Thứ Sáu, 1 tháng 12, 2017

Waching daily Dec 1 2017

*Intro*

Order your Anti-Theft Backpack at voe21.com/anti-theft today and get 50% discount!

For more infomation >> AMAZING & FUNNY VIDEOS YOU HAVE TO SEE!! 😍😲😱 AWESOME 11 MINUTES 🍇🍑😏 - Duration: 11:00.

-------------------------------------------

5 Amazing Animators You Should Know About! - Duration: 10:15.

On this channel, we've covered what budget means, how to identify animators, what bad

animation is, and of course, the endless coverage of various Dragon Ball-related media.

Throughout these videos, I'm sure you've started to gather at least an idea of the

type of animators or style of animation I personally enjoy, but I've never taken the

time to sit down and specifically talk about who my favourites are, what aspects of their

work I love, and what shows from their back catalogues I highly recommend.

I've never really given you guys the chance to talk about your preferences either, so

I hope we can use this video as an opportunity to sit back and talk about what we love, recommend

some animators, some shows, and just get to know each other better.

And, if you're new to this channel or new animation, then I hope you get something out

of it, too.

There are a lot of different approaches to movement.

For some, the heavily detailed artwork and highly stylised, exaggerated timing of Naotoshi

Shida's work is where their love is at.

This of course goes hand in hand with animators like Yuya Takahashi.

It's big and bold, with a real emphasis on rhythm over anything else.

There's also very snappy animators like Hiroyuki Imaishi or Yoh Yoshinari, very clearly

inspired by Yoshinori Kanada.

They almost want you to stop and admire their flashy key frames, often snapping between

really intense and dynamic poses.

You can pause at pretty much any point in their work and get a perfect screenshots.

On the other end of the scale are the animators whose emphasis is almost entirely on movement.

The characters flow from position to position seamlessly.

There's no distinctive key frame vs inbetween.

The characters are often stylised in a very minimalist way – lots of loose line work

and relaxed poses.

This is the type of animation that I absolutely adore and it's where almost every single

one of my picks lies in this video.

Let's get started…

In no particular order.

First up is Shinya Ohira.

Perhaps the most unconventional animator of anyone on my list, Ohira's work is hugely

expressionistic – it reminds me of very famous artist Gustav Klimt's sketches.

It's characterised by its hugely rough line work – there are no ruled lines here.

The characters move as though filled with water – with shading and form changing from

frame to frame.

Everything is about his work is extreme – the focus is totally on expression through abstract

form, rather than adhering to rigid reality.

The intensity of a scene is conveyed through wild brushstrokes or pencil marks, and of

course, the dramatic deformations.

Unlike most animators, what's happening in the scene isn't what evokes a feeling,

it's the way that it's animated.

WaveMotionCannon is a spectacular website dedicated to covering all types of animation,

and there was a part of their Ohira coverage that really stuck out to me.

I think it sums up 1.

Why I love Japanese animation so much, and 2.

Why Ohira is one of my favourites.

It says, "Whereas American animation is mainly concerned with truthfully representing

the characters that are being animated, Japanese animation instead focuses on the depiction

of the movement itself".

This is so, so true, and if you're looking for entire pieces that exemplify this approach,

I strongly recommend Kid's Story – a short in The Animatrix anthology.

It was supervised by animator Shinji Hashimoto who ALMOST made my list, and is definitely

a big influence for Ohira.

Ping Pong is another show that is also all about wearing its expressionistic style on

its sleeve, and embracing it from start to finish.

You'll struggle to find another sports anime as interesting as this one.

Next up is Mitsuo Iso, who in some ways, is very much the opposite of Shinya Ohira.

Iso embodies realism – he understands how things are supposed to move in reality, and

applies that to his animation seamlessly.

Every movement accounts for the object's weight and its inertia.

It's an absolutely unbelievable skill, and it makes his scenes so breath-taking to watch.

Even when he's animating things that simply don't exist – the Evas in Evangelion,

for example – they move in ways that totally sell them as living beings.

The way he goes about achieving this is fascinating.

The typical work flow of an animator is to draw the beginning and end key poses, and

work through the middle sections, before having inbetweeners fill in the rest.

Iso totally does away with that, handling every frame in his sequences, and treating

every drawing as a key frame.

He's never drawing from pose to pose, but rather moving through the motion frame-by-frame

in a really organic way.

