Waching daily Jun 1 2018

Hi I'm Barry we've now got to the stage where we know we ought to

put our veins in we've done all the basecoat we've put all our all our

colours on we've blended them all together we've softened them all off

again so it's now back to Andrew. -Great now we've blended the colours

will apply the veining now we're going to use some Payne's grey and some

titanium white and what we'll do just dip it into the polyvine scumble glaze

and then we'll use the feather to mix the paint together

we just need it just a tiny bit of black to make it grey and this will be this

will act as our background so I'm just going to use a little bit of water as

well just to loosen up the paint so now we just want to create some veining and

then again we'll make some lines and shapes so I'll I'll kind of come down

through here just like this and this will be just as our background for the

for the marbling vein you know kind of having that jagged feel to the to the

vein yeah so you kind of very short sharp movements and because that's quite sharp

on the edge of the bristle- of the feather, we kind of create those shapes

and always make sure we do the very edges as well very just so it gives that

very realistic view.

That's like a really good start Barry, what we'll do now Barry we'll um go back

to the badger softener and what we'll do we'll blend these veins into our

background color which are the yellow colors because the yellows are still up

still wet and open again we'll use a 90 degree angle to the surface and also 90

degree angle to the vein and we'll blend those colours into the surface because

there's a lot more paint on the surface than we've been when we were doing the

Carrera is drying a little faster- yeah I was thinking that it's not as open as it

was- no it's just beginning to pull ok there's anything we can do with that we

can kind of dab it with a sponge and that kind of reactivates the surface a

little so we could think that we'll do that with mine you know so you blend

it first yeah and yeah we can blend it first

we'll just dampen the sponge a little and we'll just dab over the surface just

to reactivate the surface the whole lot yeah just very gently feels quite damp

already okay if you think I need a bit more yep yeah they should be fine to

so to start off in a small area

when you're ready Barry just feel free to use your badger softener and then

this or you can always apply a little bit more water if needed so we've got

the kind of the grey cloudy look to the veins and then we'll actually we'll go

over, it's quite subtle- yeah I've got mine a little bit too grey I think

yeah yeah and then we'll go over with a darker colour over these

veins that we've created and formed already very good and what I think we'll

do now very well just make the veins slightly darker yeah I just mix up some

paint ready just some white and some black I'll just have it slightly darker

and I'm just gonna create a bit more veining here

so you're going over the veins that you already sort of done? Yes that's right

once you've done a bit of veining there Barry we can then kind of soften it a

touch again just kind of putting layers on layers

what we can do now we can emphasize these veins a little bit more using a

darker pencil on the sample panel this has had four layers of paints

it's a four-stage process where we're just doing one process today but we can

really enhance this sample panel by using a soluble pencil again yeah and

then we can get some nice depth there. Is there anything more I need to do with this to

think no I think that'll be fine. Do I need to take any of these out or? That'll be fine

sometimes you get those grey pebble shapes in there yeah and in the real

Sienna so that works absolutely fine and same as the Carrara marble which is kind

of rotate and roll the pencil and drag it down through the veins yeah so just

kind of rotate that and this is more of a solid line than

the yeah with the main veins of the the primary veins we can make it slightly

heavier and then we can kind of follow different shapes here quite often within

Sienna you get these kind of oval shapes within the vein so you'll see those grey

very pale grey background veins we can kind of follow those follow those

naturally occurring vein yes you got one it's all going up around there yeah so

this gives more of a definite kind of crack in the marble yeah

when you've got sort of like an area like this where you got like you see two

veins coming together yeah would you then sort of join these up or could

I have coming down there yeah that'll be fine you can kind of

break it off into little sections and like this as well and then it's quite

nice to- you can even get like a shape coming around there and then you

can kind of bring that across and have something there so you can you can have

sections where it's smaller condensed panels or shapes.

