-------------------------------------------
Welcome to Arcadia Schematic Design - an overview - Duration: 6:52.
Hi my name is Andrew Armstrong. For those of you that missed my introduction video
Arcadia is a browser-based ECAD Tool that operates entirely in the cloud
to allow the easy and seamless end-to-end design and manufacture of wiring harnesses.
As wiring harness professionals you will already familiar with the
notion of an electrical schematic however just to recap the electrical
schematic capture not only information about the wire themselves but the circuits
they'll form part of. We know at a high level that your final wiring harnesses
consistent wires, terminals and connectors but the schematic tool can include the
electrical components you intend to use in those connectors; for example wires, lamps and batteries.
From our other videos it is clear that Arcadia is a very easy-to-use tool and contains all the
features you would expect. So in this video I'll cover some of the aspects that might not be so clear.
Arcadia is very flexible and can import number of legacy systems for
example if you have a lot of drawings in VeSys Classic or VeSys 2 you can
import them fully into Arcadia along with your harnesses and component databases.
Perhaps you are using AutoCAD to draw your components, this will be no problem;
Arcadia allows you to use most popular formats and has importers so that you can convert your legacy DXF or DWG files into the latest SVG format
If you have legacy conductivity data is in Excel you can use our wire and connect to editors to bring that right in
conveniently you can download an Excel template straight from the tool itself
so you can get this data into Arcadia quickly and easily
Arcadia includes a pre-configured schematic symbol library for all commonly used
components; these are available straight from the toolbar if you use a lot of a particular
component or have complicated assemblies you can use Arcadia's library functions
to create your own libraries for future use. In this example you can see an entire lighting
cluster and ignition switch assembly. Using the library we can select each
component one at a time; as they are placed you can see the live simulation is bringing
the circuits on-line in real-time.
We just touched upon simulation but i would like to show you a few more features with respect to the live graphical simulation feedback.
Simulation can be enabled for the current sheet or all sheets in your schematic;
this allows you to test just one circuit or how all your circuits interact together.
The graphics are designed to instantly show you what is happening
for example in this circuit you can see that this lamp is drawing only 50% of
its rated current and will be dim; by adjusting this resistor you can now see that the lamp
has reached 100% brightness, also by hovering over the components
and wires you can see instantly the electrical characteristics of the component.
For example hovering over this wire shows you all the information
needed for a DC loading analysis; including the voltage drop, voltage and current.
If you want to test more extreme scenarios you can even create
short-circuits to identify how your circuit fails and if it meet safety standards.
At an enterprise level Arcadia can interface to a number of other systems
this is a topic that deserves a topic all to itself, however it's worth noting some
simpler ways of using Arcadia data with other systems. Arcadia can explort in the
industry standard DSi format to connect the third party tools.
As part of your release build process you may need to store certain documentation, such as connectivity information.
In this example we are saving the CSV file to ISO 9001 specify build process folder for use with Excel.
Although we all like to keep to certain standards every company has their
own idiosyncrasies. Arcaia is very flexible in this respect and allows you
to define how you like your wires, connectors & devices prefixed. This allows you
to work not only to your standards but if you do work for other companies you can easily set up a profile to their standards.
In a lot of businesses your products may come in many variants and each variant may contain a number of options.
Arcadia has some features that let you handle this.
Arcadia has an interface to let you toggle at an option or variant level;
so these are instantly reflected in your schematic.
This allows you to create, simulate and output the options & and variants you need.
With Arcadia you can use wire-breaks and network-breaks to connect your wires
and signals across multiple work-sheets. As you can Arcadia allows you to
follow these across street so that you can navigate your drawings easily.
Logically all these breaks are linked internally so you're simulations
and reports will treat them as if there is no physical break. You can quickly search
and locate components anywhere in your schematic you can search for schematic
components, connectors or wires. You can even locate individual pins in
multi-position connectors.
You can quickly search for wires, as an added benefit you can even show their
true colors you can automatically generate multiple page schematics in PDF
format which can easily be shared or emailed. You can choose from single sheets
entire drawings or even just a region to print or export as PDF.
Whatever your requirement Arcadia's the simple manageable and scalable solution for the
requirements of your business, now and in the future. At Cadonix we are committed to
making Arcadia the best tool in the industry.
Listening to your needs through continual improvement making it the only
suite you'll ever need.
please contact us if you would like a demonstration or free evaluation to see
how I can help you today I look forward to working with you in the future
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Chris Brown Warns Future Girlfriends He's a Stalker in a Relationship | Splash News TV - Duration: 1:11.
Well you can't say Chris Brown isn't "committed" when he's in a relationship, because the
singer actually insists that he'll "stalk you" if he's interested.
Hmm.
Brown reportedly went on his Instagram story, which has since disappeared, but had a message
for his lady friends out there.
Oh, just let Chris say it himself:
[Ladies, y'all be complaining about [men] being, like, stalkers and in love with y'all,
kinda crazy and shit and you get tired of it.
