hello musicians my name is Corey Taylor from SkilledMusician,com where we are
helping musicians improve thank y'all so much for checking out today's video now
today's video is part two of our 20 piano hackS so if you haven't seen part
one definitely should go check it out there's a lot of cool hacks it now
today's hacks a little bit more advanced than last week's but but you all can do
them so I've broken the hacks down into two big concepts and then on each
concert there's a lot of little small hacks and for those that are new I put
timestamps in the description box so you can easily find each hack
also I've made sheet music for each of these hacks and I'm some of them
I've actually taken through all 12 keys for you to make it easier I've also
created a MIDI file of the final demonstration at the end of this video I
do a big demonstration where I show you kind of all the hacks put together and
so I created a MIDI file for that so you can definitely check that out
and also if you have not downloaded the lead sheet for our example song that
we're using for all of these hacks that link is in the description box as well
lastly definitely hit the subscribe button you all are amazing group of
musicians and we definitely wanna continue to grow this community
musicians just like you doesn't need to subscribe but if you're new to the
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time let's get started
so another piano hack is to add suspensions resolutions and just
basically movement to your inner voices now it sounds like a difficult and
mouthful but it's actually really really easy so what I'm gonna do is I'm gonna
give you two options on major chords and then kind of a your choice your own
choice on dominant chords so let me show you so the first thing you want to do is
look at your hands differently and so what this requires you to do is to kind
of think of your hands in three different zones so you have your your
kind of route to your kind of base zone then you have your inside voices and
then you have your melody right so here are two options I enjoy doing on major
chords to add movement to the inner voices or here's the first one so
whenever I have the third on top so if I'm playing an F major chord and the
third is on top of that chord I do this
to hear that so what it is
so what what that does is so we have this motion and so we go from F major
it's like a F major six or if you're gonna be minor taking a D minor because
it's the same notes an F major F major six kind of it doesn't change the sound
so much that you wouldn't play it over just a regular F major chord so I can I
use often do them somewhere
right
so what am I playing internally some more
now there are a couple ways you can think about how to get these notes how
did it we give them everything well one way I can think of it as I'm
going to these notes D and half so I'm just surrounding them
you see another way you can think is this really looks like d-minor so it's
like I'm playing an A and then going to D minor so a major event D minor either
way it works but the point is in your right hand you're gonna play the sharp
11 so from F sorry not sharp 11 sharp 5
sharp five sharp I'm sorry shot five seven and six and your left hand seven
to water and the way you want to play it is you want to play the outside voices
first and then the inner voice all right so that's one way when the third is on
top you can do this it's kind of another way is when the fifth is on top I'll
often do this one as well so what is that this is kind of the idea of the
same idea of five to one so I'm playing a half right and then I outline these
notes and this is just a CDS no 67 4 which plays off the principal five to
one so five accord right so so another way to think of it
is I'm just having my notes of my F major try and I'm just surrounding them
again so on this left hand I'm gonna go to a so I'm gonna know before they note
after in this scale so then right hand I'm going to app so not before not after
and then oh you see that so
let's do that all right um so let's just kind of demonstrated a few of them so
here it is
Oh
right did you see that so that was the same idea I just did it over B flat
also in beef I have 2/3 on top so I went right to that one so
I'm sorry try again
alright now I'll also give you something like to do to kind of add a little
flavor onto it's just something small but I like to sorry
so this guy neighbor zone
here
so what I'm doing is
so really quickly
and so you can have fun with that melody internal melody and just kind of messing
around with a little bit
right into the
alright alright so that's two options on major chords
so let me give you a kind of my whole theory on dominant chords alright so on
dominant chords I like to do what I call it changing tensions which is let's
someone here let's take a regular old seem us two notes to a seven so eight
seven alright so here's a dominant for a seven
and this is cool but we can start changing the tensions let's make it a
seven flat nine all right let's make it at age seven flat now I'm with the flat
five different tension let's bring at a seven sharp nine sharp
five let's make it a seven just sharp nine right so you can change the
tensions on these chords on dominant chords
offer so let me give you some my tried-and-true I said I was only gonna
give you one but I take that back I'm actually gonna give you a few things
like the deal with Dominic whores to change the tensions
alright so let's say we're doing our song by here so we're here so I could
play this breakaway a7 you know that works that's not the best
sound though mmm so let's play des eighty seven flat nine flat father do
you hear that alright and let's change some of the
tension so I'm gonna take this flat five he's gonna roast throw it down to making
just a regular flat nine so that's right so I'll play it in context
you hear that
it's another one
all right so so this is a seven sharp nine sharp five chord here's it a seven
flat nine flat five or sharp 11 and so
right so I can I can go back and forth between the two and it works really cool
