muscles.

And what was the other part?

SPEAKER: And then, also, how many times per week

should you choose one of these?

RAMON SODANO: And then, how many times a week

should you choose one of these?

OK.

So this, again, that's a very, very varied question.

It just depends on where you're at currently.

If you are just getting to things,

doing maybe an EMOM on one day, a Tabata on another day,

and then your metabolic circuit another day,

that's going to be pretty good.

And doing the very lighter side of those things.

And that's going to help you definitely get in better shape,

build up some cardiovascular capability,

and help shape you up a little bit, too.

If you're in better shape, you could probably

start stacking maybe--

I know I said not to do this-- but if you are in better shape,

do the EMOM and a Tabata on one day,

or do the Tabata and the metabolic circuit on one day.

You can pair these exercises with your typical exercise

routine if you do go to a gym.

If you do go to a gym, and you do a whole lifting circuit,

and you have x, y, and z that you do, and with a Tabata.

Hop on a bike or hop on a treadmill

and do a Tabata there.

It'll help you out.

It's just really, really variable

of who the person is with regard to how it

will benefit that individual.

That's a huge spectrum.

Nobody is the same.

There is no generalized guidelines to that.

But if you do these things hard, I

promise you that you will be getting a workout

and it will definitely start shaping you up and getting you

in shape.

I would say do these anywhere from three to five times

a week, and you'll be fine.

Always give yourself some time to rest and recover.

People underestimate the importance

of rest and recovery.

It's very good to pair this kind of stuff

with typical strength training, too.

If you have the ability to get to a gym

and be able to put together some sort of basic exercise strength

routine, that paired with this kind of stuff

is going to get you the most optimal outcomes that you

can possibly have.

I know that's kind of a cop-out answer

because I'm not giving you a, you

need to do this five times a week

for this long a period of time.

But just nobody is that way.

It's very, very different for each person.

So start picking and playing with it.

See how hard it is for you.

Do it x amount of times per week.

Have a good nutrition and stuff.

And then start seeing if you are losing weight

or if you are toning up.

If not, maybe increase it a little bit.

If it's way too hard, but you're still seeing results,

maybe back it up a little bit, and you'll still

see those results.

Again, with all that, if you're interest

is toning up, and losing weight, and cutting up,

all the workouts in the world are great,

but you need to have proper nutrition, as well.

That's where most of those results are going to come from.

SPEAKER: In regards to the Tabata workout,

is there an ideal length of time to stay in the plank position?

RAMON SODANO: The question is, in the Tabata workout,

is there an ideal duration of time

to stay in the plank position?

Yes, you're going to stay in the plank position for 20 seconds.

And then you will literally be in the plank position,

so 18, 19, 20, rest for 10 seconds.

So 27, 28, 29, 30, hop back up for 20 more seconds.

And then it's 47, 48, 49, 50, back down for 10 seconds.

And then just keep doing that for four minutes.

So, again, in any Tabata, whatever the exercise is--

if it's knee-high raises, if it's push-ups,

if it's a squat--

you're doing the exercise for 20 seconds.

SPEAKER: Due to some old chronic pain,

I can't do as many repetitions.

Do these workouts give the same benefits with less repetitions?

RAMON SODANO: So the question was, due to chronic pain,

the individual is not going to be

able to do the same amount of repetitions

in these amount of times.

Would it have the same benefit with less repetitions?

What's important about these workouts is not necessarily

the repetitions, per se.

It's how high you get the heart rate.

What we're trying to do is get you

almost at your maximum heart rate

or even a little bit above it for a certain amount of time

and then have you rest for a certain amount of time.

So what we're doing is we're training at this thing that's

called your ventilatory threshold or your blood lactate

threshold.

If you are able to get there with a less amount of reps

and still rev that heart rate raised real high,

then these workouts will definitely

be beneficial for you.

However, with chronic pain and stuff like that, some of these

work--

I would kind of more err on the safe side

and do a little bit more slow duration stuff and kind

of start building yourself up a little bit more

before you hop in these high intensity workouts.

So these are considered high intensity.

So it's interval training.

It's going very, very hard.

With chronic pain, I'd probably look into a little bit

different style of exercise modalities

to where you can get a good fitness base first and then

start throwing this stuff in here.

Maybe instead of doing it like squats or something like that,

do your Tabatas on a bike.

Get on a spin bike and hop on there

and do it where it's a little bit less impact on there.

Again, you could do Tabatas with any exercise you want.

If the chronic pain is in your knees,

or in joints, or something like that,

do something that has just a little bit less impact

that you can do it.

But if you have a heart monitor--

I mean, you will feel it.

