Thứ Năm, 27 tháng 9, 2018

Waching daily Sep 27 2018

We got a question from Kushagra Mishra. The question was:

"How do you stay so strong and enthusiastic? and "What keeps you going?"

Well, first of all, I pray everyday, multiple times a day– and not just in a religious way

but I ask God for help. I thank Him for the blessings of life itself.

I ask for direction and wisdom with the decisions I have to make

and also be aware of the unexpected curveballs that come in my way

that may be good and may be bad, knowing that I need him every day.

Apart from that, I'm really blessed to say that in the calling that I've been given to go and speak around the world,

what's really cool and fascinating, and encouraging,

is seeing the people after the speaking engagement,

crying, hugging each other, the letters we get from you all watching,

Facebook messages or support at lifewithoutlimbs.org, reading your testimonies

about how Life Without Limbs has changed your life is really encouraging.

So, thank you for being a part of God's plan in giving us strength and encouragement.

God bless you!

For more infomation >> Question: What keeps you going? | Life Without Limbs - Duration: 1:09.

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Finger Exercises - This Is What You Should Be Doing - Duration: 8:14.

- Hi everybody, my name is Jens Larsen.

I don't usually do videos purely on technique,

I think I tend to focus more

on what you're using your technique for,

so how to play arpeggios and use different scales

and use solos and play chord voicings,

but with this exercise, I think maybe it really makes sense

to just have a little bit of a closer look,

because I think we're missing some of the things,

that we can learn from it

and some of the ways that we practice it.

So what this is really about is,

that if you think in a little bit of a different way

and you focus on some other things,

then you can drastically improve your technique,

you can clean it up a lot,

you can set yourself up to play a lot faster

and you're also working on thinking ahead

and those are all things that are extremely useful,

if you wanna play jazz solos

or if you wanna exercise something.

The way I'm working with this exercise

is really coming out of the way that I was taught,

when I had classical guitar lessons

about one and a half million years ago

and I think it's really curious,

that we're not approaching it like this,

when it comes to electric guitar

and styles like jazz and rock,

because I never see it discussed like this,

the focus is always on something else.

If you wanna learn more about jazz guitar,

improve the way that you solo,

check out some interesting arpeggios or chord voicings,

then subscribe to my channel.

If you wanna make sure not to miss anything,

then click the little bell Notification Icon

next to the Subscribe button.

So the basic exercise I'm gonna work with here

is this sort of, it's not actually a Chromatic exercise,

but just this one, two, three, four exercise

and of course, you can do the same thing,

the things I'm gonna talk about,

it's not really specific to this exercise,

you kind of wanna have that in all aspects of your playing,

but it's a little bit easier to work with like this,

where you don't have to really worry about

where you're playing the notes and everything is easy

for your right hand and stuff like that.

The first aspect that I want you to incorporate

into your technique practice

is the idea of left-hand preparation,

so really that your left hand fingers

are trying to move to the place where you need them next

ahead of when you actually need to play the note.

Of course, you can't always do this

and it may seem a little bit counterintuitive,

that when we're improvising, we're trying to come up

with stuff at the same time as we're playing it,

but that's not entirely true,

we're actually trying to play stuff,

that we already decided that we're going to play,

that we already heard

or that we already know that we're going to play.

So there is time to prepare

and you kind of wanna have that in your technique,

it's also something that's really gonna help you

and set up your technique, if you wanna improve your speed.

For the exercise, so if we just have this

sort of semi-Chromatic exercise here,

this means that when I'm playing the notes one by one,

of course in the beginning, there's nothing happening,

that you can really prepare,

but once I'm playing this note,

then my index finger should already

be moving to the place where I need it next

and you can see how it's just ahead of what is going on

and that's of course, just because I know

that I'm going that way

and I can really clean up the sound,

it's easier to just be a little bit ahead,

so you don't have to sort of hit the string here

and with the pick at the same time,

the chances that it's gonna go well are a lot higher,

if the left-hand finger is already in the right place,

it gets you in clear,

if we play the descending version of this, so.

So here you can see is that,

I'm pretty much just putting down

all the fingers in advance

and here you can also have the idea why,

when I practice it on an exercise like this,

where I don't have to worry about the notes at all,

everything is just like four notes per string,

it's easy to play and I'm not really too worried about

which notes are in the scale, how do I play the arpeggio.

Of course, once you have this,

you can try and do something similar

with for instance scales,

if I play a C major scale in this position,

or an arpeggio.

So you can see how it's really sort of setting up everything

and keeping control and my left hand has time

to move it around, so I might as well do it

and that's really what's gonna help me play fast

and also play more cleanly, when I'm playing fast.

The other thing that I think you should focus on

and try to get into the way that you're playing

your technical exercises is control of your fingers

and one way of working with this

is really to have a little bit of independence,

but also just to try and see

if you can keep your left-hand fingers

close to the strings all the time

and in the beginning, at least for me,

this was extremely annoying.

- Argh!

- I don't think that it's really a question of

it's very often explained as

that you don't wanna have to travel too far

to get to the point where you need to go with the fingers,

but I actually suspect that what we're trying

to achieve here, when we can do this,

is that we have some independence in the fingers

and that it's easy to control them,

because if you have them sort of flying around,

then you're losing control

and then that's the problem with the technique,

it's not so much that your fingers have to travel far,

that doesn't have to be a problem really,

so this is really just about gaining some control

of the individual fingers and some finger independence.

The way you work on this is of course just the same,

so you play the exercise really slowly,

trying to see if you can do,

just staying really above the strings all the time,

without having to sort of really force it

and in the beginning for me at least,

this was very frustrating to do

and it goes the same as with the other exercise,

this is the kind of thing, where especially

if you're doing just this type of exercise,

which is in many ways just very mechanical,

boring and unmusical,

you do this once or twice and then you move on,

so if you do this once or twice, focusing on preparing

and then another one where you're trying to focus

on just keeping your fingers just above the strings

and really just having control of that,

you can let go one by one

and really to me, this is about control,

it's not so much about whether you're doing this really,

it's just that you really have the control

and that you can really decide where your finger is,

because that's what you need to have good technique.

In terms of developing the control

and the independence of your left-hand fingers,

there are quite a few exercises,

again, this is stuff,

that I have out of the classical repertoire of exercises

from when I had classical lessons

and this is something

that I could return to in another video

and if it's something that you're interested in,

then leave a comment on this video, let me know

and that is definitely something I could make a video on.

The reason I can keep on publishing videos every week

is that I have a community of people over on Patreon,

that are supporting the channel,

I'm very grateful for their support

and if you wanna help me keep making videos,

then check out my Patreon page.

If you join us over on Patreon,

I can also give you something in return for your support.

If you want to check out some more videos

with my ideas on how you should practice your scales

and arpeggios and all the technical things,

then check out this playlist of a few videos in there,

that are all of that topic.

If you wanna learn more about jazz guitar

and this is the first time you've seen one of my videos,

then subscribe to my channel,

if you wanna help me keep making videos,

then check out my Patreon page.

That's about it for this time,

thank you for watching and until next week.

For more infomation >> Finger Exercises - This Is What You Should Be Doing - Duration: 8:14.

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Why No One Else Remembers What You Did | by Tanvir Ahmed - Duration: 3:46.

What's up, everybody? Welcome to the video. My name is Tanvir Ahmed. And hey, consider

subscribing, if you haven't already, to upgrade yourself and your relationships

to the next level, of course. Imagine you've just walked into a room. You're wearing

a t-shirt printed with a terrible joke. And it's printed in block letters, so there's

no way people can miss it. The colors don't even go well together. It's downright embarrassing.

You can't help but notice that a couple of your peers are glancing at your direction.

Someone in the corner was smirking. A few people that you passed were talking under

their breath. It seems everyone has noticed this social blunder you've made. A couple

of minutes later, you're certain that you're never going to recover from this social blunder.

Nobody is going to forget this moment.

It's an extremely relatable scenario.

Most of us have had moments of embarrassment since we're young. But as researchers found out,

we are terrible at assessing how noticeable our social blunders are to others. In the above scenario

where students had to wear embarrassing t-shirts, the number of people that actually noticed

their blunder was actually half as many as they had estimated. This phenomenon is what's

known as the Spotlight Effect. It basically states that  people tend to believe that

more people take notice of their actions and appearance than is actually the case. We think

we are in the spotlight and all eyes are on us. In reality though, no one cares. If you're

not convinced that nobody remembers the word that you mispronounced back in high school,

try to recall the last time your classmate made a similar mistake.