Well, guess what?
I'm one of them!
If I love you, bitch, ain't nobody going to have you.
I'm going to make you miserable.
I'm going to chase that [guy] out, I'm going to chase your ass around, and it's
done!]
And who said chivalry was dead?
Chris hasn't had the best track record in the whole world with women, so we don't
know if words like "stalker" and/or "make you miserable," and/or "if I love you,
ain't nobody going to have you" are the best.
But what do we know?
He's the guy scoring on Instagram.
[basketball trick shot].
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Nationality in Spanish: Should you write the first letter in capital letters? - Duration: 2:12.
Hi, friends! How is everybody doing?
I'm Romina, your Spanish teacher from Hola Spanish.
Today I have a short exam for you guys.
Which one is the correct answer?
A, B or C?
Please take a minute to think your answer
Pause this video right now
Ok, guys, the correct answer is 'C'
My friend Sachin Gogia on Instagram asked me: "Why?"
The correct answer is C because 'italiano' (Italian) is an adjective and it doesn't require a capital letter
'Italia' (Italy) is the name of the country and it requires capital letter, alright?
As a result, 'Yo soy de Italia' (I'm from Italy) requires the first letter in capital
'Yo soy italiano o italiana' (I'm Italian) doesn't require a capital letter in the beginning but lower case
The explanation is very simple
Alright, let's analyse some other examples
'Yo soy de Japón' (I'm from Japan)
'Yo soy japonesa' (I'm Japanese)
'Yo soy de Australia' (I'm from Australia)
'Yo soy australiana' (I'm Australian)
Very well, this is a typical mistake native English-speaking students make
Ok, my friends, I hope that you have understood this explanation, if you have any questions please do not hesitate to contact us
And to my friend Sachin Gogia, I hope that you are happy with this answer
Thank you for your time and I'll see you next class
Goodbye!
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Adventures at the Heifetz International Music Institute - Weeks 5 & 6 - Duration: 2:04.
Hey guys! So it's week 5
andddd today we're going tooo
ummmm
eat food.
Anyways, we hope this trip will be good
and there's Nick
just stare at Nick
Hey guys! So we're at the farm house right now
and I'm with Nick, Chris, Ken, Pamela, and Julia.
We tried
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When Gandhi declares war on you [Civilization] | Kada ti Gandi objavi rat - Duration: 1:14.
So I'm walking around and this guy gets into my territory
I tell him "hey get out of here"
or else I'm pressing the big red button
and so he doesn't want to listen to me, idiot
and what can I do? He doesn't want to leave, so I suit up and press the red button
Then suddenly you see a bright flash in the distance
You should have seen how it looked like
he tries to save his units, they move towards me so I press it again
The ground started shaking
I grab my remote to check their news, but there was no signal
and I tell my guys to watch but they can't from laughter
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National Park Service | Internships - Duration: 0:57.
[Music Playing]
-------------------------------------------
one and only - Duration: 0:06.
dadadadada
It's the one and only
leedle leedle lee
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How Journalism Was Corrupted by the Power of Privilege | Gay Talese - Duration: 6:18.
It was alleged that the newspapers were not aware the large percentage of the population
of American citizens were unhappy with the ruling establishment, did not feel their voices
were being heard and they voted against what everybody thought was the leading candidate
and instead voted for this rank outsider, a very unpredictable and generally unpopular
person, this businessman, this egotist, this rakish character named Donald Trump.
I thought what was missing from the newspapers, and I think more than that from Americans
in general who watch television, who read books, who teach in universities, who are
among the educated classes, which almost includes everybody these days.
The reason I say that, in my lifetime born in 1932 and becoming a journalist in the 1950s
and at the time I became a journalist in the 1950s we journalists, whether we worked for
the New York Times or the Philadelphian Inquirer or the Chicago Tribune were generally the
first of our family to have gone to college.
And when I say college I do not mean Harvard, Yale, Princeton, Stanford, I mean Brooklyn
College or in my case the University of Alabama.
We were not going to the elite colleges, if we went to college at all we were considered
scholars in our family.
But what we were, not true today, but what we in the mid 20th century America we were
outsiders.
We journalists were of the outsider class whether we were Italian heritage as me or
Jewish or African-American or Spanish, whatever.
And we did have courage because most of us had come from parents or grandparents who
had first-hand knowledge of persecution in foreign countries and who came to this country
on the run and brought with them the spirit of unfairness.
And we as the inheritors of their spirit in journalism we were the children of those people,
we brought not cynicism but skepticism of power.
And it was never our ambition to be part of power because we were chroniclers of power,
we were critics of power, we were viewers of power, we were outsiders.
Well those days are long, long, long gone.
What we have now, 50 years beyond what I'm talking about, is a group of journalists who
go to the same elite schools as the most privileged people of power.
