Some years ago, I got into working with the bass, and the timbre possibilities.
Trying some different things.
Some new, sort of techniques that I worked on, and using those sounds as launching points
for new tunes.
Kind of hooking around the string.
In order to do this, your action can't be super low.
I use is sometimes when I'm swinging really hard, or I want to play something that's got
a lot of rhythmic punch.
One of the things that was left over from my early days playing classical guitar, was
this kind of fingerpicking style, and playing a lot of folk music on guitar.
So, I started messing around with that on the bass.
I did take a metro card and I folded it in half, and I put some electrical tape on it.
So another thing I started experimenting with, is severely detuning the bass.
I was thinking of like, an angoni, which is a North African kind of one string, or two
string lute, and...
It's definitely got that vibe.
So, one of the things that I keep in the forefront of my mind, is the idea of contrast.
My first instinct is to have something that's very clear, that is very, kind of a sharp
sound, in contrast to the dullness of the angoni sound.
And that's where I came up with this melody.


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