This results in the 100% seamless movement you find in his work – there's no snapping

from key to key here.

Things accelerate, decelerate, and change course in totally natural ways.

This makes him an absolute master of movement, and one of my favourite animators working

today.

There are few shows that really embody his work as a whole.

Even his passion project Denno Coil failed to translate his style across the entire series.

If you're looking for his best work, you cannot go wrong with classics like Ghost in

the Shell, The End of Evangelion, and of course Blood: The Last Vampire.

Not quite a classic there, but definitely some of his best work.

Next up is a much younger animator in comparison.

Not quite the youngest on this list, but at 33 years old, Hironori Tanaka is a shining

example of the unique young talent found in the industry.

He was first discovered with his contributions to Toei's various PreCure series, and was

so impressive that director Takashi Otsuka at one point just left vague instructions

on his storyboard, and left everything else up to Tanaka.

Stylistically, he's most recognisable for his Ohira-esque linework, particularly when

it comes to the hair.

When he's let loose, characters will typically distort in a similar fashion, though certainly

not enough to scare off those who care for a more grounded approach.

His effects are very aggressive, dominating his action scenes, and making for some seriously

eyecatching compositions.

He's one of the hardest working animators around.

You can find his work across so many different shows.

It's absolutely astounding for someone his age.

Concrete Revolutio has a whole bunch of contributions from him, and even if you're not a fan,

that show is one of the best looking things to come about in a long time, so check it

out anyway.

Moving along, we have Norio Matsumoto, an animator who's been around for quite some

time, but first started seriously blowing minds from the early 90s onwards.

Fans of Naruto will know him for delivering pretty much all of the mindblowing fights

from the original series, in particular the battle between Naruto and Sasuke.

He amped up the action in Rurouni Kenshin, a show that doesn't have masses of great

animation on the whole, and contributed the far superior Gon vs Hanzo in the 1999 adaptation

of Hunter x Hunter.

He's an action extraordinaire.

His work is remarkably fluid, with extreme use of smears and squash and stretch.

I don't think it'd be inaccurate to say his extensive work on Naruto helped to form

the style of action that became the norm throughout the rest of Shippuuden.

Whether it be character acting or breathtaking fight scenes, Matsumoto's absolutely got

you covered.

Naruto's the obvious recommendation as far as shows go, but don't hesitate to check

out Isao Takahata's Tale of the Princess Kaguya for a very different look at Matsumoto's

talents.

Lastly, and despite me saying this was in no particular order, I have left my favourite

for last: Shingo Yamashita.

At only 30 years old, he is far and away the youngest animator on this list, but perhaps

one of the most idiosyncratic of the lot.

He is a part of the web-generation of animators, meaning he's one of the self-taught talents

in the industry who rose to fame through their gifs across social media.

Unlike the majority of animators who still work with pencil and paper, Yamashita is a

purely digital animator, who's been known to work in Flash.

Thanks to the playback freedoms offered by digital animation, it's much easier to put

together more complex camera sequences, and it's something you'll find in a good number

of Yamashita's scenes.

This is helped to life by a great deal of 2D background animation, along with some seriously

complex effects.

Much like everyone else on this list, Yamashita continues the running theme of exaggeration

and expression in his work.

He wanders severely off-model to deliver some truly disturbing sequences – in a good way!

And much like Ohira, he's not afraid to bend the rules, and it's not uncommon to

see him entirely abandon linework in favour of dynamic blobs of colour.

In spite of these influences, his work is very much his own, and he really is like no

other.

Birdy the Mighty, particularly the second season is one of the most amazing examples

of webgen animation, and you can find not only some of Yamashita's best work there

there, but also the likes of Tanaka and Matsumoto, too.

Yozakura Quartet is another very webgenny show, and definitely something to check out

if this type of animation appeals to you.

Loose, heavily idiosyncratic styles are 100% my thing.

I get so excited whenever I see movement like this, and it's one of the hardest things

to get right.

Making simple look stylish is not easy, but all five of these animators do it with ease,

and it blows my mind every time.

Thank you so much for listening, these have been some of my favourite animators in the

industry.

Be sure to let me know in the comment section where your tastes lie, who your favourite

animators are, and what shows are best to get a feel for their style.

Before I go I do have one thing to say: for those who have followed my channel since I

first started covering animation, you may be sat there and wondering where the hell

Naoki Tate is on this list.