Obama was a college professor, a Harvard man and he was teaching while president for the
two terms essentially teaching class to the higher classes, including the journalism of
his time.
Now you have this rank foul-mouthed, God with his awful blonde hair becoming elected and
then people in journalism oh god it's so embarrassing.
It's like they were so stunned it's like having their world is shattered.
Why are you so shattered?
Why are you so stupid?
Don't you realize that you journalists are so blind?
You don't know as journalists anything except being educated from the time you're privileged
little kids.
I mean even the poor people, black people, Hispanic still want to be like the privileged
white people.
And what I'm getting at in a long-winded way is that we journalist have failed.
We're a failed profession.
The pride that my generation took being strong as a force against the powers of prerogative,
the powers of privilege doesn't exist anymore.
It doesn't exist anymore.
The journalists now want to be part of a power game.
They want to get on Air Force One.
They want to join Trump at 21.
They want to have dinner at 21 with him.
They want to be clustered in Washington, which is the most decadent city.
It's the most evil empire.
If I were running Washington, boy do I sometimes have grandiose ideas in the middle of the
night if I was running Washington.
I would get half of those reporters out of Washington, break up the Washington press
corps, send them all over to the state capitals.
We have 50 states; put two reporters in every state instead of covering Congress or the
cabinet or whatever, let the people who are from these states report the mood of the states,
report the feelings, the findings, the personalities that are in parts of America that are not
in the mainstream in the mainline.
And we tell our story not from the powerbrokers that are clustered in Washington those privileged
power and generally rich people, but we tell something about the results of law, the results
of privilege, the results of ignorance, the results of bad decisions and war, we'd cover
injured soldiers, we'd cover the life of farmers, we'd cover a grease mechanic a guy some redneck
sheriff somewhere.
And if we knew the America that way we would not be surprised by such an election as we
had in the aftermath of Obama's eight years.
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Reviewing Microsoft PowerPoint-Based Report Package Content in Smart View - Duration: 2:21.
[Intro Music]
Welcome to this step-by-step tutorial on how to review Microsoft PowerPoint-based
report package content in Smart View.
The review phase begins when the report package owner
marks the author phase complete,
creates the review instance,
and then starts a review cycle.
Using Smart View, you can review and provide feedback on the report content assigned to you.
You can enter, review, and respond to comments.
I'm logged in as a reviewer for the Financial Analysis report package.
When I open the report package, I only see the report content I've been assigned to review.
I'll add a comment to the report package.
Notice that an anchor pin is added to the slide, and I can position it wherever I want.
To open the comment box, I double-click the anchor pin.
I'll enter my comment.
Notice that the comment is displayed in the Smart View panel.
When you create comments you can add attachments
and formatting.
Right now I don't see comments from other users.
The comment filter options let you view all comments or just your own,
as well as open and closed comments.
Reviewers can reply to
and close comments.
When you're done, you can mark your review complete.
In this tutorial, you learned how to review Microsoft PowerPoint
report package content in Smart View.
To learn more, visit cloud.oracle.com.
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Kai nemoki matematikos | When you don't know math [parody] - Duration: 0:51.
Do you know how much root of two?
No, I don't.
My name is Matas (Aivaras real name)
You know how to count?
Well I don't know ,maybe...
So count !
Three , four...
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Lucky Shot - Duration: 28:04.
(music)
(Banyan Drive, Hilo)
(along 4 Mile Beaches road, Hilo)
(Pahoa shoreline)
(up Mauna Loa, looking toward Mauna Kea)
(Mouse's voice) Aloha.
Welcome to Weekly Edit for Wednesday, February 1, 2017.
So, you're lucky enough to catch a falling star, lucky enough to catch it in an image even
-- but: oops!
Well, I'll let Harry tell you the story.
(Harry's voice) Oh, boy, did I get lucky.
I got a shooting star right in the middle of Andromeda.
I was doing an image stack.
My idea was to make 150 images of Andromeda and then stack them together to get a beautiful
shot of Andromeda.
I don't have much of a long lens: I've got 100mm.
My camera is full frame, so I don't have a lot of magnification there.
Lucky for me, Andromeda is huge.
We were up on the mountain at around 7000 feet (2133 meters) and it was a very clear night,
so it looked like things were going to work out pretty well.
But, I blew it.
I did not align my tracker properly, or maybe I bumped my tripod.
I don't know.
I've got these star trails.
Normally, I'd just ditch the whole stack because I messed it up.
But I'm not going to ditch this!
I've got a freaking shooting star going through Andromeda!
So I need to salvage this.
Let's see what we can do to fix this.
Alright, the first thing I'll do is crop it because I don't want the whole thing.
Let's see: get our aspect ratio and bring in our sides.
Let's fill the frame with the shooting star.
That looks pretty good.
I want to bring out more of Andromeda.
Let's see if we can get a little more by using the Exposure Fusion.
Oh, yeah.
Look at that; that does a great job.