see that one that's going to yeah I see you can bring that round, yeah this

is good yeah you getting some nice shapes it's really good all you're using

is what's already on the surface

Right Andy, what do you think of this one --very good you've done very well

is there anything I could improve on? Colours very good yeah for the first layer

you've got some nice some nice shapes going on probably similar to the Carrera

probably the black line is fairly consistent which you would get naturally

in Sienna but I'm just just to make the panel look balanced quite often

as we are saying it's nice to have like something slightly darker at the bottom

section yeah so I'd probably suggest maybe have a vein coming a heavier vein

coming down through here so we could kind of start here and then and kind of

bring that down through here

and I'll just soften this again 90 degrees just just the tips of the

bristles with a badger softener can really say that's made the difference I

this is more busier you know it's not as open as some of these yeah we could

continue to add to that yeah we could allow this to dry and then we can go

over with more of these same colors and we can really darken the panel a little

bit more and then we can add a bit more fine veining with the with the pencil so

on the small sample that we have behind us that's that's about three stages so

this is just the beginning stage but a really good start

thank you, so there we go that's our interpretation of how to do

Sienna marble

For more infomation >> Faux Finishes, Sienna Marble part 2 - Duration: 9:11.

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最新劲爆！ 【行踪曝光】嘉马偷藏在这里偷渡避难！ - Duration: 5:09.

For more infomation >> 最新劲爆！ 【行踪曝光】嘉马偷藏在这里偷渡避难！ - Duration: 5:09.

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Same Day Walkthrough and House Cleaning - Duration: 6:55.

When you do your initial walkthrough is it the same day as your first cleaning, or are

those two separate days?

That is a great question and we're going to talk about that today.

Hi there, I'm Angela Brown and this is Ask a House Cleaner.

This is a show where you get to ask a house cleaning question,

and I get to help you find an answer.

Now today's show is brought to us by HouseCleaning360.com

and that is a hub that partners homeowners

with house cleaners and home service providers.

And one of the home service providers that we have in our network

are people who run errands for you.

They go out and they do your shopping, they pick up your mail at the post office,

they pick up your dry cleaning.

If you need something at the hardware store, they bring that back to you.

And they bring it to you, so that as a small business owner or as a stay-at-home mom or

a stay-at-home dad, that you don't have to pack up all the kids and leave and go run your errands.

They do your errands for you, they bring them to your house, and lo and behold,

you just write them a check.

It's awesome.

All right, so if you have a business that does this, you can list your services on

HouseCleaning360.com

so that friends in my network can find you.

All right, on to today's show, which is about a house cleaner who wants to know if the initial

walkthrough is on the same day as the cleaning, or if they are two separate days.

Okay, so there are two schools of thought and what it comes down to is

how are you bidding for your job?

So if you bid by the hour that's different than if you bid by the job.

There's a whole school of thought in the house cleaning industry of house cleaners who like to make

it a big production.

So they go and they do a walkthrough and they have a welcome packet.

And they like to build a lot of rapport, and tell stories and chit chat and get to know

the customer, and walk through the customer's house and find out all these amazing things

about the customer.

And then they go home and they put together a proposal and then they email the proposal

to the customer.

And they wait a couple of days and they may follow up with the customer, and the customer

may follow up with them first, and they start texting back and forth and,

"When would you like to start cleaning," and, "Was my pricing okay?"

And it's this big production.

Then there's another school of thought and it's a minimalist school of thought.

And this is one of the things that we teach in our Savvy Cleaner training, for house cleaners

starting out in the business.

When you start out in the business, we start out charging by the hour, not the job.

Because you're new, you're inexperienced, and there are a lot of things you don't know to look for.

And so I don't want to send you in to bid a job when you have no idea what you're looking for.

So, if you're just getting started in the business you know what an hour is,

it's 60 minutes' worth of time and it's worth x amount of dollars.

So for this particular example we will say it is worth $25 per hour, so you're going

to charge $25 per hour and, because you're charging by the hour, it doesn't matter how

clean or how messy the house is or how many hours it's going to take to do the job.

So we just removed all of that excess stuff that you don't even know yet

because you're new to the business.

So a customer calls you up on the phone,

what do we know about customers who call us up on the phone?