I love Tate, I admire everything he's achieved at Toei, and he's absolutely one of the

strongest at the studio, and my favourite animator on Dragon Ball Super.

I will defend him to the end of days when fans try to claim he's somehow terrible,

but I'm also a realist, and it's clear he's not a touch on the animators listed

up to this point.

Just wanted to clear that up before the comments roll in.

Again, thanks for listening, be sure to rate the video, and subscribe if you're new.

Check out my latest video on what 'bad' animation is, and I will see you next time.

For more infomation >> 5 Amazing Animators You Should Know About! - Duration: 10:15.

-------------------------------------------

Farmweek Markets | December 1, 2017 - Duration: 7:16.

WELL, LET'S TAKE A

LOOK AT WHAT'S

HAPPENING IN THE

MARKETS ON

FARMWEEK...

---DISSOLVE TO TRIPLE

GRAPHIC---

SOYBEAN PRODUCERS

ARE ADVISED TO WAIT

ON MAKING SALES....

IN THE CORN MARKET,

YOU'LL HEAR FROM A

TRADER WHO SAYS YOU

NEED TO BE THINKING

ABOUT USING CALLS

AND PUTS...

AND WILL THERE BE

CONTINUED HERD

EXPANSION IN THE

CATTLE SECTOR ?...

OUR LIVESTOCK

ECONOMIST HAS THE

ANSWER COMING UP...

---TAKE OUT

GRAPHICS----

[SOYBEAN ANALYSIS

LEAD]

---LEIGHTON AT

MONITOR---

AS WE RACE TOWARD

THE END OF THE

CALENDAR YEAR, THE

DEMAND PICTURE FOR

SOYBEANS APPEARS TO

BE GOOD.

A KEY FACTOR FOR

THIS OUTLOOK IS THAT

CHINA IS RAISING IT'S

EXPECTATION FOR

IMPORTS FROM THE U.S.

AND OTHER COUNTRIES.

BRIAN ROACH OFFERS

SOME ADVICE ON

WHETHER TO SELL

SOME BEANS NOW OR

DELAY UNTIL WE GET

INTO TWO-THOUSAND-

EIGHTEEN.

---TAKE SOT---

[SOYBEAN ANALYSIS

SOT]

---SOT---

We are going to wait for

bean sales into January and

February. That will be most

likely the next opportunity to

generate cash flow where it

makes some sense. The

rallies we saw last year were

all based on problems in

South America. It is a big

crop. It is not as big as last

year and so I think the

picture is positive for beans

and if beans are going to

continue to move higher

which whether we break

down on this - on this trend

that we have now or we

trade higher on into

December. I think you want

to be long beans in the front

part of the year. It has

always been a good trade

and I think that a farmer who

is waiting for a selling

opportunity will tie those

together.

TRT: :40

OUTCUE: a farmer who

is waiting for a selling

opportunity will tie those

together

[GRAIN OPTIONS LEAD]

---LEIGHTON AT

MONITOR---

EVEN THOUGH THE

FUNDAMENTALS OF THE

CORN MARKET ARE STILL

BEARISH, PRODUCERS

DO HAVE SOME TACTICS

TO CONSIDER USING..

MARK GOLD THINKS

CALL OPTIONS MAKE A

LOT OF SENSE RIGHT

NOW.

HE EXPLAINS HOW HE

WOULD USE THIS

STRATEGY.

---TAKE SOT---

[GRAIN OPTIONS SOT]

---SOT---

Particularly I like the corn, I

like the wheat options, call

options on both of those if

you have sold the grain. I

think what guys have to kind

of look at two different

markets here. We've got '17

at the lows, maybe bouncing

out here, if you have sold

the grain reown some calls.

But you've got to start

looking at 2018 because

Lord knows that if we grow

another big crop on top of

what we've got out there

we've got some serious

problems in agriculture next

year. So guys need to be

looking at buying some puts.

We've got December corn

up around $3.85, look to buy

some, you can buy some

relatively cheap December

puts out there, spend 12, 15

cents -- and not have to

worry about could this thing

get really ugly.

TRT: :45

OUTCUE: and not have

to worry about could this

thing get really ugly

[TRIVIA QUESTION]

---ON CAM---

---LEIGHTON AT

MONITOR---

WELL IT'S TIME FOR

TODAY'S TRIVIA QUIZ.

OUR QUESTION THIS

WEEK IS ABOUT

WILDLIFE...