All you're trying to do is really up your heart rate

really high, and then rest for a certain amount of time,

and have it kind of come down, and then shoot it up again.

We're trying to cause this huge wave because it really

tricks the body into expending more calories in a smaller

duration of time and actually keep the calories expended

for a longer period of time after the exercise ceases,

as well.

So it definitely plays more on where your heart

rate is at than the reps.

So if four reps got you at 190 beats per minute, then cool.

But if four reps got you at 120 beats per minute,

you won't be getting the same benefit.

SPEAKER: In regards to doing hollow holds,

do you recommend any ways to keep the neck

safe during those exercises?

RAMON SODANO: I'm going to leave this one to you.

Repeat the question.

So the question was, in hollow holds,

is there a way to-- was it protect the neck?

SPEAKER: Yes.

RAMON SODANO: So because what's going to happen in hollow

holds is you're really coming forward and grinding

that neck forward, is there a way

to keep it nice and straight?

So you do more hollow holds than me.

So--

NATALIE: So just thinking about just keeping the neck relaxed

and reaching the hands higher when you're

in the hollow position, that's going to keep you

from trying to crank your neck up

to keep you in that position.

Reaching higher is going to help you kind of translate

that into your core being kind of flexed.

So just trying to keep from looking up or looking down,

just kind of keep a neutral neck where

it's kind of loose and regular.

RAMON SODANO: Do you ever cue giving the double chin

or hold a straight neck or no?

NATALIE: I don't, but that's a good cue.

RAMON SODANO: One thing that we do a lot of times--

turn to the side--

when we talk about trying to keep a neutral spine

is giving yourself this double chin,

so scooting the chin back because it keeps

the neck straight and stuff.

I don't know if that's actually going to work in a hollow hold

because you're so strenuous, and there's so much going on.

But that's one way, like, if I have somebody coming up

to a wall, which I don't have a wall--

and I want them doing raises or something,

I have them give themselves a double chin

and try to maintain that position because it

has everything-- that ears stay over the shoulder,

and everything stays in a straight line.

If your neck is probably starting

to hurt with the hollow holds, I would probably

regress to something like a V-sit, which

is where you're going to keep your feet down, toes up, keep

the chest up, and lean back, and flex those abs,

and maintain this position.

And then slowly, slowly, slowly get farther, and farther,

and farther.

Again, integrity for the spine.

And then, sooner or later, you will be able to come--

I'm not good at hollow holds.

Ooh.

SPEAKER: My next question is, which workout

targets the upper-thighs best?

RAMON SODANO: So the question is, which workout

targets the upper-thighs best?

Umm--

NATALIE: The bear crawl.

RAMON SODANO: You think the bear crawls target--

I guess--

NATALIE: Bear crawls, or reverse lunges,

or posterior plank to L-sit.

Those work our quads.

RAMON SODANO: Yeah.

So a lot of the lower-body exercises--

don't think about, like, I need to work my upper-pec,

or I need to work-- if you're working a muscle,

you're working the whole thing. ,

Honestly if you're working a movement,

everything is working at the same time.

You may feel it a little bit more in certain areas,

but everything is still being worked.

You're having certain motor units

that are activating that engages the entire muscle.

So it's all working together.

But you'll feel it the most definitely in the bear crawls.

I know that seems counterintuitive,

but your quads start to burn pretty good in the bear crawls.

Definitely, in the posterior plank to L-sit,

you'll feel that a lot in the core, as well.

But where you're going to get the most for your quads

on the step-ups, the squats, the reverse lunges, anything

lower-body, really, honestly.

And can you better explain what you mean by the lower-end

when you start a workout?

RAMON SODANO: The lower-end.

So the question is, what do you mean by starting

the lower-end of a workout?

So we don't have it written up here,

but on your sheets that were sent out,

it may say-- so if you look at the metabolic circuit,

it will say inchworms are 8 to 12 reps.

The bear crawls are 30 to 60 seconds.

The Supermans are 8 to 12 reps.

The lower-end would be 8 reps.

The higher-end would be 12 reps for inchworms.

The lower-end of bear crawls would be 30 seconds,

and the higher-end would be 60 seconds.

So that's it when you're looking at it

with regard to the exercises themselves

and their rep or their rep scheme.

Then you can look at it with the rest scheme.

So at the metabolic circuit, you completed all six exercises.

You have 30 to 90 seconds of rest.

30 seconds would be the higher-end,

and 90 seconds would be the lower-end

because more rest would make it easier.

So what it means by low-end to high-end

is the low-end is anything that's

going to reduce the intensity or make

the exercises or the routine a little bit easier.

SPEAKER: What is an alternative for push-ups

if you have wrist issues?