They call us because they need, ta da, house cleaning.

Yes, it's awesome.

Okay, so they call us and one of the questions that we ask, it's a qualifying question,

we ask them, "How long has it been since your home was last professionally cleaned?"

Now, if it was cleaned two weeks ago we know that they are due for another cleaning,

and if it's been six months they're still due for another cleaning.

So what we can say is this, "Listen, I charge $25 an hour and I have four hours on Thursday.

Why don't I swing by, I will take a walk through your house with you.

If we're a good fit for each other, we will start the clock right then and I can showcase

my work and see if we are a good fit for each other."

If at the end of the four hours ... And the four hours is all you have, so that's all

you're going to sell.

It doesn't mean you're going to clean the whole house and it doesn't mean you're going

to do deep cleaning on the whole house, and it may take three or four deep cleanings before

you get their house up to your standard of excellence.

But, "Let me come over for four hours, we'll see how far we can go and it will only cost you $100.

If at the end you're not satisfied with my work, I have a 100% satisfaction guarantee.

I will turn around and leave and there is no charge to you whatsoever.

But if you do like my work and you see that we're a good fit for each other, we'll pull

out our calendars and we'll go ahead and we'll block you in for a regular cleaning.

How does that sound?"

And people are like, "Well, that sounds pretty good."

Now in the worst case scenario, they get their house cleaned and they're not happy

and they pay no money. Wow, see?

That's not very bad.

And in the best case scenario, they get their house cleaned and it costs them $100 and they

have a new house cleaner.

See?

That's not very bad either.

So my suggestion is, you're going to take time out of your schedule to go over there

and do an estimate anyway, right?

But what is an estimate?

An estimate is you selling yourself to the customer.

So if you're going to sell yourself to the customer, why don't you showcase your work?

Why don't you say, "Hey, I'll bring all my cleaning supplies.

You can watch me, you can see how I do what you just recommended."

And they can either stay or they can leave or whatever,

it doesn't matter after your initial walkthrough.

But then what that gives you is the opportunity to go and make a new friend, to make a new

client, and to showcase your work in hopes of getting a new job.

It's like the audition at its ultimate form.

All right, so my suggestion would be, if you are one person and you are doing this business

and you charge by the hour, my suggestion is that you partner them together so that

you have a walkthrough followed by a cleaning at the same time.

Now, if you are a business owner and you send other people out, you're going to have a different

program and we will talk about that in another episode.

But I did want to let this particular house cleaner, who happens to be starting out,

know that there's an easy way to do the business.

Because you don't want to spend an hour, two hours of your time, driving across town, meeting

a person, doing a bid and you kind of don't even know what you're doing.

And then you come home and you hope you get the job and you may never hear from them again

but you've invested an hour or two hours of your time,

and you've taken that time from the customer.

So it's a way to partner it together so everybody gets the most use of their time and resources.

Alrighty, that's my two cents for today.

And until we meet again,

leave the world a cleaner place than when you found it.

For more infomation >> Same Day Walkthrough and House Cleaning - Duration: 6:55.

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How to get Building Plans Before you Have a Building - DSP 186 - Duration: 8:40.

>>Ashkahn: Hey there, this is Ashkahn.

>>Graham: Hey, I'm Graham.

>>Ashkahn: All right.

>>Graham: And today's question is, "how am I supposed to get a construction quote

without having a specific space in mind yet?

The bank is requiring one."

>>Ashkahn: The bank is requiring one.

>>Graham: Yeah.

So this is not an uncommon problem that you hit during the process.

There's this whole chicken and egg thing.

Sometimes it's between the health department and-

>>Ashkahn: Buying a float tank.

>>Graham: Yeah.

They want specifics of what kind of tank you're having, but you don't have a loan yet, but

the bank wants to know that you can get health department approval before you can open.

Or the bank themselves wants to see realistic quotes on moving into a space so they know

you're not just making up numbers, but you don't have a space because you can't get one

until you get the bank loans so that you can sign the lease.

It just goes around and around.