---DISSOLVE TO TRIVIA

GRAPHIC---

WHAT U.S. STATE

ESTABLISHED THE

WORLD'S FIRST

WILDLIFE REFUGE ?

IS THE ANSWER...

FLORIDA ?

LOUISIANA ?

GEORGIA ?

OR ARKANSAS ?

WE'LL TELL YOU WHICH

ONE IS CORRECT IN A

FEW MINUTES...

---TAKE OUT GRAPHIC---

[CATFISH REPORT]

[CATFISH REPORT]

---LEIGHTON AT

MONITOR---

WE LEAD THE SECOND

HALF OF THE MARKETS

WITH AN UPDATE OF THE

U.S. FARM-RAISED

WITH AN UPDATE OF THE

U.S. FARM-RAISED

CATFISH INDUSTRY.

THESE NUMBERS

REFLECT THE FISH

TRADE IN THE MONTH OF

OCTOBER.

---TAKE GRAPHICS---

U.S. PRODUCERS

RECEIVED A POND-BANK

PRICE OF A DOLLAR AND

FOUR CENTS PER

POUND FOR PREMIUM-

SIZE LIVE FISH IN

OCTOBER.

THAT IS A DROP OF 18-

CENTS PER POUND

FROM ONE YEAR AGO.

FARM SALES TOTALED

ALMOST 28-MILLION

POUNDS ROUND

WEIGHT, A DROP OF

TWO PERCENT FROM

OCTOBER, 2016.

MEANWHILE

PROCESSOR SALES

WERE HEADING THE

OTHER DIRECTION IN

OCTOBER, RUNNING A

LITTLE OVER TWO

PERCENT ABOVE LAST

YEAR'S FIGURES.

---TAKE OUT

GRAPHICS---

[CHICKEN PLANT]

---LEIGHTON AT

MONITOR---

TYSON FOODS SAYS IT

IS GOING TO BUILD A

NEW CHICKEN

PRODUCTION PLANT NOT

TOO FAR NORTH OF THE

MISSISSIPPI STATE LINE.

THE LOCATION IS 75

MILES NORTHEAST OF

MEMPHIS IN HUMBOLDT,

TENNESSEE.

THE PLANT WILL

PROCESS OVER A

MILLION BIRDS EACH

WEEK.

WORKERS WILL THEN

MAKE PRE-PACKAGED

TRAYS OF CHICKEN FOR

RETAIL GROCERY

STORES.

THE FACILITY IS

SCHEDULED TO OPEN IN

LATE 20-19, AND WILL BE

TYSON'S FIFTH

LOCATION IN THE STATE

OF TENNESSEE.

[MARKET INTERVIEW

LEAD]

---LEIGHTON AT

MONITOR---

WE CONTINUE TO

MARKET MORE CATTLE

THIS YEAR IN

MISSISSIPPI THAN HAS

BEEN THE CASE THE

PAST FEW YEARS.

NATIONWIDE, LARGE

NUMBERS ALSO

DOMINATE THE MOST

RECENT CATTLE ON

FEED REPORT.

ONE QUESTION IS, WILL

HERD EXPANSION

CONTINUE IN 20-18 ?

EXTENSION'S JOSH

MAPLES SHARED SOME

ANSWERS.

---TAKE SOT---

[MARKET INTERVIEW

SOT]

---SOT---

Was the total number of

cattle and calves on feed

about what analysts

expected ?

Well it was in the range of

expectations. So pre-report

expectations, the average

was about a five point seven

percent increase over

October of last year, or over

November 1 of 2016. Uh,

this year came in about six

point three percent above.

So not too far off.

Although pretty much in the

ball park, but still we'd be

correct in using the term

'large' in describing this

inventory compared to a

year ago ?

Large is a fair term. It's a

fair term not only for this

report but for a lot of the

inventory story lines in the

beef and cattle industry right

now. The November first

cattle on feed inventory was

the largest since 2011. The

calf crop in 2017 is likely to

be the largest since 2007.

Beef production in 2017 is

going to be the largest since

2011. So I think 'large' is a

fair term not only for what

we're talking about here but

just in general on inventory

numbers in the beef

industry.

Any idea how much longer

we might continue to see

these year over year

increases in inventory ?