You'll find that it's a lot harder than remembering your own mistakes. It's not hard to see why the

spotlight effect shows up in our lives. First, we have an egocentric bias in how we assess

our actions and appearance to others. We are the center of our world, which deludes us

into exaggerating our importance. It's highly likely that others are caught up in their

own spotlights. We're so used to seeing things from our own perspective, that we struggle

to accurately judge what other people's perspective is like. Second, there is what

psychologists call the illusion of transparency. Basically, we think that others can see and

sense how we feel. But the truth is, nobody can tell that we want to go hide in a hole

after a social blunder.

So, what does this mean for you? It means there's no need to

be obsessed with what others think of us. The reality is that everyone has greater concerns — themselves.

So speak your mind. Take some risks. Be the man in the arena. Whether people are watching

or not, you'll be better off for it. Thank you for watching. Hit that like button below

if you liked this video. And remember, you are an amazing person and I love you.

For more infomation >> Why No One Else Remembers What You Did | by Tanvir Ahmed - Duration: 3:46.

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BIGGEST MISTAKES Actors Make On Social Media - Duration: 4:16.

Social media can help you network, build relationships, and advance your acting career.

But when used incorrectly, it can make you look foolish and it can hurt your career.

Today, I'll break down the biggest mistakes I see actors making on social media every

single day.

If you're brand new here, I'm Heidi Dean and I teach you how to rock your social media,

make more connections, and create the #actorslife of your dreams.

Make sure you subscribe to my channel and hit that bell so that you know when I've got

a new video just for you.

The first mistake I see actors making on social media is you treat your online relationships

different than your offline relationships.

In person, you'd never walk up to someone who you'd never met and say, "Hi, nice to

meet you.

Can you do me a favor?"

But that's exactly what you're doing when you tweet or personal message a casting director,

asking them to look at your headshot, watch your reel, or go to your website, or even

worse, on Instagram, constantly tagging casting directors and photos that they're not even

in.

Online or off, good manners count.

So build a relationship before asking for a favor.

Mistake #2, you're a spoiler.

Don't broadcast about a role you've landed unless it's been announced or you've been

given the thumbs up to do so.

If you sign an NDA about the project at the audition, then you shouldn't be tweeting about

it.

It seems obvious, but I see actors doing it all the time.

Once you're onset or in rehearsal, behind the scenes photos and videos are a great way

to engage your fans and followers by giving them an insider look at your latest gig.

But just because you snap it, doesn't mean you'll post it right away.

It's always better to be safe than sorry and wait so you don't give anything about the

project away.

Mistake #3, you don't present your BEST self on social media.

My mom was a first grade teacher for over 30 years.

Yep.

That's her and yes, we're twins.

Every morning after they'd say the Pledge of Allegiance, my mom would have her students

repeat after her, "What you put out comes back to you."

Your social media is a direct reflection of who you and what you'll be like to work with

in rehearsal or on set.

Before you join those hot topic conversations on social media, I want you to think about

those little first graders saying, "What you put out comes back to you."

You don't have to engage with every argument you see in your feed.

I know this can be so difficult, because when you're super passionate about something, it

feels like it's your job to speak out.

If you do say anything, make sure you speak about what you're for instead of what you're

against.

Then you'll still be able to use your voice AND present your best self.

That actor people want to get to know and collaborate with on their next project.

Remember, what you put out comes back to you.

Mistake #4 is you buy followers.

You've heard lots of followers will help get you cast, so you find the quick fix and you

buy them.

Fake followers don't add any value to your acting career, because they're not real, no

matter what the website tells you.

If you're cast for your social numbers, it's because you bring an audience to the project.

But whether it's 5,000 or five million, you're follower count alone won't get you cast.

But an engaged audience might.

Plus there a ton of free tools that can verify whether an account has big followers or not.

You better believe if someone's going to invest in money, into your film or into casting you

because of your follower account, they're going to use one of these tools to find out

if you're for real.

People want to work with people they know, like, and trust.

Don't betray this trust by buying fake followers.

It may ruin a valuable relationship.

The last big mistake is not following the Golden Rule of social media.

You don't tweet others the way you want to be tweeted.

If you don't agree with someone, it's okay to unfriend or unfollow them.

Or if it's an important industry relationship, just mute them in your settings so you won't

see their posts in your feed.

Whatever you do, don't leave hateful comments or try to teach someone a lesson.

Remember, tweet them the way you want to be tweeted, and you'll be all right online and

off.

Now that you know what not to do on social media as an actor, let's get you rocking your

social media right away.

Here a few videos that will help.

I'll see you on social!

For more infomation >> BIGGEST MISTAKES Actors Make On Social Media - Duration: 4:16.

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Ghar Titli Ka Par Teaser Last Episode 35 - HAR PAL GEO Drama - Duration: 1:24.

Ghar Titli Ka Par Teaser Last Episode 35 - HAR PAL GEO Drama

enjoy this video if you like this video pissing this video if you enjoyed

watching this video if you like this video please please please like comment

share subscribe to

For more infomation >> Ghar Titli Ka Par Teaser Last Episode 35 - HAR PAL GEO Drama - Duration: 1:24.

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OpenSeat - Share a Seat, Make a Friend - Duration: 0:42.

An empty seat seems like a good thing.

Elbow room.

Personal space.

An invisible barrier.

But when you think about it, it's really just a lost opportunity.

So OpenTable and Virginia Tourism are turning open seats into chance meetings at restaurants

all across Virginia.

Make a reservation on OpenTable, opt into OpenSeat and invite someone to join your table.

Or join someone else's table.

You can talk about your favorite 80's band, or how to properly hike the Appalachian Trail,

or whatever!

So share a seat, make a friend.

After all, Virginia is for Lovers.

For more infomation >> OpenSeat - Share a Seat, Make a Friend - Duration: 0:42.

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9 Things Cruise Lines Don't Want You To Know. And Won't Tell You - Duration: 10:42.

In this video you're going to discover the nine things that cruise lines don't

tell you, and don't want you to know. Hi I'm Gary Bembridge and this is another

of my Tips For Travellers. Please subscribe to the channel and you'll

never miss the next video packed full of travel tips and advice. The first thing

that cruise lines don't tell you and don't want you to know is that the ports

that are listed on your itinerary are not guaranteed. The cruise lines are able

to, at the captain's discretion, change or not call into a port if it's deemed that

it's either unsaf,e the weather's too bad or the some incident that prevents them

or they feel it's not suitable going into that port. So the cruise line

doesn't tell you upfront that you may not go to all of the ports that are

listed on your itinerary. Of course they normally do a try and do everything they

possibly can to make all the ports, so for example I've actually been on a

cruise where half of the six ports that we were due to call on we never made it

to, and I've been on many other cruises where one or two of the port's have had

to be cancelled or skipped. Normally it's due to weather.

Another thing that the cruise lines don't tell you, but it's very important

to know, is that the cruise ships do not wait for passengers who are late back to

the ship. Perhaps they have gone self touring and have lost track of time and don't

get back by the all aboard and departure time. If you've gone on a cruise

line excursion and it's running late, the ship will wait for that. But if you are late

back to the ship and the ship has left without you, they also leave you on your

own. It's up to you to make your own plans and either get yourself back to

the ship or head home. They do not provide support and help. Often the

port agent will try and be as helpful as possible. Also if you have a medical

emergency and you have to leave the ship for medical reasons, the cruise line will

also then leave you to then sort it out yourself. So again very important to make

sure that you have travel insurance to cover yourself if you are perhaps late

back to ship and stranded in port, or if you do have a medical issue, then the

ship will not wait for you and also the cruise line will take no responsibility

for sorting you out if you are left behind. Another thing that the cruise

lines don't tell you and don't talk about is about crime. Now crime does

happen on a ship. The good news is though the level of crime is likely to be much

lower than it is on land. Now it gets a little bit murky in terms of the

statistics and no one's 100% sure of how much crime that's actually

happened on cruise ships, because there's no strict regulations about where crime

gets reported - and who gets reported to. Now in terms of the reported crime

statistics, which are pretty low, the main reported crime is actually assault

and sexual assault. Now bear in mind these numbers though are pretty small.