From someone who's approaching this for the first time, it can seem like absolute madness.

Which it kind of is.

If you have that viewpoint, it's understandable.

You have that for a reason.

So what do you do?

>>Ashkahn: Yeah good question.

>>Graham: Basically you'll end up having to double pay some money here and there's no

getting around that.

But whenever you don't have your building solidified, your lease signed, you have the

space you're for sure moving into, you kind of have two options.

One, is to figure out a representative space.

Look around at a few different spaces around town, get a sense for what kind of area you

might want to move into, what the costs are, the ultimate square footage that you'd have.

And then based on that, you can kind of draw up a rough size for what your space is.

Whether it's 40 feet by 40 feet, or 50 feet by 60 feet, or whatever it is.

>>Ashkahn: Yeah the nice thing is, most often you're gonna be gutting whatever space you

get anyway.

Considering you're going to be in a pretty fresh, empty sort of block is not that far

off from reality.

>>Graham: No, and maybe your space will end up being a little bit different or you'll

have to totally redo your plans when you move in.

But at the very least it's indicative enough that you can show it to the bank and say,

"Hey this is the kind of space we're thinking about moving into."

And then the other half of it is actually having your drafts person or your architect

or whoever is doing the plans draw up what a representational float center might look

like in that space.

So this is where you end up having to double pay for some work.

What you don't want to do is pay for a full set of plans meant to pass inspection, everything

that you need to actually move into this space that doesn't even exist yet, right?

Because everything is almost certainly gonna change once you find a real building and get

a real lease, your real float center life.

Make an estimate of what your space is gonna look like, and then when you're drawing up

plans it's just an estimate of plans.

You wanna have it marked down that yeah, you're installing this many float rooms, there will

be a lobby, float rooms are gonna be double thick.

You have this list of requirements that you have for the build out, and you're getting

a quote from the contractor on that.

Those bids can largely be reused too, when the contractor goes to move into your actual

space.

Knowing that the walls are double thick, knowing that you have a certain amount of amps going

into the space, kind of making general assumptions based on just the state of commercial buildings

around your town.

At least the knowledge of those and the bid requests minus the specific plan drawings

should all still come in handy when you go to make your real drawings.

>>Ashkahn: And you know the nice thing is they'll give you an estimate of what the heck

is going on and how much construction in your area is gonna cost.

I think the other thing that is probably good to put into this is just to add some kind

of contingency onto it.

Because often in your ideal world, you're not gonna run into these weird little eccentricities

that come with the spaces that you're eventually actually going to run into.

Dealing with like an extra bit of soundproofing along one wall because you have a certain

neighbor or whatever it is.

So just keep that in mind, too.

As long as you're building something super generic where there's no crazy random hurdles,

just put aside an extra chunk of money for that kind of unexpected reality.

>>Graham: Yeah, and hopefully that's built into your construction contract as well when

you ultimately get that drawn up.

And certainly your business plan if you are taking this to a bank, which it sounds like

you are if you're getting a bank loan, for example.

The bank will want to see contingencies written in there, too.

The number of construction projects that have just gone exactly as planned is probably very

close to zero, if not zero.

Especially on something of this scale.

So if you don't have contingencies written in there, it's likely something you'll get

some pushback on from the bank as well.

That's kind of the deal.

You do have to pay a little extra double time, maybe if you are using a real estate agent

or real estate lawyer.

A little extra of their time to find three buildings that might be representative.

Sometimes the bank will be very specific about what they wanna see, too.

They'll say, "Hey can you just give me a few examples of spaces that you might move into

and then an estimate of what that will cost?"

Or the bank will specifically say, "Hey we want a drawn up plan of what your space would

look like in a representational space."

Or something like that.

So if it seems like your contractor or your drafts person for drawing up the plans for

this first hypothetical model is gonna be charging you way too much, maybe even just

go back to your bank representative too and ask what exactly they need and how in depth

it needs to go.

Cause although they might have requested an actual plan drawing, maybe the case is that

just a written out list of what you want to go into your center and a rough bid, and square

footage number would be fine.