It really brings things out.
That's a good start.
Another place to look is Global Tonemap.
Look at that: now we're starting to see stuff.
We've got a lot of stars; we've got a big Andromeda...
This makes me happy.
I'd like to bring out this area more.
I'll use the Equalizer for that.
I don't want to make the stars brighter, but Andromeda is a different size than the stars.
I can use the size specifications of the Equalizer to enhance Andromeda
without making the stars brighter.
I can bring this up a little.
There we go.
Look, it's making it really bright right in the middle, so I'll use this with a Parametric Mask
and bring that down a little so the center doesn't get so bright.
The stars are awful bright, though, and we've got some noise.
On the noise, this Non-Local Means works great for night shots,
but it's actually stronger than I need.
I'll turn down the Strength down.
Sometimes I can get good results by turning down the Patch Size too.
That seems to be the case this time.
Let's see: move the Patch Size up one or down one.
Yeah, down one is better.
Oh, look at that; there's another shooting star.
There are tons of shooting stars out there.
Another thing I can do is take my Lowpass Filter and make a really small Radius, like
a little less than one pixel, and apply a Darken only Blend Mode.
That gets rid of some of this fringing and brings the color into the middle of these stars.
I'll do a couple corrections: Hot Pixels -- Detect by 3 Neighbors is good
-- and correct for Chromatic Aberrations.
Then I'll export this into the GIMP to work on the star trails.
I'm exporting it as a TIFF.
TIFF, 16-bit.
I like to work in Adobe.
Here we are in the GIMP.
Open.
Lucky Shot.
There's our TIFF.
Wonderful.
Now we need a nice big star to work with.
Here we go.
My idea for reducing the star trails is to take a duplicate of this image and bring it down
this way so that it overlaps the current image.
That will produce an overlapping area that is just this little ball here.
I'll use the Darken Only Blend Mode so this darker part of the sky over-writes the star trail,
leaving me with just this little ball right here.
Let's try that and see how it goes.
Duplicate Layer.
Then change my Opacity and move this down.
See, it creates a little ball right there.
If I bring my Opacity back and go to Darken Only, I've got these nice little balls.
But, now I've got these lines.
See these lines?
There's a line here too.
It's because I didn't cover it up exactly when I moved it.
I don't think there's a way to cover it up exactly, so I'll do it twice.
One will be just a tiny bit to that side and one a tiny bit to this side.
Then I can get the two sides.
These pixels are really big.
In order to do that maneuver, I'll need to re-sample it first to make it bigger.
So, let's start over again.
First I'll re-sample this layer.
Scale Image, and let's make it 5000px.
Where did our big star go?
Let's find it.
There it is.
Now we can see what we're doing.
Now we've got more to work with.
First I'll make a Duplicate Layer of this and store it down here.
I'll use that later.
I'll show you why later on.
Then I'll make another Duplicate Layer of this one and change its Opacity
so I can see what I'm doing.
Then I'll do what I did before: move it down here to make this little ball area, but I'll
move it just a tiny bit to the left this time.
Then I'll turn that off.
I'll make another Duplicate Layer and do the same thing again: change the Opacity
and move it down.
But this time I'll move it just a tiny bit to the right.
Then the area where all three come together will be my star area.
Change its Opacity back.
Take this one: Blend Mode -- Darken Only.
And this one: Blend Mode -- Darken Only.
Okay, that turned out better.
We still have a little edge here, and it looks like we're not going to get it perfect, but
I think things are looking much better.
EXCEPT we've lost our shooting star.
See that?
Now, if we move our last Duplicate that we made to the top and turn it on, we have our shooting star.
So, I can make this one have a Layer Mask.
Then I can Paint.
We want this to show up.
Let's put it on the bottom.
Merge Down this one.
Merge Down this one.
I've got the Layer Mask on the wrong part.
Let's see: Delete Layer Mask.
We'll put the Layer Mask on this one, and then Paint through
right here on my shooting star, and maybe on Andromeda-- we'll see.
I'll make my Pencil a little larger and paint down the shooting star.
Now let's see what our original Andromeda looks like versus the one
with the Darken Only Blend Modes applied.
That's the original,
and this is the one with the Darken Blend Modes.
I like the original better, so I'll paint that area too.
This time I'll use the Paintbrush so we have feathered edges.
I'll turn down my Hardness, turn my Size up, and turn my Opacity down and do a couple passes.
Let's see what our Layer Mask looks like.
Okay; I want to fill this in a little better.
Right in here we've got a better Andromeda, but we've got smeared-out stars.
Now I need to come in with the Eraser Tool and do some fine-tuning.
I'll turn my size down...
...oh, down further than that,
and just a little smaller.
Then we can get each of these little stars right here.
Then we can come back with a Paintbrush and fix any last ones we need to.
It's a little tedious, but it goes quickly.
That's starting to look better.
I've got a little edge right here where it was darker.