It's also not known how much for example theft takes place because it's

felt that many of these statistics on small theft are probably not reported, and

just sorted out within the ship. So bear in mind when you go aboard a cruise ship

you're not entering a guaranteed crime free. Most cruise ships also have some

kind of prison facility. Now this may just be a room with very little

furniture and where, if there is a member crew or a passenger that needs to

actually be held in a prison situation, there is normally space onboard which is

known as the brig. One of the things that cruise lines do not talk about is

that they do dump a lot of stuff into the ocean. There are very very strict

rules and regulations about what can and cannot be put into the ocean, and in fact

Cruise Lines follows some stricter regulations than they are required to

by maritime law. So let's take a look at what actually they are allowed to put

into the ocean. They are allowed to put in to the ocean sewerage once

they're into international waters. The maritime regulations actually allow you

to put untreated sewage into the sea, however cruise lines follow the CLIA

(the Cruise Line Association) regulations where they only put treated sewage into

the sea. Food waste is also normally processed. It's crushed down turned into

almost a liquid form and this can also be released into the ocean once they

head into international waters. Grey water is another key side product of

cruise ships, so this is stuff that comes out of the showers, perhaps from washing

dishes, and again this water is normally treated and is able to be put into the

ocean. All glass is separated into color, its crushed down and put into bags and

is disembarked in certain ports and they sold on to people who do recycling.

Also your cabin steward and other people on board and the environmental

team will make sure that all other waste is sorted, so paper, plastics, etc is

sorted. Many cruise ships will incinerate a lot of rubbish but are

not allowed to put that ash into the ocean and it gets taken off when

in port. There is very strict regulations though on things like

chemicals, that are used perhaps for creating photographs, cooking oil and those

type of products and they are not allowed to put those into the ocean. So those have

to be packed up and they are disembarked in a port. One thing I recommend you do

is if there ever is there behind-the-scenes tour which includes

meeting the environmental officer, do it because it's really interesting to go

and have a look at the whole recycling and the treatment plant on board a

cruise ship - and they will explain in much more detail with that specific ship does

in terms of getting rid of waste. Of course the other thing to realize is that

cruise ships do have a pretty big carbon footprint. The cruise industry is trying

to improve it, so there are more regulations around the type of fuel used,

how much fuel is used, the speed that they travel and of course looking for

alternative forms to make it more eco-friendly - but of course it does have

a big carbon footprint. The next thing I want to talk about is that people do go

missing off cruise ships. Up to 19 people go overboard or missing from a cruise

ship every year. Now bear in mind there are millions and millions of people that

go cruising, so the number is pretty small. Also bear in mind that it is

pretty much impossible to fall off a cruise ship. Anyone who's been on a cruise

ship will note that the railings are pretty high, and so most people go

overboard tend to have done it because they've either deliberately jumped

overboard or they've been very drunk and irresponsible and done things like

climbed up on the railings. Whilst we're looking at this slightly ghoulish

side of cruising, the other thing that cruise lines don't tell you is that they

do have a morgue and they're also required to carry body bags. Most

publicly available reports say that up to 200 people a year die on board a

cruise ship, most tend to be elderly passengers. So the numbers dying on board

are relatively low when you consider the huge amount of people that go cruising,

and most of the deaths are due to natural causes.

If someone dies on board the normal procedure is to take people off at the

nearest port, have a death certificate and repatriate them home. If you hear

over the public address system "Operation Rising Star" that indicates that there

has been a death on board. The other thing that cruise

lines don't tell you very overtly is that although they're owned normally by

American, or perhaps British owners, they register the ships in foreign places

particularly Liberia, Panama and the Bahamas. The reason for this is they then

do not have to follow the rules of their country where they are owned, they don't

follow US. rules or the UK rules, and they can follow the rules of the

country where they're registered, and those countries which are flags of

convenience countries tend to have much more liberal employment laws,

environmental laws, safety laws. So actually the cruise lines are able to

operate their ships with less strict regulations than they would if they're

registered for example in the United States.

Another thing the cruise lines don't really tell you upfront is

that their cancellation policies are incredibly tight and very very strict. So

of course it's buried within the cruise contract, but importantly make sure that

you understand what the cancellation conditions are when you book a cruise. So

for example in many cases you will lose up to 25 percent of the cruise fare if

you cancel up to 90 days, now normally what that means is whatever deposit

you've paid. You will usually lose between 90 days and 60 days you can

lose anything up to 50% or sometimes even 75% of the cruise fare if you

cancel. And after 60 days and certainly after 30 days you're going to lose

anything between 75% and 100% of the fare. Also importantly

many cruise lines count a name change as a cancellation. So if you have perhaps

traveling with a friend or a partner and they have to drop out for whatever

reason and you want to substitute someone, many Cruise Lines will

count that as a cancellation. Make sure that you understand what the

cancellation charges or penalties are going to be and take up travel insurance

that's going to cover cancellations, because you never know what's going to

happen - particularly booking a cruise way in advance.

Another thing that cruise lines don't tell you is when you book and buy your

ticket you're actually accepting the cruise contract. So you're not given

the cruise contract to look at, but it's in the brochure or you can look

at it online. You are agreeing when you buy your ticket and

pay for the ticket to the contract. A couple of things that people don't

always understand that the contract includes are some of

the following: so for example there's normally a clause that says that the

cruise line is able to search you and your cabin whenever they want to without

having giving you a very strong reason to do that. Secondly they're also saying

they take no liability for contractors. Now many of the facilities on board

like photography, the spa perhaps lecturers are not normally

employed or often not employed by the cruise line, and the cruise line is

saying that they will have no liability if there's any issues. That even in many

cases includes medical facilities, which are often contracted out to a separate

company. The third area is around photography. Often in the cruise

contract it will say that the cruise line can take images of you, and they are

able to use that in marketing or even advertising in many cases without

rewarding you. On the other side sometimes cruise contracts state that if

you take images they can also stop you using them whether it's on social media

that can ask you to take them down or whether you want to use them on blogs or

whatever. So sometimes in the cruise contracts it actually restricts what you

can do with your own photographs. Also very very importantly, the cruise contact

will normally state where if there's any litigation or legal dispute where the

jurisdiction is going to be. They can decide to name a particular court so if

you ever end up having to get into dispute with the cruise line, and go to

court, they will in the cruise contract to determine where that court will be -

and of course they're likely to have chosen a court or jurisdiction which

they think is going to be best for them. I hope you find that helpful and has given

you something to think about. What I'd love you to do if you've

enjoyed this video is to watch many more of my Tips For Travellers videos and

you'll get more travel inspiration, advice and tips.

For more infomation >> 9 Things Cruise Lines Don't Want You To Know. And Won't Tell You - Duration: 10:42.

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LG V40 OFFICIAL TEASER - Duration: 2:43.

The LG V40 will be officially announced on October 3rd but the company has already announced

the handset in Korea and released a teaser that showcases its design.

So it's official now.

LG's upcoming flagship, the LG V40, has three cameras on the back and two on the front.

Interestingly, although the cameras are featured prominently in all these promo materials,

LG hasn't revealed their specs.

What LG let us know however is the screen size.

It'll be 6.4 inches.

LG says that the phone has the same form factor as that of the V30 which has 6 inches of screen

but since the V40 has very slim bezels they were able to increase the size of the display

without having to increase the overall size.

The phone will be available in three colors: gray, red, and blue, and we get a glimpse

of all three in the promo video.

LG says it sand blasted the phone's rear glass to achieve a "silky feel," hence all the references

to softness in the video.

This method should also prevent scratches and will have a better grip and overall feel.

The front of the phone is not shown in the video and LG didn't mention anything about

the notch.

But we know for sure that it'll have one.

And that really sucks.

But thankfully we can hide it and it won't look awkward since it features an OLED compared

to the LCD of the G7.

LG also didn't give any specifics on what these cameras are capable of but I'm sure

the ones on the back are telephoto, normal, and wide angle and the front is probably normal

and wide angle.

All of them serve their purpose and could definitely be used.

Aside from the three cameras, we can also see that there's a fingerprint sensor below,

while the LED flash is positioned to the right of the camera bump.

Unfortuantely they didn't talk about the specs or the price so we have to wait for next week's

formal announcement to learn more information about this handset.

That said, What do you think of this handset.

I personally liked it.

I like the fact that it has very slim bezels, the colors are good and I'm interesting to

see how the cameras are gonna perform.

I hate that LG again went with the notch after having possibly the worst one on the G7 but

at this point I don't think it's worth to complain anyway.

These companies don't even care what we think.

They be like, we'll tell you what you should like kinda like how Apple treats their fanbase

but thankfully there's atleast an option to hide this hideous thing so I'm not mad.

Anyway, let me know your thoughts in the comments and I'll see you tomorrow...Peace out!

For more infomation >> LG V40 OFFICIAL TEASER - Duration: 2:43.

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Claudia Winkleman | 5 Things You Didn't Know About Me | Women We Love | The Pool - Duration: 7:53.

By the way, I'm going to bore you to tears. Get ready, buckle up.

Hello my name is Claudia Winkleman

and I'm about to tell you five things you might not know about me.