Yeah, I think we've

continued to expand the

herd in 2017. Uh, definitely

not as rapidly as we have

the last few years, though

we'll get a better feel for tha

here whenever the January

inventory numbers come

out. But right now I don't

see too much to suggest

that we're going to see a

slow down in these

placement numbers. We've

just got more cattle on the

ground out there, more

calves on the ground that

have to work their way

through the feedlots.

So, that was inventory.

What about placements ?

How did that figure shake

out ?

Yeah, so placements were

also in the range of pre-

report expectations. But

that range was pretty wide,

just like it has been for most

of the year. I think the

average pre-report estimate

was about 7-percent

increase over last year. The

actual number came in at

10-point-two percent above

October of last year. So

there was one extra work

day for packers this year

compared to last year so

that kind of makes the

numbers a little bit more

difficult to compare. But

still, that's not the main

story. The main story is

we're continuing to place

more cattle in the feedlots.

And quickly to close it out.

The marketings figure, how

did that look ?

So marketings came in six

percent above October of

2016. This is a big story

that gets overlooked

sometimes. These

increased marketings are

making sure that while we

have more cattle coming in

the feedlots, we're still

pulling them out at an

aggressive pace. This is

really helping our markets.

TRT: 2:40

OUTCUE: this is really

helping our markets

[TRIVIA ANSWER]

---ON CAM---

---LEIGHTON AT

MONITOR---

THAT IS GOOD NEWS

ABOUT CATTLE

MARKETINGS.

LET'S WRAP THINGS UP

IN THE MARKETS WITH

OUR TRIVIA ANSWER.

---DISSOLVE TO TRIVIA

ANSWER---

THE ANSWER IS..."A",

THE STATE OF FLORIDA

THE ANSWER IS..."A",

THE STATE OF FLORIDA

ESTABLISHED THE

WORLD'S FIRST

WILDLIFE REFUGE.

---TAKE OUT

GRAPHICS---

[FEATURE INTRO -

For more infomation >> Farmweek Markets | December 1, 2017 - Duration: 7:16.

-------------------------------------------

🎄 Art advent calendar ft. Animal Crossing - Vlogmas #1 - Duration: 5:18.

Hello everyone a welcome back to my channel. Today is the first day of

December and I'm doing vlogmas this year, just like last year. But this time I'm

doing something a bit different. I'm going to make an art advent calendar and

I'm going to draw every day until Christmas. To make things a bit more fun

and interesting for me I decided I want to make an Animal Crossing calendar

because I am playing Animal Crossing Pocket Camp at the moment and I'm very

very obsessed with the game. So, how I'm gonna do this. Over here I've got

characters from Animal Crossing Pocket Camp. So the villagers over here, about 40

of them. And there I've got some more characters. I've got some Christmassy

winter themes, all written. I would say I've got about 40 of them as well. And

over here I've got the little boxes that I'm gonna attach to my Christmas tree.

This little box you can open and I'm gonna put a character inside and a theme.

And because I've got more characters than there is days until Christmas, in

some boxes I'm gonna add a few characters and a few themes. I'm going to

do the boxes put them on the tree, and then I will pick the first day.

Okay so I've got my pile of paper I'm gonna take a box, open it and add two

characters and two themes. Completely random. I'm not looking at what I'm

doing. And there we go. I'm going to do that for all the boxes.

Okay, let's find the first box.

Found it!

There we've got our little box of today.

I'm gonna open it to see which character and which theme we've got.

So first we're gonna look at the themes and uh oh I've put three inside.

First one is a "log", the second one is "snow globe" and the third one is "soup".

And we've got two characters. So the first one is "Lily" a little frog and the second

one is oh it's "Isabelle". So this is the first character that we

meet in the game. How fitting! This is really random by the way.

Okay now I'll get to sketching.

I've got my markers with me and now it's time to color!

And that's it! My drawing for the first day of December is finished. So I did pick

Isabelle, Lily, log, soup and snow globe - Isabelle is here, this is Lily and

there's some soup, they are seated on the log and this is a snow globe.

I hope you enjoy! You can check the picture on my Instagram and I will see

you tomorrow, for another vlogmas. BYE!

For more infomation >> 🎄 Art advent calendar ft. Animal Crossing - Vlogmas #1 - Duration: 5:18.

-------------------------------------------

LAZER WOLF Vape Juice GIVEAWAY!!! | Mt Baker Vapor | - Duration: 2:10.

Hey, what's up everybody! Joe from Mt Baker Vapor here and today I've got something special for all of you out there!