I will go back to my Paint tool and bring back that one.
That looks good.
Now I can see some star trails along the shooting star, so I'll go along that edge with the
Eraser Tool and knock down some of those.
There we go.
I can't get them all, but I can get a lot of them.
We've still got some leftovers where things didn't line up quite right, and we've lost
some of the stars, but I think overall we've got a massive improvement.
Let's look at our original.
Yeah, that is a big improvement.
We'll merge these two down and we'll Save this.
Now we can open it in Darktable and finish up this edit.
We've got smaller stars now.
But, I want to bring out the stars more now. (laughing)
There are a couple ways to do that.
We can use the Equalizer to bring up the size of the stars that we want, like this.
And maybe not the bigger ones.
And we can change this to Lighten only.
Hey, we got some stars back: nice.
And I want to bring back Andromeda.
Once again, we're running into this problem where, when it's too bright, it's just too much.
We'll use a Parametric Mask to bring that down a little so it doesn't affect
the brighter areas as much.
And I think we can bring out a little more detail in Andromeda.
Let's try doing that with a Lowpass Filter.
Turn our Saturation all the way down; bring our Radius down
so we can see some details in here.
There we go: we can see some dark and light areas now.
Maybe just a little less?
Yeah, right around there, and I'll use a Softlight Blend Mode.
I can bring that down a little bit, like that.
I want to bring up some of this lighter area with a Tone Curve.
This looks like a bit much too.
It looks burned-in.
Once again, let's use the Lowpass, give it a small Radius -- enough to make it look better,
like that -- then I'll use the Darken only Blend Mode.
That fills in the inside of this a little.
I don't want that everywhere because I'm actually knocking down my stars with it too much, so
I'll Paint that on.
We'll give it a little Mask Blur.
That's looking better.
This is catching my eye, up here, so I'll Crop that out.
I don't want it to be distracting.
There we go.
Okay, I want more color.
We'll steepen our channels a little.
Let's see what color Andromeda is.
A little bit to the magenta here.
And a little bit to the yellow.
Alright, now I've got a little more color.
We've got too much green and red color noise in here.
Look at that.
I want to get rid of that some.We'll try a couple different methods to see what's best.
We'll try Wavelets.
We'll go down here to HSV Color and move this over to Wavelets.
We still have some blotches here, even if I bring this up.
I have to bring this all the way up to really knock it down, and it still isn't knocked
down all the way.
That's not too bad, though, and Andromeda is looking pretty good.
Another way we can do this is with Equalizers.
So, let's open another instance of the Equalizer and go to the color.
We'll bring up the noise reduction side.
That gives us some results.
We can also do it by bringing down the contrast side.
Now, these blotchy areas are bigger than the stars, so we can actually leave the smaller
one and just work on these larger sizes of color.
There we go.
So, reducing color contrast in the larger sizes.
is our best bet.
There we go.
This side of the image is a little darker than this side.
I wonder if that had to do with my lens.
I'll bring that up just a little.
Oh, it came up quite a bit.
Then I want to get all the stars to pop a little more.
I'll use the Highpass Filter.
We'll go down and get the size of the stars we want.
This will give them nice round edges too,
instead of all that noise from my star trail subtraction.
There we go.
Then I'll use an Overlay Blend Mode for this.
That makes our stars a little brighter and the sky a little darker.
We don't need 100%; we'll do it right around 50%
When we first started, this end of the tail was much lighter and this end of the tail was darker.
Let's look at that.
See?
We seem to have lost some of that with all of our work.
I want to bring it back to finish up.
We'll use a Tone Curve.
First, we'll Paint the area we want to work on.
Then I'll combine it with a gradient.
Let's turn on our indicator.
We need to use our Mask Manager.
Here we are: Tone Group.
Go to the first one, set it to Union; go to the second one and set it to Intersection.
Okay, now it has more of an effect as it goes out.
We've got these sharp edges, so I want to Mask Blur those.
There we go.
Turn off our Mask Indicator.
Then we can take down our highlights and get closer to the original.
It looks like we've got a lot of noise and it's pretty bright on this side.
I want to take a quick stab at that and then export this and set my Blackpoint.
That looks like the right thing to do.
that matches a little better.
There is a lot of color over there too.
This whole side of the image has a lot of color.
Final adjustments.
There we go.
Now, I'm going to export this and set my Blackpoint, do a little final sharpening,
and that should do it.
Alright: Blackpoint.
Down we come.
Nice, that looks better.
And bring that up a little.
And a little final sharpening.
I'm not sure what I can do about all that.
Maybe I can use a Parametric Mask with a Gaussian Blur and just pick the darker parts.
A tiny bit of a Mask Blur there.
I've got little halos everywhere now.
Hmmm.
Bring my Brightness down?
Ah, there we go; that cleaned things up.
I want to exclude this area because I don't see how that's helping things.
Oh, one last thing: I've still got this little bit up here.