And you don't actually need to draw out plans.

>>Ashkahn: Cause you have an easy ability to impress people with the kind of construction

that goes into float centers.

So I think even just going with like "Hey we need to get this specific type of soundproof

drywall and here's the price of that per square foot and here's my estimate of square footage

of wall space and we have to do double stud walls so here's my estimate of lumber and

spacing."

There's a lot you just know off the bat that I think would sound very impressive and like

you really had your shit together when you went to the bank representative.

>>Graham: Yeah and I guess I always like to pay attention to small projects like this

that aren't really final.

The idea of getting plans drawn up for a space you might move into before you do is actually

a relatively minimal project.

So if you are choosing between different drafts people or different agencies for actually

drawing up the plans for your real center, this might be a good little test case where

you can actually have two or three different plans drawn up just in order to get past the

bank, or sometimes this pops up for the health department who wants to see this kind of documentation.

Finding small tasks that you are able to vet your contractors on without getting too deeply

into bed with them is actually a really nice boon sometimes when it comes along.

If you hit this stage and you haven't chosen your drafts person, think about this maybe

as a nice test that you can put in front of a few different people.

>>Ashkahn: Yeah you might notice one person gets back to you in a few days and the other

one takes three weeks and four emails to ever respond to you.

Those are good early warning signs of who you want to work with.

>>Graham: Someone literally just scrawled their thing on the back of a McDonald's napkin,

and the other person has a nice CAD drawing.

Also things to pay attention to.

Warning signs, I like to call them.

>>Ashkahn: You might not notice those at first, kind of subtle.

>>Graham: And that's pretty much it.

It's kind of a crazy process and you might find it for other things as well.

And just know the people asking you to jump through these hoops also realize hopefully

that you probably don't have a real building yet and all of this is a little bit made up.

Just recognizing the fictional nature of it and then asking for clarification if you do

hit any weird impasses is probably my best last advice I have.

>>Ashkahn: Cool.

Well, if you guys have other questions you wanna ask us, you can go over to daily solutions

dot- Nope.

That's not-

>>Graham: What's our website?

>>Ashkahn: Float tank solutions?

Floattanksolutions.com/podcast I'm pretty sure is what it is.

And that's good, type them there.

Cool.

All right, we'll talk to you guys later.

For more infomation >> How to get Building Plans Before you Have a Building - DSP 186 - Duration: 8:40.

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最新劲爆！传敦马觐见拉惹提议，玻州或重选解僵局！ - Duration: 4:00.

For more infomation >> 最新劲爆！传敦马觐见拉惹提议，玻州或重选解僵局！ - Duration: 4:00.

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最新劲爆！首相已找到方法，最少可以减少2000亿国债。 - Duration: 2:16.

For more infomation >> 最新劲爆！首相已找到方法，最少可以减少2000亿国债。 - Duration: 2:16.

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Doris Burke: 5 Fast Facts You Need to Know | Heavy.com - Duration: 11:43.

Doris Burke: 5 Fast Facts You Need to Know | Heavy.com

Doris Burke is the first woman to work as a full-time NBA analyst on television.

Burke, 52, has been with ESPN since 2001.

According to Sports Illustrated, she was selected as the replacement for Doug Collins in 2017, and assigned a full season rotation of NBA commentating on both ESPN and ABC Sports.

Her career prior to that consisted of color commentary and sideline reporting, the latter of which she still does during the NBA Conference Finals and the NBA Finals.

Burke will be the sideline reporter for the 2018 NBA Finals alongside commentators Mike Breen, Mark Jackson, and Jeff Van Gundy, who once described Burke as "the LeBron James of sportscasting.

" It will be their ninth championship series together, and Burke's tenth overall.

Here's what you need to know about Burke and her groundbreaking career:.

She Set The Record For Assists On Her College Basketball Team.

Burke, born Doris Sable, discovered her love for basketball in the second grade.