Mtbakervapor.com will be

giving away a line of ejuice. 30 of these sets of 3 from the company, Lazer Wolf.

Lazer Wolf for those of you that don't know, is a company that is owned and manufactured by Hometown Hero.

So, if you're a fan of Hometown Hero ejuice, then you definitely want to check out Lazer Wolf!

And they've got three great flavors. First up we have Ultra.

Ultra is a sticky bun ice cream flavor. So, good creamy vase, base, base.

Got a good creamy base and I'm excited about it as you can tell!

Plenty of spicy notes, something that you can vape on all day.

Secondly, we have Neon. Neon is a frozen peach rings flavor. So a great smooth candy flavor with a nice

fruity finish. And

lastly for those of you that were feeling adventurous,

Turbo. Turbo is a strawberry margarita flavor for those of you that uh..

want a little excitement in your life. Now all you need to do to win this is to

follow us on social media. Monday

we will be releasing a video with your very first clue. And

as you follow us on social media throughout the week, you will be given more clues and at the end of the week the first

30 of you to solve our puzzle,

submit the answer to marketing@mtbakervapor.com will receive a

line of Lazer Wolf ejuice with a qualifying purchase from Mt Baker Vapor.

Unfortunately in the vapor world the word free does not exist anymore.

So you know just come in place your regular order, buy a bottle of

$7 e juice and get this whole line for free!

It is available in 3 milligrams nicotine only. So if that's what you're looking for you

definitely don't want to miss out on this! Like I said,

make sure to follow us on social media, check out our newsletter

and our blog. You are gonna want all the info you can get. Good luck!

For more infomation >> LAZER WOLF Vape Juice GIVEAWAY!!! | Mt Baker Vapor | - Duration: 2:10.

-------------------------------------------

History of Draupadi / Queen of Mahabharat in Hindi. - Duration: 6:26.

For more infomation >> History of Draupadi / Queen of Mahabharat in Hindi. - Duration: 6:26.

-------------------------------------------

How to Crochet An Advent Calendar: Christmas Tree Step 2 - Duration: 14:59.

Hi everybody, I'm Mikey and this is part of the Advent Calendar Series

that is a crochet along. For those working on the crochet along with me every few days a new video will be available to advance

you to the next part of your project.

There are 15 tutorials in all to complete today's project.

If you're finding this and the crochet along is done all videos will stay up indefinitely. In the more information of this video you'll find

a link to the playlist where all the tutorials will be listed in order for you to play along. The entire pattern is now available

for free. For those who don't need a video

refer to the video description to get redirected to the pattern. So in the meantime let's begin with today's tutorial to advance you to the

next step and of course wishing you the very best of the festive season ahead.

So let's move along in the project.

We're going to do the Christmas Tree here today, and we're also going to do the star.

So we're gonna do both of these. This is number two of the crochet along. For this one

you're also going to need your buttons because we're gonna apply our buttons at the end in order to do this.

So let's take a look back at the pattern first

and then I'm gonna show you what you need to do in order to complete the tree.

So on page number two is the tree section 1, 2 and 3 and then we get go and do the start just like you

see here. So what's gonna happen is that we're actually starting this tree upside down. So you have to look at this tree from this

upside down perspective, and there's a repeat of different

Instructions just like you see here

and we're gonna go through those and it says to repeat step four as you see once you get there.

And you'll notice that it increases like a triangle.

But the reality is, is that we have to visualize this thing upside down in order to

begin. So with your 5 mm, size 'H' crochet hook today

let's bring back the tree, and I'll show you how to look at it from this point of view for the pattern.

So from this perspective. We're going to be crocheting starting at the tree at the top section

just like you see here, and we're gonna get a triangle, and then we're gonna fasten off.

We then are going to start the next section

fastening on as we just skip so many stitches and we do across and then we continue the triangle out again

and then we fasten off and then the final section we skip so many stitches,

go across and then go as a triangle. just like you see here. Let me turn

it around if you need to freeze-frame to see where these buttons are the buttons are

incremental just like you see. So you have 1, 2, 3, 4, 5 and 6 on the bottom,

you have four in the middle right here

and then you have four along this section here, you have three about halfway up,

you have four along this section here

and then finally the extra three right at the very top. So at the end of today's tutorial

we're also going to concentrate on the star, but let's start off with the Christmas Tree first.