Okay, (laughing) there we go.
Alright everybody.
Hey, have a great week.
I'll see you next week.
Bye.
(Mouse's voice) Darktable and the GIMP: powerful allies in the fight against star trails!
Well, that falling star wasn't the only lucky thing about our week.
We got a new patron!
Thank you Michael, for supporting us on Patreon!
We now have four patrons.
Thank you to all of you.
You are inspiring and encouraging us to keep making Weekly Edits.
'But how do I get to Patreon?' you might ask.
Well, let me show you.
We have a link right here on our home page.
If you scroll down past Recent Posts to Resources, here, hidden in there is Patreon Support.
You see the cute picture of our puppy and click right through to our Patreon page
where it is super-easy to become a patron.
Choose a reward or choose your own amount, and just click the Continue button.
Everyone, thanks for watching; thanks for being with us.
I hope you enjoy your week.
Until next week, a hui hou.
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Google Plus for Business: How to Claim Your Online Listing - Duration: 3:36.
hello everyone Denise Keniston here and
in this video we're gonna talk about
how you can claim your online listing on
Google Plus today I'm showing you the
way to find and claim your business
listing on Google if you're a business
owner who wants to up his chances of
getting found on google than keep
watching this video step one go to
google.com forward business and follow
the step-by-step process you can look up
your business through the search box
select your business name when it popped
up if you don't find it means that it
isn't listed and you'll have to add your
business at this point number two when
you enter your business information go
over it carefully be sure that there are
no typos that can really hurt your
business if you're listening includes a
misspelled business name or incorrect
address or phone number number three the
final step is the verification process
don't forget it this is when your Center
code which will have to enter in order
to verify that you are the current owner
of the business
what if you find that your business has
been claimed by another owner take these
steps number one first be sure that you
haven't already claimed the business
using a different email address once
you checked with all your email
addresses you can move on or just
glanced at the listing the phone number
listed should tell you right away
whether you're the one who claims it
number two if someone else has claimed
your listing click report a problem
you'll have the option of including a
message to the person currently claiming
the business you should tell them who
you are and that you are the business
owner and that you need to have them
relinquish ownership to you
number three allow seven full days for a
response
it's a full week passes without your
message being acknowledged contact
support google by replying to the confirmation
message that you have received
all right let's see that was very hard
but hold on just in case you didn't take
it all in we've created a free
infographic that will take you
step-by-step through the process and all
you have to do is click the link in the
description below fill in your email and
i'll send you this easy step-by-step
formula for your online marketing
success and that's how to claim your
listing on Google we use google
interchangeably with look it up
why because everything is on google if
your business isn't there you even kind
of exists but enough of that now i hope
you were able to learn some valuable
tips from this video
ok download my infographic right and get
on your way to Google my business
success and don't forget subscribe to my
youtube channel for more how-to videos
instructional videos some really cool
free stuff
also make sure to check out our other
videos and learn more and look while
you're at it let you hop on over and
check out my facebook page for some
inspiration and other photos and I would
really love it if you would visit my
Denisekeniston website after
all that folks i will see you in the
next video
-------------------------------------------
How to open multiple facebook accounts in one browser - Duration: 6:57.
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Making DIY Frame Photo Display - Duration: 0:51.
Making DIY Frame Photo Display
-------------------------------------------
Signing Off on Microsoft Word-Based Report Packages in Smart View - Duration: 1:25.
[Intro Music]
Welcome to this step-by-step tutorial on how to sign off
on Microsoft Word-based report packages in Smart View.
The sign-off phase becomes available when the report package owner
closes all prior phases,
creates the sign-off instance,
and then starts the sign-off phase.
Using Smart View, you can sign off or reject the report packages assigned to you.
I'm logged in as the user designated to sign off on the Financial Analysis report package.
When I open the report package, I can see that my sign-off is pending.
You can reject sign-off and send the report package back to the report package owner,
or you can sign off on the report package.
After reviewing the report package, I'll sign off.
I can also enter an optional comment that is captured as part of the sign-off process.
The report package owner can publish the report package.
In this tutorial, you learned how to sign off on report packages in Smart View.
To learn more, visit cloud.oracle.com.
-------------------------------------------
成瀬巳喜男 - 君と別れて/Mikio Naruse - Apart from You(1933) - Duration: 1:00:04.
A Shochiku Film
APART FROM YOU
Original Story, Screenplay and Direction by Mikio Naruse
Photography: Suketaro Ukai
The Cast:
Mitsuko Yoshikawa
Akio Isono
Sumiko Mizukobo
Reikichi Kawamura
Ryuko Fuji
Yoko Fujita
Tokkan Kozo
Subtitles downloaded from www.OpenSubtitles.org
It's frightening, all the delinquents running around these days.
DERBY WORLD
NAKAYAMA RACES BEGIN TODAY
Care for some soba?
I need to rush home.
Yoshio had a headache this morning, and I'm worried.