I mean, if you're related to me, if you live in my house,

then that would be weird because you probably wouldn't be watching this,

but if you are, you probably know this about me.

But for the other humans, if you're watching – I mean, it's up to you –

you might not know this about me.

So, the first thing I should probably say, and this is weird, but I think there will be people

who are listening who'll go, "Oh my gosh I have that too!" is I am addicted to lip salve.

It's not normal, it's not like, "Yeah I put on a bit of lip salve and then I forget about my lip salve."

It's, I've just woken up, after I brush my teeth I put on a lip salve.

Sometimes an amalgamation of different lip salves.

Me and my cousin – she's adorable, she's called Sara – she's super cool. You know, if you ever come across her.

We always just give each other lip salves for our birthday, but like,

a different or a weird lip salve. Like, she once found a lip salve that was flecked with gold.

I don't know if it was real gold but it felt magical and sometimes I would just touch it for extra power.

So, yeah, lip salve is the answer.

The second thing you might not know, and this is really bad

because I hope my kids never find this out – so, we had a goldfish called Blondie

and Blondie lived for, I mean, a ridiculous amount of time. I want to say it was 58 years

but that's possible because I'm 46, but like, Blondie was always with us

we would take Blondie on holiday – we wouldn't, but you know what I'm saying, I'm just sort of

making a point here – anyway, Blondie – I can't believe I'm saying this –

Blondie died. It was quite traumatic. The kids were quite little at the time, and I...

they said, quite innocently, "Where's Blondie?" and I said that he'd gone to Paris

because he just, he'd never been, and he could speak French, but he loved mustard,

like, he couldn't get enough of French mustard. And they were like, the more I elaborated

they were like, "Well this makes sense." And then they would go, they said,

one of them, my eldest said, "It's so weird that Blondie hasn't been in touch."

So I would have to go and buy, from one of those like weird stalls,

postcards of the Eiffel Tower and send postcards from Blondie who was having fun in Paris.

And I don't know when they stopped believing me,

and bearing in mind that my oldest child is almost 40, I mean I imagine it's sort of, it's happened,

but yeah, that – it was elaborate, it was weird. It got quite weird.

So as you can see, I'm in the middle of what I'm gonna describe as

a fully blown mid-life crisis. And I didn't know what to do,

I'm scared of motorbikes, well I'm scared of any movement, really, outside.

I like – well, I don't even like movement inside but I thought it was like,

motorbike or a tattoo, but don't really, I'm not really good with pain,

or colouring my hair. And my friend had her hair coloured like this sort of dip dye,

weird, messy, awesome. And I said right, I'm just gonna do it on a whim. And I went and I did it,

and now I rather, I sort of like it, I don't know, what do you think? OK you're nodding so that's ok.

Anyway and I also, I wanted something different,

because really I'm just a walking fringe and I don't mind being a

walking fringe but I wanted to be a walking fringe with blonde bits in.

And I was slightly worried I suddenly went, "Oh, I've worked with Head and Shoulders before

and they're going to be grumpy with me or just tell me to never call them again

and to stop using it officially" but they were fine and they said don't panic,

it's fine, you don't need to get a tattoo and change your hair, we've got this

amazing product and it's called Supreme and it's colour protect and you will

absolutely love it. So I now use that all the time. And I get so many people going,

"You don't use Head and Shoulders... like, you're lying" I promise you I do, come to my house,

everyone's welcome – you can come, you seem very nice and friendly – and yeah, that's what I use

and it's sort of changed my hair and I feel all, like, soft but not too soft,

you don't want very soft hair, but you also – not fluffy, you don't want fluffy.

But you don't want crispy hair!

Um, I need to have a conversation with you about my relationship with fruit

'cos I don't really believe in it. I like a vegetable, I've been known to run to a buffet,

run in flip-flops which we all know is quite major. But fruit I've never...

Never ever has anyone ever woken up going "Oh God, I fancy an apple", that doesn't happen.

We have it, I make my kids eat it all the time. "Try this orange, what about a pear? This looks ripe!

Ooh baby, this is a plum!" Annoying. But these puppies I love. I'd almost do anything

for a cherry. A really large dark cherry sort of bulbous, like a cherry that's the same size as my head.

Not a small one, I'm not insane, but yeah.

So I'd almost do anything for a cherry. I don't even know if that's an interesting fact.

I also, just while we're at it, I'm in love with Marmite. That's all.

By the way, what I love, I can just tell the cameras now, there are two

people here who just actually reacted rather brilliantly, who just went, "Alright."

They took that on. Yeah Marmite and cherries but not together. And a mac and cheese.

And a toasted cheese and ham sandwich. Or cheese and fried onions sandwich

I don't know whether you've ever had that, in one of those toasties,

it's extraordinary. Even if you're slightly hungover just make it – game changer. Change your life.

Might burst into tears. Get ready, before you do it have some sort of tissues.

Phone a friend, tell them to be prepared because

suddenly you'll think, "Why was I ever eating anything else?" Especially fruit, other than a cherry.

Circle of life, I think I brought that round. Phew.

So the fifth thing I have to tell you is I am 46 years old and I don't think I've ever had a glass of water.

I don't like it. I don't really like liquid

but I especially don't like water. I get quite angry about it.

I find it offensive, all clear and pure and annoying and tasteless. Tasteless!

And the more... James is in charge of my hair and he's crying with laughter.

Water is both arrogant and, yeah, it's cocky. It's like, come on. We always read

you have to drink two litres. Have you ever had to try... if I had to drink two litres

of water it would start coming out of my ears. I don't really like...

I mean, I like a fizzy drink. I like a diet fizzy drink – delicious.

I like a decaffeinated coffee – I can't have caffeine because I once had

caffeine and I was up for 14 days. I was, it was weird, it's like, I hate roller coasters and

it was like being on a roller coaster.

Yeah, water, annoying, annoying. I'm on the tube a lot and often there are people there,

especially in the summer, with those massive bottles of water. I don't know

what that's saying to me – that they're healthy? They've got good skin? I've got

bad skin. I think. I've never taken my make-up off, I'd never know.

As long as it's orange I don't care. Orange skin... Let's start a campaign, Say No To Water.

Have a Diet 7UP, have a cup of tea, have a shot of tequila. Or be a bit thirsty,

be parched! I loved parched parts makes me funnier. The end. I hope you've learned something.

Thank you so much for watching, if you want more things from The Pool,

you know, content stuff, you have to click and subscribe –

and it's fun you, won't be grumpy about it.

For more infomation >> Claudia Winkleman | 5 Things You Didn't Know About Me | Women We Love | The Pool - Duration: 7:53.

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Born Wantworth Studded Leather Crossbody - Duration: 7:08.

For more infomation >> Born Wantworth Studded Leather Crossbody - Duration: 7:08.

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Physical Therapy Travel Essentials! [CC] - Duration: 8:11.

Hey peeps! Jess here, and we're coming to you live from my floor because today we're talking about

physical therapy gear essentials for travel. Because when you're traveling you don't have the luxury of your full kit.

So today I'm going to show you guys some of the tools that I bring when I'm traveling and want to make sure that my physical therapy

regimen is up to date. Of course

there is a *massive* disclaimer on this in that I do not normally bring the full kit and

probably neither will you. Because these guys are really based on what you need in that moment.

This video is more to give you an idea of what stuff you might want to consider bringing along. Now with that, let's dive in. First!

This might not seem remotely related to what I'm talking about in this video

But I swear it make sense: a water filtration device. This guy here is a Grayl.

It's basically a French press for water filtration.

Let's see if I can get it open. There's no way to make this look good.

[Pop!]

Yep! If it's pretty awesome: you put in the water, press it down, you're good to go

I have been using Grayl for a few years now. Mainly because they're based on the Seattle

so shipping is ~amazing~. And it has few enough components that I'm less likely to lose them.

That's the important part right here. The reason I included this guy in this list is that you need to be hydrated. Not only

do you need to be hydrated but likely your *equipment* needs to be hydrated. If you're someone who brings a humidifier, a CPAP

Anything where we're needing to use water or drink water

This makes your life a lot easier when you're traveling. Yeah, they're great!

[Ball makes soft thudding noises as it's passed from hand to hand]

Next a

Balance ball. I'm sure most of you who've done yoga or barre

have seen these guys before. I keep mine slightly deflated so I can do bridging on it

Realistically, this is one that I think it's worth including in the list, but it's also one that I'm not

using personally, Reason being even though it's lightweight, even though it compresses to next to nothing

I almost always forget the thing to inflate it. On top of that

Most of the hotels I'm going to nowadays have balance balls

in their fitness center

so I might be able to get one and not have to bring another piece of equipment that I'll forget because I

would totally forget this. But again it it's lightweight

You can compress it next to nothing and for someone who's doing a lot of modified exercises

This *is* a back saver. Next! A miniature Tiger Tail!