"The love of the game is something I found [early on]", Burke told NJ Advance Media, "I literally picked that ball up as a 7-year-old and I have not put it down to this day." This passion allowed Burke to play competitively throughout high school and college.

She landed a spot on the Manasquan High School girls varsity team as a freshman, and eventually became the all-time leading scorer in the school's history. "She was the kind of kid, if she saw the boys do something, she wanted to know how to do that," said her high school coach Bill Rogers, "I don't know how many girls — if at all — had a jump shot.

The boys did.

So Doris would watch the boys and she would come to me and say, 'I want to learn a jump shot.

How do I shoot a jump shot?'".

Burke's jump shot led to scholarship offers from a number of eastern colleges, including UMass, Boston College, and Boston University, but she decided to attend Providence College in Rhode Island. "For me to even think about attending a college or university would have been a real financial hardship.

It would not have happened," she admitted, "That basketball scholarship changed my life.".

Burke's success on the court continued at Providence, where she made the Big East Women's Basketball Tournament twice in four years, and was a second-team All-Big East player.

Hartford Courant reports that Burke was also the Providence's Co-Female Athlete of the Year.

By 1987, she was the school's all-time career assist leader. Burke graduated from Providence College with a bachelor's degree in health service administration and social work.

  My favorite people!! (And pup)! A post shared by Doris Burke (@dorisaburke) on Nov 9, 2017 at 3:04pm PST.

Burke worked under Providence's head coach Bob Foley between 1987 and 1989, but left the coaching staff after she married Gregg Burke, who was an employee in the athletic department.

They had two children, Sarah (born 1993) and Matthew (born 1995), during their marriage, which later ended in divorce.

According to GoRhody, Gregg Burke is currently the Deputy Director of Athletics and Head Golf Coach at the University of Rhode Island.

She Began Her Broadcasting Career On the Radio In 1990.

Burke began her broadcasting career in 1990, as a means of staying close to the sport she loved.

She was the regular announcer for the Providence women's basketball games on the radio, but a random stroke of luck– a male announcer failed to show up for a televised Pittsburgh-Rhode Island game– forced her in front of the camera for the first time.

Her ex-husband Gregg recounted the incident to the Hartford Courant:.

We both shower, we bomb down there, 55 minutes before the game, she hasn't prepared for either team.

She visits the Pitt people for 10 minutes, the PC people for 10 minutes and they drag her out to do the opening.

And she nailed it. She nailed the game.

I'm not just saying that because I'm married to her, either.

I did it and it went very well", Burke added, "Though I hadn't prepared, I knew Providence, I knew Pittsburgh.

I would've watched the game anyways." Her career skyrocketed from there.

In a span of eight years, Burke reported on Big East men's games, announced New York Liberty games, and began her longstanding relationship with ESPN by covering women's basketball and the NCAA Tournament.

In 1999, the Atlantic 10, a collegiate conference, signed her as the primary analyst on its men's basketball package.

"She was, flat out, the best analyst," said Bob Steitz, Atlantic's associate commissioner, "Initially there were some raised eyebrows.

I don't think a lot of coaches had seen or heard her work.

I told them, 'At the end of the year, let's talk.' And they had nothing but glowing things to say about Doris.".

In 2000, Burke made history as the first woman to be a commentator for a New York Knicks game on both radio and television.

The following year, she signed her first official contract with ESPN.

Brian Sherriffe, a coordinating producer for ESPN at the time, spoke to the Hartford Courant about why the network found her to be so appealing:.

She immediately stood out, she was very consistent in her delivery.

She could do a quick interview in tough situations.

The closest she reminds me of is Bill Raftery.

She does have that burst of energy that Raf has always brought to the table.

Some would be accused of being over the top, but Doris savors the moment.

You know when you're at a big moment in the game with her.

Since 2003, Burke has been a member of ESPN's top men's basketball team, and has worked the sidelines for both ESPN and ABC Sports.

She has also been a columnist for Basketball Times Magazine and Eastern Basketball Magazine since 2001, and a contributing writer for the Center for Sports Parenting.