I think he's caught a cold.
LONG LIFE APARTMENTS
LONG LIFE APARTMENTS
Is Yoshio at school?
He said he had a headache,
but apparently nothing serious.
Terugiku, will you pull out this gray hair?
Oh my, you still have a lot more.
I really am getting old.
No, Kikue, you're still young.
Shouldn't Yoshio be getting home soon?
Is this where Yoshio lives?
Has something happened?
He hasn't come to school in a long time, so the teacher sent me to inquire.
He hasn't?
He hasn't felt well, but he should be back to school soon.
What could have happened?
He's really changed recently.
I know Yoshio really hates my working as a geisha.
But if I quit now, I won't be able to give him a proper education.
I have to keep going at least until he graduates.
He hardly even talks to me these days.
You're the only one he's close to - like a sister.
If you have a chance, please tell him how worried I am.
Well, I'm off to the hairdresser's.
Kikue's not here yet?
Any minute now.
I've put up with that client because he's her patron, but he's such a dirty old man.
Let's you and me go to the hot springs together.
I'm afraid of how Kikue would feel.
Who cares about that old crone?
Shouldn't you be at Mr. Yoshikawa's party?
I'm really sorry.
I don't mind.
If you have time, would you go to my room and see if Yoshio's back?
Can we have a word?
Uh-oh!
Yoshio!
You've fallen in with a bad crowd, haven't you?
I hear you haven't been going to school.
Don't you know how worried your mother is?
I'm worried too...
You don't dislike me, do you?
Then won't you please go back to being your old self?
THE NEXT MORNING...
You drink now?
Yoshio!
Why shouldn't I drink? Look who I have for a mother.
Why are you always so hard on me?
Do you think what I'm doing is that bad?
You don't know how hard it's been trying to give you a good upbringing.
If you hate me that much, just kill me or do whatever you will.
Skipping school again today?
Why don't you come visit my family with me?
I have something to tell them. Come on. It's a nice place near the sea.
Let's go. I'll tell your mother.
Are you embarrassed sitting next to me?
I wonder who these people take us for.
Brother and sister? Sweethearts?
I'm sure they think we're brother and sister.
I really wish I had a brother like you.
I have a younger sister and brother.
But they're both too young to listen to my troubles.
You have that many troubles?
I'll do whatever I can to help.
Thank you.
Hey Sis!
Was that Father's sake?
I'll give you some money. Go buy another bottle.
Sis!
Our big sister's here.
I brought a visitor: Kikue's son, Yoshio.
May we go upstairs, Mother?
We can see the ocean.
It's nice here!
Just a moment.
Did you speak with them about Misako?
That's why I've come.
I don't want Misako becoming a geisha.
But times are so hard.
I'll work and scrape to earn what she and I would earn together.
I don't want her to suffer as I have.
It sounds like you're blaming your mother and me.
That's right.
I'm resigned to my lot,
but I don't want Misako to share my wretched life.
Times aren't that tough. You're just a drunken loafer!
I'm sorry you had to see that.
But I actually did want to show you just what my house and parents are like.
It so sad to watch you mistreat a mother as kind as your own.
I know for a fact your mother doesn't enjoy her work.
I wish I could go somewhere far away.
Would you go with me?
No, no, I was only joking.
But you'll always be there for me, won't you?
I'd do anything for you.
Thank you.
And be good to your mother too, okay?
Studying?
See you later.
What can I do? You're tossing this old crone aside like tissue paper.
I never said I was leaving you.
I just said that business was slow these days,
so I might not be able to visit as often.
Don't bother denying it.
I'm prepared for what's coming.
Somebody help!
Water...
Thanks.
Forgive me, Yoshio.
Can we have a word?
Are you going with them?
I'll be right back.
He still hasn't changed.
Don't worry. He'll be back soon.
You haven't been coming out
recently when we call you.
You trying to get out of the gang?
We want a straight answer right now.
A gang's gotta have discipline.
I'll go look for Yoshio.
Why aren't you saying anything?
I want to leave the gang.
I don't care what you do to me...
Fine! Here's how we say good-bye!
Everyone take a turn.
The son of a geisha slut - no wonder he's no good!
I don't care what they do to me, but they can't talk about my mother that way!
Yoshio, don't!
Where's Yoshio?
Don't worry.
You don't know how happy I am that you're back to your old self.
Please don't ever change.
Now I can leave without any worries.
Are you going somewhere?
I didn't tell you, did I?
I have to move far away in order to save my sister.
I'll do anything not to be apart from you.
Thank you. Just hearing that makes me very happy.
Take care of your mother.
As sad as life may get, I'll manage.
I might be happier if I could just die like this.
But I'll go on living. I won't let hardship defeat me.
Yoshio, you have to be strong too.
AFTER TERUGIKU'S WOUND HAS HEALED...
I don't want to leave you and your mother.
If it weren't for my sister, I wouldn't listen to a thing my father says.