Now this really is a mini if you guys haven't seen this before this is a foam roller with handles, it's pretty awesome

But this is the teeny beanie guy. This is

The normal one. Now

I do like this [larger] one much better in terms of actually using it cuz for one thing you can actually get grip on this

dude, I'm 5 foot 3 on a tall day and I

can't get a full grip on this [mini version]. So it does mean that if you don't have full grip strength

This guy is not super great

I mean seriously, you could just put this [larger one] in your checked luggage if it's a problem

But I recommend for someone who only has carry-on though, this is a great size. It's good for doing point pain

It's also good for just rolling things out

It's a really great multitasker because even in physical fitness, we are Alton Brown multitasker fans here at this channel

Next!

A ball!

Normally, I would not recommend this guy. I do like this particular ball. It's a therapy ball

I got this guy from one of my physical therapists and I really like this for point muscle pain

The reason I don't recommend this particular ball is that you should just get a tennis ball. I

don't own a tennis ball because I use this guy. And a tennis ball is going to be so much more lightweight and

easier to bring on a flight. And you can bring a bunch of them and store them everywhere and you'll get the same

benefit. Maybe a bit less

sturdily? Because this [ball] can really get into some muscles

But for just dealing with flights and muscle pain a tennis ball is gonna be fine for the average person

This is just what I have in my house, so

get yourself a ball and work out some if that stress. Next! A

massage plate. I think this is called a gua sha

Jade plate

This has become kind of my personal multitasker and I really like it for dealing with knee injuries

My knees just the musculature is a nightmare

There's something wonderful while being able to pull this guy out and go to town on it

I used to do massage with my hands more from there. I found that really destroys my hands over time

So this is a little bit more intense

But it means I'm not creating one injury while healing another and again, it has like no profile

Pretty spiffy that way. Next!

Resistance bands!

Because you probably forgot to pack them. These guys for those of you who are new to the physical therapy game

Are pretty much all in one amazing things for doing a lot of leg muscle work, arm muscle work. You name it,

it does it and it's lightweight. This is more a reminder that if you are already using resistance bands

you should probably just bring one and bring your

weakest band, the one with the most give. Because this is not the time to bring the one that your arms aren't ready for

I'm over here using green on my legs and yellow on my arms. I'm gonna bring the yellow it's much weaker

much less muscular

bad

this is what my feet can use so [flopping noise as band drops]

bring this guy. Speaking of Therabands the thing that I've gotten into recently and think is fantastic, especially if you have weird doors are...

A door jamb. This is the one from Theraband.

I think it was like six bucks? And what I like about it is that because of the nice foam and nice not

dark-colored strap

It's really good if the doors are kind of weird or if you don't have anyone who can help you with

activities or the doors just aren't great for

holding stuff. Which is gonna happen almost anywhere. My one actual bit of advice for using this guy is I would pack it just

tied to your Threaband because otherwise you're gonna totally lose this in your kit just immediately just

Put it together make it into a giant

Theraband eel. It'll be so much easier to spot. And then you keep everything together! Last but not least

A towel! I know that some of you are saying, "But Jess,

"you're going to a hotel or traveling somewhere where you most likely have towels. Why are you recommending a ~towel~?"

Dude. Towels are amazing. So this guy that I have here is a tea towel

(Nothing up my sleeve.) And what I like it for is support.

Let's get this guy all rolled up. Once I have this guy rolled up, I have neck brace, I have a back brace for any kind of stuff

I'm sitting with for long periods of time like trains or planes. On top of that

I've got a support for doing my rotator cuff exercises. I feel like a car salesman

The point is be a hoopy frood, know where your towel is. it's also nice to have one that is actually like the right size

Because a lot of the nice fluffy towels in hotels are wonderfully fluffy

But not the right size for your needs for exercise

So I'd much rather just have my towel than worry about making sure that every single place

I stay really matches my needs

So with that those are some of the tools I recommend for

travel with physical therapy needs. My current kit right now is my towel, along with the Theraband door jam and

There goes the towel

The massage plate. These guys for me are covering my needs. I have definitely used all these guys

depending on what's going on. So there's no wrong way to build your kit. And with that, I'd love to hear from you lovely

peeps in those comments below. What do you put in your physical therapy kit?

Do you go for different kinds of foam rollers? Do you go for...

Even there's a whole like world of Therabands out there

I want to hear all about it because there's always different ways to make your kit more awesome

And that's just awesome period. And with that I'll get you lovely peeps next time!

Laters!

For more infomation >> Physical Therapy Travel Essentials! [CC] - Duration: 8:11.

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ONE FOOT BACK - Duration: 3:25.

Hello my dear rollers!

How are you?

Hope you're having an excellent Thursday

my name is Carito

and today I want to teach you a Freestyle Slalom trick

called "One Foot Back"

between cones

so let's start with this tutorial

and remember to activate the notification bell

so that, YouTube will let you know when

I upload new videos, it can be on Tuesday's

of video blogs or Thursday's of tutorials, roller info

rules and things about roller world

so let's start with this video

let's start with this new Freestyle Slalom trick

called "One Foot Back"

or with one foot we will be going backwards

doing a zig-zag

the base for this Freestyle Slalom trick is

doing a zig-zag with the skates placed

in straight line and little by little

we will rise one foot

I recommend you to rise the foot where

you have more strength in my case

is my right skate so

while I'm doing the zig-zag with the skates

in the straight line, my right foot

will be at the front supported

and later, little by little I will be rising

my left foot

bend very well your supported knee

which is the one doing the zig-zag

and with the hip and arms

make an impulse for being able to do

easily the movement of zig-zag

the you're pushing from right to

to left and also

move a bit your heel to the left too

to make much better the zig-zag

watch that my arms are in diagonal shape

directed to the left

and my sight is also to that direction

to be able to see the following cones

to make easier the "S" movement

or zig-zag

there are two advices, 2 súper tips

that I can give you to facilitate

this Freestyle Slalom trick and

so that you can make it quickly

First one, watch that

my left leg is not higher than

the level of my right knee

that will give you more balance

so watch it very well, and

the second tip I can give you is that

you have to observe well your entrance to the trick

because it will give you the necessary inertia

and the speed

for rising and maintaining

the trick during the whole

cone line

well my dear rollers, this had been all for today's video

write my down in the comments

what do you think about this trick? If you

knew about it or if you're going to start practicing it

write it there to me

if you liked this tutorial, give me a thumb up

and share it with all your friends

remember that I have social networks

where you can follow me here

and I also let them to you at the end of this video

to be closer and so that we can meet us better

don't forget to subscribe and

see you next Thursday, send you a kiss

and hope you have a nice day!

For more infomation >> ONE FOOT BACK - Duration: 3:25.

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What Got You to the Top, Won't Keep You There - ALEX | RAW - Duration: 4:10.

For more infomation >> What Got You to the Top, Won't Keep You There - ALEX | RAW - Duration: 4:10.

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Byers Family Guarantee and Commitment to Community - satisfaction guarantee - Duration: 0:31.

Ray Sr.: The Byers family guarantee is simple.

It means taking care of our community and

doing the right thing.

Ray Jr: That's true dad.

It means working with a team that treats

each other like family.

When you choose Byers, you talk to a caring staff that

truly enjoy helping others.

When we guarantee a new product or service,

our goal is simple.

to deliver one hundred percent satisfaction for your family.

That's Byers.

For more infomation >> Byers Family Guarantee and Commitment to Community - satisfaction guarantee - Duration: 0:31.

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What to Do When There Are People In the Audience Who Make You Uncomfortable? - Duration: 5:49.

- Have you ever done a presentation where you are on stage,

and there is somebody in the audience

that you absolutely do not want to be there,

that you do not feel comfortable performing in front of?

For example, maybe you are giving

a presentation to your clients,

but there are some peers or competitors in the audience.

So what do you do?

How do you make sure that you do not freeze

in front of those people?

Stay tuned, because today is all about that.

I am Victoria Lioznyansky, and I help entrepreneurs

overcome their fear of public speaking,

and transform into confident, compelling,

and captivating speakers.

And if you are not a member

of my Brilliant Speakers Club group,

which is a free Facebook group.

I would love to invite you there.

The link is down below, you just go to

www.BrilliantSpeakersClub.com.

And this is where you can hang out with me,

you can ask me any questions you have,

and also you will have access to some exclusive content

and offers not available anywhere else.

And I cannot wait to see you there.