RAMON SODANO: So if you have wrist issues,

an alternative for push-ups, you can get push-up handles.

And that can help turn them in, so the wrist

stays straight the entire time.

Usually, the problem is coming back and being on the hands

like this.

I would suggest to try to get that mobility.

So it should not be painful to be in this position.

What that means a lot of the time

is that you're not engaging the muscles in your body

to cause the support to maintain that position.

And, rather, you're just putting all the weight on the wrists.

So when I'm in this position, I am engaging my lats.

My abs are tight.

And if everything is contracted, and I'm

maintaining a good solid base, it

should relieve the pressure off the wrists.

But if you just cannot get past having those wrist issues,

yeah.

Getting some push-up handles where it keeps it straight.

You could do dumbbell presses, like dumbbell chest presses

if you--

again, I guess we're trying to think of Fitness Anywhere,

so you're not going to be in a gym

but any sort of pressing action.

You could hold the plank position.

Again, honestly, that's a good regression because, at least,

you're getting something there.

What do you got?

NATALIE: Using a chair or a box can help, too.

RAMON SODANO: Yeah.

So usually when you regress for a push-up,

you do push-ups on a chair or something

because it brings the body up.

And then you're kind of pushing from this hand motion,

instead of being super in an extended position.

But, yeah.

I mean, a lot of people-- and it seems a lot of females--

the wrists really start to hurt.

I would highly suggest that you try

to strengthen the best you can by learning

how to engage the stabilizers of your body to be able to take

the resistance off your wrists.

There's these things called parallette bars, which

I've noticed with my clients, again, it's essentially like--

and they're not near this high my name means--

but it turns the hands like this.

So you can do that with dumbbells or something

like that, too.

But, yeah, if you are in a gym, pressing dumbbells,

chest presses, bench presses, using bands on a wall,

or anything like that will still help.

Just think of anything that's causing resistance

here as you're pushing will help substitute that.

SPEAKER: OK.

And how long, on average, should you

spend on a circuit similar to the one on the board?

RAMON SODANO: The metabolic circuit one?

So the question is, how long, on average, should you spend?

Well, it just really depends.

What if the circuit consisted of six exercises that

were supposed to be 30 seconds a piece?

Then it should be that long.

It's just really variable.

What I would suggest to do in that case

is do the circuit one time, and collect your time,

and figure out how long it took you and work hard for it.

And that's where you're at that point.

And then, OK, try to decrease that time.

There really is no you should be able to do

six exercises in 90 seconds.

I don't have that answer.

It's not really what concerns me.

What concerns me is that you're actually getting a workout.

But if you're doing it where it takes like 15 minutes,

and you're just kind of slacking from one to the next,

you're not getting a good workout,

then you're not doing what it's meant to do.

So it's more important to think of, get the reps in, get them

in right, and minimize the time in between each exercise,

but still be able to maintain proper form with each exercise.

Again, I realize that's a copout answer.

But there really is no set time that is good.

That's why we do like doing the EMOM stuff,

though, because the every minute on the minute

gives you this time gap.

But if you do something, and it takes you two minutes,

and it was really hard, cool.

Try to decrease that.

But if you do something that takes you two minutes,

and it is really easy, OK.

Time to pick it up.

SPEAKER: Our final question is, do you

have any other recommendations for Tabata apps, specifically?

RAMON SODANO: The final question is, do I

have any other recommendations for Tabata apps?

In all honesty, I don't use the Tabata apps.

I just know a little about them because our group fitness

classes have them here.

They do Tabata classes and stuff.

I always just have the clock next to me, like my stopwatch.

Or if I'm using the VersaClimber,

there's the clock right there.

And I just go 20 seconds on, 10 seconds off.

I know if you go on your iPhone, and go

to the app section, and type in Tabata,

there's going to be tons.

And there's ones that have music to it where the music literally

picks up when you're doing the interval,

and then it slows down when you're not,

so you know how to do it, or it gives

you beeps when it goes down.

What is the one stopwatch thing that was called?

Everyone used it back in the day.

It had-- I can't remember what it's called.

I'm sorry.

But I'm sure you could just Google Tabata apps,

and they'll be ones out there.

Again, I have my own music playing in my headphones.

And I just use the stopwatch.

OK.

So that's all the questions for us today.

I'm sorry that this took a little bit longer than I

thought, but it was important to show all the proper movements

and things like that.

I'd like to thank you all for coming and joining

me and having me be a part of Wellbeing and Global

Connections this year.

We'll miss Natalie.

I think she did a great job today.

And she has a really, really, really bright future

ahead of her.

And I don't know how I'm going to teach my next intern to do

what she does.

So thank you all.

And that's it for today.

And now you know how to be fit anywhere.