So let's begin with the slipknot

and we're going to create this and insert our hook in this is using dark sage and a 5 mm, size 'H' crochet hook today.

So we have to then chain two so 1 and 2 and let's begin row number one.

It says one single crochet second chain from the hook, so just go, just count back

it's the very first one anyway, but you're just gonna do one single crochet here

and this is the very top of your Christmas Tree like so. We're then going to turn your work.

So I know it's kind of hard when there's only one stitch there, but that's okay

we're gonna get through it. So then we're gonna go row number two. So row number two it states chain one and two

single crochets in the first single crochet.

So just chain up one and there's only one here anyway, so we're gonna put two into this one, 1 and 2

okay and

then we're gonna continue, so we're gonna turn a work into row number three. So row number three says chain one and

it says two single crochets in each of the stitches.

There's only two, so you're gonna put two single crochets into each so 1 and

2 and

then do the next one it the next one over so 1 and 2,

just like that.

Okay, and then we're gonna turn our work and do row number four. So row number four is the identical for the remaining of

section number one.

We just have to keep on going in the same manner.

So we're gonna chain up one to always start and in the very first one

we're always gonna put in two single crochets so 1 and 2

and then in the stitches in between there's just gonna be one single crochet,

okay, and in the last,

so there's two in a row and in the last one here there's going to be two single crochets.

So that was row number four

So what happens is that you need to increase the tree

so there's up to have thirty four stitches all the way across. So turning your work

just chain up one and put in two single crochets in the first one, okay, so 1 and

all the sections work like this just so you know it for the future and then one single crochet in each going across

except for the very last one you are gonna put a total of two.

So just keep an eye on the stitch counts and just occasionally count

but you can look at the pattern and you can see that you got a little bit of a while to go before you can

even get thirty four stitches all the way across. So just to review one more time turn your work, chain up one,

two single crochets in the first one,

one single crochet in each going across except for the very last one where you'll put in two single crochets.

So I want you to repeat these steps until you get thirty four stitches across and

then just count it, count out just to make sure and

you should know that every time you're doing one row you're increasing the count by two

because you're adding one extra to the front and the back.

And I, when I come back so I want you to do that, when I come back I'll have that done for you. So

what I have here is that I have it increased out just like you see here

I've already put on my buttons and my star

but I've increased it out till I got to my 34 stitches all the way across.

Then I fastened off. So then moving on to section number two.

Section number two is that we're gonna skip the first seven stitches and then fasten on and then go all the way across and

you want to go until you leave the last

seven stitches untouched on the other side.

And then you just continue to put two single crochets in the first one and the last and you continue to go out

again

just like you see until there's 54 stitches going all the way across.

Then once you get that done is that you're going to fasten off and start once again on section number three skipping the first seven

and then you go all the way across ending leaving seven untouched and then continuing to

just grow out putting two single crochets on each side and continuing to grow it out like this.

Okay,

so once you have that done all you just need to do is then you need to sew this down to the actual project itself

and you can see where they have sewn it right here in behind.

So they just went

directly right across in order to hold it down into position so you can see it's kind of dipping down right here because it's

sewn right here

and it's also sewn along the edge. When you go to sew you'll notice that when they sewed they actually just

didn't go all the way through the project when they did that so they just went in the top upper sections here

just did the top fibers in order to hold it down. Then what they just did is then they just took

complementary buttons, and we have those buttons as well, and then we can just sew those into position and let's turn this one upside,

the other way

and you can get a good idea where all those buttons are. If you need to freeze-frame the video now is the time to do

it. So you can see where all the buttons are without any of the decorations on them

and as the week or the days come to gone or come to go you just take the decoration from the pocket

and then you just hang it on to the tree wherever you want in this entire tree will be decorated once we get that done.

So that's how you do this tree.

It's actually really quite an easy

section. The hard work really has been done within the actual

backdrop for time wise. All the rest of it then becomes not much easier to work with. So without further ado we're now going to move

on to the star. The star is actually really quite an easy one to do and then you have to then tack that down to

the top as well, and you can see that they tacked it just like right in behind here.

So let's begin to working on the star next.

So let's begin working on the star. You're going to need a gold color and in the pattern it has all this listed.

It's not very much work

that's required to do that and then we just create a center circle

and then we create a star points here in order to have it come off the edge.