As some of you may already know,

I own Nutty Scientists of Houston,

which is a company that is all about

inspiring kids to fall in love with science.

And with all kinds of science programs for younger kids:

workshops and camps and birthday parties and classes,

but my absolutely favorite thing is science shows.

Think Bill Nye the Science Guy.

Yeah, that kind of stuff.

So some of my instructors had trouble

with performing in front of adults.

They have no problem performing in front of kids

or doing classes with the kids.

But as soon as they find themselves on stage

in front of kids and their parents,

or kids and their teachers, or any kinds of adults,

they immediately freeze and don't know what to say.

So what do you do if you step onstage

and you see somebody in the audience

that you are extremely, extremely uncomfortable with?

I've trained lots of our instructors,

and this tip works like magic.

And it's very very simple.

You ignore them.

You completely and totally ignore them.

The way you ignore them is

when you are making eye contact with your audience,

and I have a whole video

on meaningful and authentic eye contact,

and how to do it properly,

and how to do it in a way that engages your audience

and builds credibility and builds confidence in you,

and this video is up here, so click on the link

and take a look at it.

But when you are on stage

and you are making eye contact with your audience,

you intentionally avoid

making any eye contact

with those people that you do not want in your audience.

You ignore them, like they are not there.

You ignore them like they don't exist.

And when you just start implementing this technique,

you may feel that it is very hard for you

to not look at them,

and you may accidentally look at them

and that kind of throws you off.

But what you will notice is that as you continue practicing,

you will find that increasingly easier, to ignore them.

Because when you create this complete separation

and, in the case of my instructors in our science shows,

complete separation between kids who are in the audience

and their parents, who are not the target audience

of our science show.

When you creating this wall between them by ignoring them,

you end up only doing the show

for your target audience,

for the people who you do want in your audience.

So in our case, in case of our science shows,

we are in character, we are very silly and very goofy,

and we are definitely overacting

to make it so much more fun for the kids,

which makes it uncomfortable when you know adults are there.

But we only do this show for the kids.

So we do not look at adults at all.

Everything we do, all the jokes, everything,

is geared towards our target audience, which are kids.

And we do not make any eye contact with their parents.

Kids is the sole focus of our science show.

So remember: when you go on stage,

if there is anybody in the audience

who makes you feel uncomfortable,

if there is anybody in the audience

who makes you feel like you don't want to be there,

you simply ignore them

by not making any eye contact with them.

Please promise me that you will try this out,

and then you'll come back here to this video

and you will comment below and let me know

how that worked for you,

because I would love to know that.

And if you like this video,

make sure to click the like and share buttons below.

And also make sure to subscribe and click there

notification icon as well, so you get notified

anytime I post my new videos about public speaking.

And I would love to see you again!

For more infomation >> What to Do When There Are People In the Audience Who Make You Uncomfortable? - Duration: 5:49.

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Waiting for you - Demi Lovato (Subtitulado al español) - Duration: 2:53.

For more infomation >> Waiting for you - Demi Lovato (Subtitulado al español) - Duration: 2:53.

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How To Get $100 in Free Google Ads | Google Adwords Promo Code - Duration: 9:16.

If you purchased your web hosting through HostGator, you may have noticed

that along with your hosting, you get a free $100 Google Ads Credit... that you can

use for marketing your business. In this video I'm going to show you how to claim

that credit and get it into your Google Ads Account - so that you can get busy

using it. Let's do this!

Welcome it's Kevin at Tru Lift Digital Marketing

where our aim is to help YOU provide "Value" to your customers and clients

through solid marketing, so that you can HELP more people. I want to get into

showing you how to get your ad credits, but before I do, I'll just make a few

very quick points. First off... in September 2018 Google did a rebrand of Google

Adwords and changed the name of the ad platform to Google Ads... so if you've

heard of Google AdWords or simply Adwords or see any reference to AdWords

in my videos... just know that Google Ads is the same thing as Google AdWords. I

also want to point out that the hundred dollar credit offer from HostGator is

available as of the upload date of this video... and hopefully will still be there

when you view this video - but you will want to verify that. And also note that

as of the upload date of this video... this offer is only available (to my knowledge)

to those that have Google Ads Accounts registered in either the United States

or Canada. If you are in other countries, you'll have to look into whether or not

a similar offer exists for you. Perhaps it does, but just doesn't show up on my

account because my browser tells HostGator I'm from Canada... but in this

video I will show you how to find the fine print area where you can find out

for yourself. I've made the following assumptions... to get this offer you have

to already have a hosting account with Hostgator. If you don't yet, there's a

link on your screen right now and/or in the video description area... to

a video on How To Choose Your Hosting Account that you can check out... and

lastly, I've also assumed for this video that you have already set up an AdWords

or Google Ads Account... but if you haven't yet you can check out a video on how to

do that by clicking the link in the cards on your screen right now, or in the

description area of this video. Let's get at it. The first thing that you want to

do is to log in to either your Hostgator cPanel or your Customer Portal. I'll show

you both ways quickly. To log into your cPanel put your unique control panel URL

in the URL field and hit enter. Then enter your username and

password and click login. This will take you to the website section by default. Simply

scroll down to this "special offers" area where you will find your Google Adwords

Free $100 Credit link. Simply click on that. Alternatively, if you want to log in

through your Customer Portal... input portal.hostgator.com into the URL field...

Enter the email address you created your HostGator account with... click Next. Enter

your password and click login. Once your Customer Portal page loads... simply click

on the hosting tab (toward the top) and then in "special offers" you will see the

Google Adwords Free $100 Credit link. Simply click on that... and they will both

take you to the same place... which is this page here. You may get a similar pop-up

to this one, which is just an offer for a service where they will help you with

your Google AdWords ads or Google Ads for a fee You can check that out (of

course) if you want, but I'm just going to click on "no". Here are the steps that I

will walk you through quickly in this video. Feel free to scroll down the page

if you want. One thing I want to highlight is the fine print here at the

bottom. Like I mentioned in the opening part of this video, this offer is only

available (to my knowledge) to customers in the US and Canada, but if you are

logged into Hostgator and you are from another country... perhaps this section

here will say something different for you. There is a limit of one promotional

code per advertiser as you can see here. There is a time restriction on how long

you have to enter your promotional code. I should also point out that I recorded

the video portion of this video a while ago, so all date references will be quite

a ways in the past... but just know that the user interface of Google Ads (for

what I will be going through in this video) is still accurate as of the upload

date of this video. But I'll give my standard reminder: user interfaces always

change but even if they have by the time you see this video there's a very good

chance that you will be able to accomplish the steps in this video.

Certain links etc may just be located in a slightly different place. As it says

here... once you enter your promotion code you have 30 days to spend 25 dollars in

your account (after the date you enter the promo code) in order to earn the

hundred dollar credit. Although, having said that, I think I actually got 60 days.

Just to be clear... in this video I'll show you how to get your promo code inserted

into Google Ads (formerly Google Adwords), but know that in the first 30 days after

entering that promo code you are required to spend at

least $25 on ads before the hundred dollar credit is available to you. Now

you don't have to spend that $100 worth of credit as well in the 30-day period

after entering your promo code... it will sit as a credit in your account

indefinitely (I think) but there is a small fifteen cent per month charge or

something like that for activity related to the credit. Kind of strange. Anyway...

Let's keep going. The credit will typically be applied five days after you

complete steps two and three. Credits only apply to future ad costs, in other

words, you don't get reimbursed for prior ad costs. You won't receive notification

once you use up your credit. Your account has to be in good standing with Google

Ads... and your payment on the first twenty five bucks spent, has to actually go

through. And if you want to check out the full terms you can enter the URLs down

here into your browser depending on what country you have your account registered

in. We good??? Okay... let's head back up to the top. If you're ready to go... click on

the "get started" button now. Just highlight and copy the promotional code

to place it into your clipboard (Command C on a Mac or ctrl C on a PC) is the

fastest way to do that... or you can definitely go old-school and write it

down. Then if you click on "redeem your one hundred dollar credit", you will be

taken to this page. Now from here, if you don't already have a Google Ads account...

you can click on the "start advertising today" button and then either go through

the guided setup by following the directions and fill in email address web

site etc., or you can click on the "skip the guided setup" link... which will allow

you to bypass having to set up an actual ad right away. Like I mentioned earlier...

there's a link (either on your screen right now and/or in the description area

of this video) to another video on how to set all of that up. So for those of you

that already have a Google Ads account (like I do), just open up a new tab in your

browser and type either AdWords.Google.com which will redirect you to the new

ads.google.com page or simply enter ads.Google.com and hit enter. Remember even

though this page here says Google AdWords... this video was recorded prior to

the rebrand of Google Ads so your page will say Google Ads. I know I'm saying

the same thing over and over again. It's just that if you're new to this kind of

stuff... little differences like that - can actually throw you off. I know. Then you

just need to log into your Google Ads account by clicking on "sign in" at the

top right of the screen enter your proper email address. Click

next. Enter your password. And click Next again.