She Believes There's Still A Glass Ceiling For Women In Sports.

While Burke signed a multiyear contract extension with ESPN in 2013, ensuring that she'll be a commentator through the 2018 season, she has raised concerns regarding her age and whether the network will allow her to stay on as she gets older.

In a 2017 interview with Sports Illustrated, Burke said that she would like to retire by the age of 60 to spend time with her grandchildren, but worries that women who chose to continue past that age will be allowed to.

"We still have a long way to go," Burke said, "Because the reality is that I'm 52 years old.

And how many 55 to 60-year-old women do you see in sports broadcasting? How many? I see a lot of 60-year-old men broadcasting. The physical appearance and natural aging of all the men doing this job don't matter." Burke went on to call the glass ceiling that women are forced to deal with as a result is "bulls**t.".

She feels that women's appearances are still being stressed as too important in the broadcasting industry, and that while she wants to be considered attractive, she will not take extreme measures to alter her natural looks:.

I want to be considered attractive, [but] am I going to undergo surgery to make myself look younger? No.

So the wrinkles you see on my face and the signs of age that I have, they're going to be there, period, and it's up to the networks to decide [if it's acceptable].

"The older I've gotten," she told The New York Post in April, "The more I have paid attention to disparities, or what I consider to be different treatment." Burke also referenced the situation involving Sports Fox Network and sideline reporter Stephanie Ready.

In 2015 Ready was promoted to full-time analyst, but after two years, she was sent back to the sidelines.

For more infomation >> Doris Burke: 5 Fast Facts You Need to Know | Heavy.com - Duration: 11:43.

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Can You Constantly Laugh At The Same Joke? - Duration: 0:33.

Hey this is Robert Simic, The Billionaire Coach, and I have a tease for some of you

today.

Some of you'll enjoy it, and some… may not like it that much, so let's see, here

it goes: If you cannot constantly laugh to the same joke, then please… how can you

constantly complain about the same problem?

There you go, if it's funny, enjoy the laughter and if it poked… then… something to think

about, won't you now?

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選一雙最喜歡的高跟鞋，測出你最吸引異性的地方！ - Duration: 3:18.

For more infomation >> 選一雙最喜歡的高跟鞋，測出你最吸引異性的地方！ - Duration: 3:18.

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Top 5 most unusual AppJobs | AppJobs.com - Duration: 2:02.

Hello there I'm Marina from AppJobs and today we're talking about our most

unique appjobs! Yes, there are many different things you can do out there

and get paid for it as you will see on this list you can be a massage therapist

a photographer, a gardener and even rent her clothes or place ads in your

car for money!!! So let's start with this list! With Shootly you can take

professional photos and sell it! Pick categories shoot and get your payment so

simple and you get to do what you love once your profile is listed you can get

in touch with clients and choose to accept or decline their sessions! You do

need previous experience for this job though to work with closet collective

all you have to do is own expensive clothes from brands and then rent it out

if you don't wear those clothes too much it's even more perfect because you get

to get some money from it but you get to keep your clothes in the end so upload

your pictures accept or decline booking requests and get money!! Working with Soothe

you can accept or decline massage gigs simple like that there is a GPS control

when you come in and when you leave your gig all thinking about your security for

this up job you need to have your own portable massage table and bring all

those oils and lotions you're gonna need!! With Bizzby besides doing general

handyman work you can actually be a gardener do you like to spend time

outside and take care of plants and flowers?? You can list your skill with

bees bee and wait for requests and also you get to choose your own schedule

so if gardening is your hobby you can do it every weekend or once a week you get

to choose!! Now with Wrapify you really don't have to do anything to work that's

because you're gonna get paid to place ads in your car all you have to do is

download the app and get matched with campaigns from different brands and then

you get to choose your panel which can be a partial or a full advertisement in

your car!! That's it!!! If you liked this video give it a thumbs up, subscribe to

this channel for more information and don't forget to click on the first link

in the description box so it goes straight away to AppJobs.com and you can

get one of this unique appjobs!! Thank you so much for watching

bye