And then once you have that done you sew it down to the top of your project just how I just indicated and there for

it'll be the star on the top of your tree. So without further ado let's show you how to do that.

To create the start all you're just going to do then is that you were going to start off with a slip knot and

you have to then chain a total of three so 1, 2, 3.

Then what you're going to do is that you're gonna put ten half double crochets third chain from the hook.

So you're just gonna wrap the hook first and go into the very first chain and

you wanna do that a total of ten times. So this is a half double crochet.

So 1, 2 this is 3, 4, 5, 6, 7, 8, 9 and 10.

And once you have that done. You're just gonna slip stitch to the first half double crochet.

Make sure you go actually to the top of it don't go into a chain space because then I'll pull it apart.

Just like that, see so it's nice and closed. So let's begin round number two, chain up two

which doesn't count as a half double crochet by the way and you've got to put two half double crochets in each of the stitches

going all the way around. So

you're gonna be putting in two into that one and then two into the next one and

so forth. So put in two half double crochets in each going all the way around. There should be a total chain our

count of 20 half double crochets

when you go all the way around and it does matter because it is a star with five points in it, relies on you to

have 20. So please do that all the way around, two half double crochets into each.

So as you get all the way around you're just going to slip stitch to the top of the first half double crochet

and you're done. So you're gonna fasten this off. Now usually in stars

we don't do that

but the designer is asking us to. So we fasten off first and

the points work over four stitches. So if you think about there's 20

stitches going all the way around.

I'm just weaving it in as I talk to you. Then what happens is that you can have five points which

equals a total of 20. So 4 times 5 points equals 20 stitches.

So let's begin doing one of the points. So we're just gonna start off with a slip knot first onto the

needle or hook and you're gonna choose any one of the half double crochets,

it really doesn't matter which one you choose because they're all equal. Just

fasten it on with the slip stitch so just pull through and through and you want to chain two.

Okay, so that doesn't count it as anything. So now you're going to then put the next two together.

So you just go right into the one you did the join so wrap the hook first

It's a half double crochet two together pull through and then

go into the very next one. So wrap the hook and go into the next one and pull through and

you'll have a total of five loops on your hook, so you're just gonna pull through all five.

So then you're gonna do that again with the next two. So wrap the hook going in, pull through,

wrap the hook going into the next one pull through and

then you'll pull through all five loops on

the hook.

Okay, so just take your time, and then you turn your work.

So you technically only have two stitches here when you turned. So you're going to then chain up two,

okay, and you are going to

put in their, um

half double crochet in each of the next two. So you're gonna do the first one and

the next one

and then turn your work okay, and then you're going to chain two and

these two are going to be coming together. So just put those a half double crochet two together

like that and then you fasten off.

So you pull through everything and

then fasten off, so there is a point right there.

So I'm gonna show you one more time just to make sure it's clear.

So then you just leave enough of a strand here that you can hide that in and then you sew that down on to your,

your backdrop. So let's begin to do it one more just to make sure, I'm gonna get rid of this

strand here. So let's do another point. So just grabbing the yarn create a slipknot and

we're going to go into the next one so

see where this one is part of that one so we go into the next one available.

Going in let's fasten it on with the slip stitch

and chain two, doesn't count as anything

it's a builder. So this one plus the next one is gonna be two together for half double crochet.

Okay, so you've got five loops on your hook pull through all five and do the same with the next two. So just advancing in

the next two

okay, pull through all five loops and then turn your work, so you're gonna chain up two and

there's only two stitches here, so there are only gonna be half double crochets one in each this time.

So you get like a row without having to think too much about and then turn your work,

chain up two and the two that you have left you're gonna bet put those together for

a half double crochet

just like you see and

then that's it. So you fasten off and there is another point for you.

And you keep doing that until you get five points.

So once you have that done is that you can refer to

the section and you can sew it down to here and when you look at the back you can see that

they hid the back section in right here, so all the strands that were on the tails were in the back.

You'll never see it anyway, so it's actually pretty easy to do and therefore you've done your tree

and you've done your star, you've got it sewn down, and the next time we come back in the next video

we are going to work on how to do these pockets. The pockets are relatively easy they take a little bit of time. Got some

slip stitching work in order to create the numbers that you see

but other than that that's what we're gonna be doing next. So I'll see you next time here on The Crochet Crowd as well

as yarnspirations.com. Bye, bye 👋

Không có nhận xét nào:

Đăng nhận xét