I'll just let that sucker load... Okay. You should see something similar to this on

your screen (depends where you left off your last session), but either way, you

need to click on the "wrench" icon up at the top right of the gray bar. And then

under "setup" (on the right side of the drop-down), click on "billing & payments".

Once that summary page loads, you can either click on the "Settings" link on the

left side of the screen, or scroll down to the bottom... and in the settings box...

click on "manage settings". Scroll down to the very bottom (or just in case the user

interface changed), look for the box or area that says "promotional codes" and click on

"manage promotional codes" and then simply click on the area below promotional

codes and either paste that promotional code that you copied earlier...(assuming

that you still have it saved in your clipboard) Command V on a Mac or Control V

on a PC... or if you wrote it down somewhere, manually enter it here. And

then click "apply". You should be taken to a page similar to this. Now... I'm in Canada,

so it already has converted the dollar amounts to Canadian dollars... but if you

are in the US, your top line will say get 100 dollar credit for spending $25 on

Adwords (or Google Ads). You'll notice that the offer expires on June 25th 2018, but

I actually recorded the video portion of this video on April 26, 2018... meaning that

it gave me 60 days to spend that first $25 us or $32.18 Canadian... and I would

guess that you would be extended the same time period even though it said

earlier you only have 30 days. Just take note of what your says here so you spend

it in time. Okay... so that's really all there is to claiming your $100 credit

from HostGator which brings us to the question of the day... which is simply: did

you even know that you had a free credit available in Hostgator? And are you gonna

take advantage of it? I'm curious. Leave a comment below the

video. Before you go, if you were anxious and wanted to start on creating a new ad

inside of Google Ads right now... simply click on the arrow at the top left of

the gray bar, to take you back to the overview page. You'll want to start at

the campaign level by clicking on "campaign"... and then the big blue plus sign

to create a new campaign. I'll go over how to do that in another video where

I'll show you How I Set Up A Video Remarketing Ad - directed to those that

have visited my Tru Lift Digital Channel...which you can link to you by

clicking the link on your right now. And if you still need to set

up your Google Ads account remarketing lists, link Google Ads to analytics, link

YouTube to analytics, etc ....click the link on your screen right now to do that. As

always... all links are also available in the description area below the video.

Thanks for watching!! Take care of yourself, and your loved ones. :-)

For more infomation >> How To Get $100 in Free Google Ads | Google Adwords Promo Code - Duration: 9:16.

-------------------------------------------

Why Trade Penny Stocks? - Duration: 5:58.

what's up Tim Sykes millionaire mentor

and trader here answering your questions

a big question that I get often is why

penny stocks you know these are like the

most hated upon assets and all the

finance they're like the biggest scams

like if you've seen the wolf of Wall

Street or boiler room and for me it's

just easier there's less competition

because they're so hated you don't have

big hedge funds trading them you don't

have prop firms you don't have the

smartest richest people in the world

like you do everywhere else in finance

because there's just not the huge

amounts of money to be made and it's

very important that you realize it's

like you're never gonna make a billion

dollars trading penny stocks some of you

guys message me being like Tim it's cool

that you have a few million in our

students but I'm so dedicated I'm gonna

be your first billionaire student no

you're fucking not okay there's no

billions of dollars to be made in penny

stocks they're just too small you can't

take that many shares there aren't that

many shares out there of any of these

companies even if a penny stock goes

from 1 to 100 you know what are you

gonna have you might have a million

chair so you might make a hundred

million dollars maximum there good news

is you don't need a billion dollars I

know billionaires they're fucking

miserable they're in prisons of their

own wealth they can't trust anybody they

need security everywhere they go like

they have so many responsibilities I

gave a TED talk I said I never wanted to

be a billionaire no one believed me

everyone is like money hungry everyone's

like I want to make a billion fuck a

million a billion is what's cool you

know didn't you ever see the social

network I have seen the social network

very entertaining movie but at the same

time I like donating ok I have a few

million dollars in my bank account and

I've also donated several million

dollars and I like that ratio giving

back and still having enough you know to

live pretty well I'm staying in this

place for a week you don't need to

necessarily buy billa's everywhere you

can just rent them you can charter jets

you don't have to buy your own jet in

fact it's usually a pretty bad

investment I do buy my own cars but

that's just because I love cars I don't

know what to tell you but there is less

money to be made in penny stocks the

good news is if you make a few million

you can pretty much do whatever the fuck

you want in life that gets you out of

the rat race that gets you working you

know out of working for other people

that gets you out of having a boss that

you hate or mortgage payments or debts

you can take care of friends you can

take care of family you can start your

own charity you can pretty much do

whatever you want you can have toys you

can travel anytime you want as I've been

to over a hundred countries so I want

you thinking differently I know that a

lot of people want to make billions of

dollars and if you want to do that

that's beautiful but you're not going to

do with Penny Stocks the good news like

I said is that because there's such

limited upside in this small little

niche it's just easier you're competing

against fucking morons like people who

believe that these penny stocks are the

next Microsoft they never are people who

don't do thorough research all you have

to do is read SEC filings I have a whole

DVD called learn to read SEC filings if

you want to learn how to read these

boring legal filings it'll change your

life

just doing research in a niche that most

people don't do research most people who

believe in these penny stocks they don't

look at the past they don't look at

history if you look at history you would

see that 99.9% of penny stocks fail why

do you think that you're so smart that

somehow you're gonna find the next penny

stock that's going to be the biggest

thing ever it's probably not it's

probably gonna fuck up for any number of

reasons small companies are at a huge

disadvantage in the world competitively

and you know what they can do like

lasting like they're just probably not

gonna make it that's okay even if a

company will fail in the long run that

doesn't mean that the stock is not worth

trading in the short term you have a lot

of penny stock volatility so that's what

I want you getting used to not saying

that these penny stocks are going to be

the next Microsoft just that their

stocks can go from one to five or one to

ten in a few days like big companies

can't you will never see Google or

Amazon go up five hundred percent or a

thousand percent like a penny stock can

in a day or two if you have the right

news if you have the right volume if you

have the right newsletter if you have

the right market environment so there

are big percentage gains possible in

very short periods of time which makes

Penny Stocks ideal for small accounts

that's why I trade them that

it's why I teach that's why I trade with

a small account that's why I want you to

trade with a small account don't try to

say hey Tim I'm gonna be your next

millionaire investor millionaire student

I'm gonna start with seven hundred

thousand all you have to do is make me

three hundred thousand and on a

millionaire

please start small okay I've taught

trust fund babies they're mostly

dumbasses and dicks and in bread and

coke addicts and it just doesn't end

well for them if you start small and you

learn how to grow a small account

exponentially you challenge yourself my

top students started with just fifteen

hundred of his own money now he's

closing in on seven million it's not

straight from fifteen hundred to seven

million he had a lot of ups and downs in

order to grow the small account he had

to learn how to turn a few thousand into

ten thousand ten thousand into twenty

thousand twenty thousand into fifty

thousand so I wants you to learn from

this start I want you to learn how to

grow a small account because most people

think it's impossible it's not

impossible it's just tough you need

strategy and you need the right

perspective

leave a comment underneath this video

let me know if it's cleared up a few of

your misconceptions or assumptions or

questions if you think that this has

been helpful send it to a friend or

family member who disapproves the penny

stocks or me I'm just trying to be real

with you

Cheers hey Tim Sykes millionaire mentor

and trader thank you for watching my

videos I hope that they help you I want

to share everything that I've learned

over the years you can check out more

videos right over there and also click

subscribe so that you can watch all of

these videos get that knowledge and

become my next millionaire student

For more infomation >> Why Trade Penny Stocks? - Duration: 5:58.

-------------------------------------------

Hora Modules VCV Rack Tutorial - Relief, Amplitude, Twin Quartet, Timbre - Duration: 17:46.

Hey guys, in this video I will take a closer look at a few of the Hora modules.

The Twin Quartet LfO and Amplitude, which are free modules, and Relief and Timbre, which

are commercial modules.

Let's start

OK, so here they are.

We have the Twin Quartet, which is actually 2 low frequency oscillators with various phase

outputs.

We have Amplitude, which is a VCA, a mixer, an inverter, with nice features like accent

and auxiliary inputs.