because they're both tribes in the right hand it makes it work really easily so I
did over here
right
alright let me give you another one I like to do and so all I'm doing is going
changing the tension notes so other particularly else I avoid maybe only the
major seven that's probably the only note I don't a wouldn't play but even at
that never rule is is these aren't there's no teacher service music theory
not music truth so even then I'll still occasionally do it let me think of a
case all right
so I do this sometimes
so I did this I have this this upward moving sometimes I'll stop there
I see it
all right you think I won't keep on now we gotten past the melody all right
so we hope you're seeing what I'm doing I'm just kind of moving from one tension
to the others
so let's kind of break down the tissue notes so we have a very real ace a major
8 7 is to G now here's a 9 B so we can flat it which makes it B flat or sharp
it with the mixer be sharp or C major and harmonically I'm AC and harmonically
a B sharp right so from putting C 7 I could add the flat 9 or the truck now
you see that's one option so I could you know do something like
alright so did all right another tension note is the 5 so you can flat it or
sharp it right so you get in you can play with
this to hear that that's a cool sound
all right another note is the 13 find that in there
and so I don't know I'm just kidding moving away moving towards these tension
notes just trying to see what what melodically makes sense internally and
so you can really play with these really have a lot of fun with them and so yeah
many times if I'm trying to they say all right
another way I like to move inner voice is on a dominant chord
so I'm give you two let's take C major our c7 sorry I'll do this
so that's back to our original one that we initially did the first one in F
I'm doing over at Dominic or so the only difference is instead of
playing it as it I would normally play it I flat the 7 4 c7 which would be its
forward to keep at Beaufort Sea because I'm gonna keep path here alright so let
me show you so in our song
right there so that's just a play off of the initial art I showed you and so I'm
just adjusting the notes that fit the core so this is c7 which has to be flat
not at B but B flat let me go back to Kiev first my trophy
well if we were playing f7 Howard so be it would I would change it to be a
flat but this case we're not all right so
that's two ways over major chords in two ways over Dominic horns to changed it
tensions at suspension and resolution in a movement to your inner voices and that
that's a really cool piano hack so work on those and I'm out let me see what you
you come up with so make some videos where you're changing the tensions and
and doing these movements there are a lot more movements and I'm tagged me in
them so I can see them alright alright so that's that
so another really cool piano hack that really adds interest and spices really
just changes the sound of your playing it's adding a left hand
our Pidgey ated line of some sort someone give you my favorite line to add
so in the key of F over F major up so the the line is one five and then we go
to the two or nine
so at this
you see that
ALSO on b-flat
Eb
all right so you get the idea so how do I do it over our example song well let's
give it a try I'm gonna take it a little slower so you can hear it so here it is
all right so you kinda get the idea of its ads rip this like it's a different
style of playing and so what sort of scare is when you're playing two hundred
voices and you you know and you can use your left hand to feel harmonically
there and this kind of playing you might have to add one or two notes more in
your right hand so three or four chords in your right hand instead of maybe
sometimes two.
all right cool that's one my all-time favorite left
hand lines. There are plenty others that's just one of my
favorites that I like doing but definitely work work who try to find
your own evening but that's a great one another one
that's the other one that's kind of classic
so it's kind of a classic one. this one a little different so it kind of has
different sound to it I would definitely though that's a great
way to add interest and color to your playing so it's a great piano hack for
you
so okay here's what I'm going to do I'm going to play through the song comment
and just kind of plate how I would play it and I'm going to try to point out on
the screen where I utilize some of the techniques that we talked about I'm
gonna try to use all utilize all of them and I'll try to write on the screen
everything I'm doing now remember the whole point of this video is to get the
small stuff so there'd be some big stuff like some chord you might want to know
what it is and I'll explain those in future videos but the whole idea is to
get this small stuff because it's because the small stuff really makes the
difference in your playing whether you get the big cord or not if you're able
to do these small things like grace notes or any movements suspensions and
resolutions left-hand lines just kind of all of that really can transfer when
you're playing more than just playing this the big fancy court of the big
fancy one so without further ado here goes
you
all right pretty cool so I hope you weren't overwhelmed by the number of
hacks and ideas for you to learn remember my whole philosophy just get
one down mastered I'm gonna move on to the next one you don't have to get them
all by tomorrow so just get one down really really well also definitely check
out our new Instagram and Facebook pages if you haven't they're pretty cool then
we'll be doing some Instagram Facebook live starting shortly so stay tuned for
that also if you're new to this channel definitely hit the subscribe button
below so you can be notified when we upload new material alright
again my name is Corey Taylor from SkilledMusician.com where we are
helping musicians improve so hopefully this video has helped you improve so until the
next one, be blessed and happy practicing.
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