But no matter how far I may fall, I want my sister to remain pure.
Yoshio, please don't forget me.
And don't forget you're dearer to me than anyone else.
I feel the same...
If it weren't for my mother, I'd go anywhere with you...
Thank you. I'm glad.
Look after your mother.
Good-bye.
THE END
Download Movie Subtitles Searcher from www.OpenSubtitles.org
-------------------------------------------
Prepare for Your Placement Test - Duration: 4:34.
(music)
Oh. It was just a dream.
I need to reschedule this test. I am not ready.
The Assessment Center offers the Accuplacer and the PTESL assessment test to properly
place students in English, Reading, Math and/or English as a Second Language.
Please visit the English as a Second Language link found on the Assessment Center webpage
for more detailed information about ESL.
The Accuplacer test is a computerized, adaptive, multiple choice test.
Calculators are not allowed on this test.
You will be provided with scratch paper and a pen or pencil.
There is no time limit and placement results are made available upon completion of the
test. The test is free of charge.
This test is not timed, so it is crucial you take your time, relax and work at your own
pace.
You should not take this test if you are tired, hungry, ill, stressed or in a hurry.
It is important to understand that the assessment test is meant to be taken only once.
Please speak to an Assessment Center staff member for information regarding the re-test
policy should you need further information.
Review the material by using the study guides that can be found on the website.
Remember the higher your placement level is, the less courses needed to complete the subject
pathway.
Placement levels are enforced and enrollment into higher level courses is not allowed until
prerequisites have been met.
Plan ahead to reduce other anxieties, stresses and worries before taking the test.
Get a good night sleep.
Do NOT forget your picture ID.
Make arrangements to arrive 10-15 minutes prior to your appointment time.
This will allow you to find a parking spot, pay for parking and locate the building.
If you have a documented disability and require testing accommodations beyond extended time,
please contact the Disability Resource Center before making your assessment appointment.
If you have any questions, feel free to contact the Assessment Center via phone, email or in person.
-------------------------------------------
HOW TO MAKE CHEWY GRANOLA BARS! | FAST & EASY! - Duration: 2:48.
hey guys at kristin today I'm going to
show you really fast recipe on how to
make these chewy and delicious granola
bars
begin by adding in two cups of oatmeal
here i've used the old fashioned oatmeal
then one quarter cup of ground flaxseed
one cup of chopped almonds and
three-quarter cups of sunflower seeds
now you're going to just mix it all
together so that we can get it ready for
the oven spread the mixture out over a
cookie sheet or you can use one of the
silicon liners like i'm using here once
you've got it all on the cookie sheet
spread it out because we wanted to be
pretty even across the entire cookie
sheet so that way it toast evenly place
it in the oven for about five minutes
we'll keep an eye on it because it can
burn very quickly now in a small pot add
in four tablespoons of butter to third
cups of brown sugar a half a cup of
honey 1 teaspoon of vanilla extract and
1 teaspoon of salt stir the ingredients
around until everything is completely
melted
you'll want to leave this on the heat
for about five minutes stirring
constantly so it doesn't burn by now
your oatmeal mixture should be fully
toasted and you can place them back in
the bowl now add the brown sugar and
butter mixture to the dry ingredients
and mix really well greased a large
baking pan with some nonstick spray then
add your granola mixture into the baking
pan and start pressing it down with the
spatula once the entire pan looks like
it's covered use the back of a spoon or
a measuring cup and start pressing down
firmly
this takes a little finesse because if
you press it down too hard the granola
bars will be very crunchy but if you
don't do it hard enough then the granola
bars may fall apart chill these in the
fridge for about an hour so that it can
set then you can start cutting them into
squares and individually wrapping them
what i have here and that's it you're
done
these are delicious two granola bars
that will last about a week already
selected for today guys if you liked the
video please give me a thumbs up and if
you want to see more don't forget to
subscribe
-------------------------------------------
Reviewing Microsoft Word-Based Report Package Content in Smart View - Duration: 2:03.
[Intro Music]
Welcome to this step-by-step tutorial on how to review
Microsoft Word-based report package content in Smart View.
The review phase begins when the report package owner
marks the author phase complete,
creates the review instance,
and then starts a review cycle.
Using Smart View, you can review and provide feedback on the report content assigned to you.
You can enter, review, and respond to comments.
I'm logged in as a reviewer for the Financial Analysis report package.
When I open the report package, I only see the report content I've been assigned to review.
I'll add a comment to the report package.
I'll enter my comment.
When you create comments you can add attachments
and formatting.
Notice that the comment is displayed in the Smart View panel.
Right now I don't see comments from other users.
The comment filter options let you view all comments or just your own,
as well as open and closed comments.
Reviewers can reply to
and close comments.
When you're done, you can mark your review complete.
In this tutorial, you learned how to review report package content in Smart View.
To learn more, visit cloud.oracle.com.
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