We have Timbre, a voltage controlled filter, with 2 slope outputs, a send and return for

the resonance, it has also an accent input and a few more cool features.

And we have Relief, a complex envelope generator, with 2 envelopes, a trigger delay section,

and a level detector.

Let's start by looking at the Twin Quartet and at all of its features.

So, like I mentioned, the Twin Quartet has actually 2 Low Frequency Oscillators, both

of them are Bipolar, so their voltage range is between negative 5 and positive 5 volts,

and we have a master LFO and a slave LFO.

The master sets the overall rate or frequency, and with the slave LFO we can divide or multiply

this frequency.

We have the main Rate knob, with a dedicated CV input, and the Slave Rate knob, with 1

in the middle, which is the same frequency as the main one, and by turning the knob to

the left we can divide the frequency, or by turning it to the right we can multiply the

frequency.

And of course, also the Slave Rate knob has a dedicated CV input.

We have a global reset button and a dedicated trigger input, and we can choose different

wave forms for each LFO by using the Waveform knob, we have a Sine wave, a Triangle wave,

a Saw Tooth wave, and a Square wave.

Now, the interesting thing about this module, are the different phase outputs.

We have 4 different outputs for each LFO, and also Degree knobs with dedicated CV inputs.

Next to each output we have a "multiplied by", number, which means that the phase

of the signal coming out from each output will be set according to the position of the

Degree knob multiplied by the number that stands next to the output.

So, the signal coming out of the 0 degree output will always be in the normal phase,

and let's connect also the first multiplied output, and the phase should be 90 degrees

off because the Degree knob is set to 90.

Let's connect also the other 2 outputs to the second scope, and we should get a wave

with a phase of 180 degrees off and of 270 degrees.

So we have 4 slightly different wave forms from the same LFO, and again, we can play

with the Degree knob to get different results.

The Slave LFO works the same, but here the rate is set according to the main frequency,

so we can have 4 more different outputs, which are somehow related to the Master LFO.

So, here we have 4 Even VCOs from Befaco, differently tuned from one another, outputting

Saw Tooth waves to 4 Tangents filters, and from there they are going through a 4 channel

mixer, to the main mixer and a reverb.

The cutoff points of the filters are being modulated by the first LFO of the Twin Quartet,

and I also have Constants from ML modules, sending a constant voltage equivalent to 7

semi tones higher in pitch to all 4 Even VCOs.

The voltage is going through Flow from AS modules, and each time I let the voltage through,

the pitch of the Even VCOs goes up 7 semi tones.

You could hear how the cutoff points of the filters open and close in different phases

according to the different phases of the LFO.

We have also 4 FM Operators from BogAudio, also going through a 4 channel mixer to the

main mixer and the reverb, and they receive pitch information from the second LFO of the

first Twin Quartet.

The signals go through Black Holes from the Geodesics modules in order to attenuate them

slightly, and then they go through Erwin from Aepelzens modules to the Volt per Octave inputs

of the oscillators.

Another Twin Quartet module is modulating the Feedback amount of the FM Operators, and

the second LFO of this Twin Quartet is modulating the Degree of the first one.

OK, let's move on to Timbre, a voltage controlled filter, with two slopes, 12 dB per octave

and 24 dB per octave, and you can see both on the Spectrum Analyzer coming from a Saw

Tooth wave from the Even VCO.

We have the main input and a dedicated Gain knob, and this filter has 4 different modes,

Low Pass, High Pass, Band Pass, and Band Stop.

We have the main Frequency knob with 2 dedicated CV inputs.

One with a dedicated attenuator, and another one without attenuation.

We also have an accent input for opening the cutoff point at specific rhythmic places,

and it has a dedicated envelope knob for changing the signal over time, for making it more snappy

or with longer decay.

The Resonance is quite interesting in this module because we don't just have a Resonance

knob, we can also overload the resonance using this knob, and we can also create a feedback

loop using the Send and Return input and output, what can create really interesting sounds

and effects.

So, here we have 2 Functional VCOs receiving pitch information from the Phrase Sequencer

through the Shift Register, and they are outputting Square Waves to 2 Timbre filters, and the

pulse width of the square waves is modulated by the first LFO of the Twin Quartet.

Both filters have the same settings, and both receive a gate to their Accent inputs.

The gate however is coming from the second gate of the Phrase Sequencer, going through

Branches, the Bernoulli Gate, so every now and then the cutoff of one filter is opening,

and we get this rhythmic pattern.

Then we have an Even VCO, receiving pitch information from another Phrase Sequencer,

and it's outputting a Saw Tooth wave to another Timbre filter.

The cutoff point of the filter is being modulated twice, once by the second LFO of the Twin

Quartet, and once by an ADSR module, which receives a gate at specific times from the

second gate of the Phrase Sequencer.

The last voice is coming from the FM Operator, which receives pitch information from yet

another Phrase Sequencer, and it's then going once to the mixer, and once, through the Signal

Delay module from AS to the Return input of another Timbre filter.

The signal coming out of the Send output of the filter is going back to its main input,

creating a feedback loop, 41 ms delayed from the signal coming out of the FM Operator and

the Resonance of the filter is all the way up, it's set to band pass mode, and the feedback

amount of the FM Operator is modulated by the second LFO of the Twin Quartet.

Let's look at Amplitude and Relief, which are kind of related modules, envelope generators

and VCAs, so we will look at them together.

So, Amplitude is a twin VCA, it has 2 main inputs with dedicated attenuverters, so we

can also invert the incoming signal, and we can also mix a third signal through the auxiliary

input, which has a dedicated attenuator.

We have 2 main outputs, and all 3 signals are mixed and coming out of the mix output,

which again, has also a dedicated attenuator.

Now, both VCA sections have a Strength input, which is our CV input for using with envelope

generators for example, and the first VCA section has also an accent input with a dedicated

envelope knob, for adding a sort of a peak in volume as accents in specific times.

We also have a small 4 LED screen, which indicates vertically the phase and amplitude of the

incoming signal, and horizontally the phase and amplitude of the Strength function.

Let's look at Relief.

Relief has 2 identical envelope generators and a trigger delay section.

We can trigger the envelopes manually by clicking this button, or by sending a gate to their

gate inputs.

We have 2 modes, Attack Decay and Attack Release, and we can change between the modes by clicking

this slider, and both Attack and Decay Release knobs have dedicated CV inputs.

We also have a Level knob with a dedicated CV input, and we have also 3 outputs for each

envelope, a Threshold and envelope CV outputs, and an End of Envelope trigger output.

From the Envelope output we will get the generated envelope, from the End of Envelope output

we will get a trigger each time the cycle of the envelope comes to an end, and from

the Threshold output we will get a gate according to the level of the envelope set by the Threshold

knob.

Now, the trigger Delay section can delay an incoming signal, and by turning the delay

knob we can determine by how much the signal will be delayed, and we can use this to create

variation in rhythm for example.

We also have a pulse width knob, for changing the pulse width of the out coming signal,

and we have 2 outputs, an End of Delay output, and the main output.

From the End of Delay output we will get a trigger every time the delayed signal comes

to an end, and from the main output we will get the delayed signal but also here there

is a cool trick, by using this slider here we can choose if to send this delayed signal

directly to the second envelope section, or not, so we can route this signal and use it

directly without the need to use extra modules.

So, here we have 2 Chebyshev oscillators from Squinky Labs, and the level of their fundamental

frequency and first 3 harmonics are modulated by the Twin Quartet.

I'm using Relief to modulate their overall level, and the lower envelope section is being

triggered by a delayed signal through the Trigger Delay section of Relief, and the delayed

signal itself is triggering a kick drum module, also from Hora.

We also have the Palm Loop oscillator from 21 kHz, and it's outputting 3 wave forms to

Amplitude, 2 to it's main inputs, and one to it's auxiliary input, and it's receiving

pitch information from Constants through a Sequential Switch.

The 2 main outputs are going directly to the mixer, and the Mix output is going first through

Timbre.

Amplitude is receiving CV from another Relief, and the accent inputs of both Amplitude and

Timbre receive CV from the Threshold outputs of both envelope sections.

Another voice we have is coming from the FM Operator.

It's receiving pitch information from the Grid Sequencer, which receives a trigger from

the output of the Trigger Delay section of this Relief module.

It's feedback amount is being modulated by another Relief module, which is triggered

by the Grid Sequencer through its Trigger Delay section.

And that's it guys, those were the Twin Quartet, Amplitude, Relief, and Timbre from Hora modules.

Like always, there will be a link in the description to all the different patches we looked at

today.

I hoped you enjoyed this video, if you did please hit the like button, if you want to

see more videos like this please subscribe and hit the bell, and have a good one.

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